Search results for "Esthetics"

AN ICY FORCE BOTH FOUL AND FAIR: THE THEME OF LOVE VERSUS FEAR IN THE DUTCH DUBBED VERSION OF DISNEY’S FROZEN

2020

Abstract:This study compares the songs from the original, English-language version of the 2013 Disney film Frozen to those of the Dutch dubbed version, investigating how the thematic representation of love and fear differ between these versions. To support this inherently qualitative analysis, this study employs the triangle of aspects, an analytical model that identifies certain aspects and variables central to animated musical film dubbing, allowing a quantification of differences between dubbed versions. It is found that the dubbed songs differ most strongly from the original songs in the verbal code, which covers issues such as semantic sense and register, and least in the musical code,…

Towards a multidisciplinary approach in creative subtitling

2012

Standard subtitling practices have long been influenced, if not governed, by norms and conventions such as the Code of Good Subtitling Practice (Ivarsson & Carroll 1998). Yet recent research into film subtitling has begun to take a creative turn: a trend that is matched by increasing numbers of fansubs and professionally produced creative subtitles. This paper seeks to demonstrate the need for a multidisciplinary approach to creative subtitling and, by drawing upon principles from film studies, suggests some key features for the development of a creative subtitling practice.

Construction of Whiteness and Blackness in Herman Melville’s Benito Cereno

2020

Rather than resist slavery directly, the narrative world of Benito Cereno disperses the rejection of tyranny through the intricate construction of subject-object relations, the situational context, Benito Cereno’s stifled, semi-articulated statements, the imagery of the narrative and its complex narrative structure. Through silences, multiple viewpoints, innuendos, refusal to solve certain issues definitely while being explicit about this indeterminacy, Melville’s narrative not only inscribes itself in the Romantic questioning of historiography, but also gestures towards postmodernist inconclusiveness and the writerly text in which the reader is invited to be its co-author who fills out the…

Lucan and the Sublime: Power, Representation and Aesthetic Experience, written by Day, H.J.M.

2016

‘They are not very open to people’: how mobile students construct interculturality through metaphor and narrative

2021

This study utilises the ‘small story’ approach to investigate metaphor in mobile students’ narratives of intercultural experience. Metaphor in narrative is seen as a dynamic, discursive, and socioc...

Edusemiotics of meaningful learning experience: Revisiting Kant’s pedagogical paradox and Greimas’ semiotic square

2016

AbstractIn this article we examine the educational process and learning from the edusemiotic point of view in terms of meaningful experience and meaningful action. A conception of meaningful experience is central in many branches of educational thinking, from pragmatism to existentialism. We analyze this conception from two traditional and somewhat remote perspectives, utilizing some themes of Kant’s educational philosophy on the one hand and Greimas’ semiotics on the other. Kant’s views of human formative powers – Bildung – will be described as a basic philosophy of learning experience. Kant’s theory is then critiqued from the perspective of existentialist educational philosophy. Concepts …

El teatro social en Son nom d’avant de Hélène Lenoir

2014

This paper proposes a transdisciplinary approach to the problem of identity, more specifically, the question of hidden identity, constructed and represented by the individual-actor in the great theater of life with and among others. Through one of Helene Lenoir’s most remarkable works, Son nom d’avant , we will try to explain the characters’ attempts first to adapt to social roles imposed by an old family tradition, and second to adjust their social identities to situational demands. Social relations appear as a source of weakness or torment for characters continually divided between their “real identities” (Goffman, 1977) –shaped by their desires and aspirations– and their “social identiti…

Food meaning: From tasty to flavorful

2016

AbstractConsidering as a starting point Greimas’s last work (De l’imperfection), taken into very little consideration by later semiotic research, I would like to see whether it would be possible to make, in the field of taste, the distinction that Greimas did in the visual field: between a “figurative” taste (that I should call tasty) and a “plastic” taste (that I should call flavorful). Much has been discussed about the synesthetic nature of gustatory sensoriality. But very little has been said about links and differences between an intellectualistic taste perception (i. e., recognition of figures of food through semantic grids) and a taste perception of a pure aesthetic nature, supported …

Voicelessness and the Limits of Agency in Early Modern Finnish Narratives on Magic and the Supernatural

2015

Introduction: Self, Narrative, and VoicelessnessGiven that narrative research has shown narration to be an innate trait of the human species (Abbott; see also Barthes; Nussbaum 230), the concept of narrative culture encompasses a vast domain. Here I define it as a system of conventions1 for representing temporally ordered events, conventions that are shared by a group. Such groups tend to be coterminous with linguistic communities. This definition implies that the conventions of a given narrative culture that are intelligible to one group may not necessarily be intelligible to another. Narrative culture is historically transmitted and inherited and can change over time. According to Clifffo…

Hibridisme i autoreferència en el fantàstic d'Espiral, de Manuel Baixauli

2018

The aim of this paper is to define and to analyse the fantastic universe of short stories by Manuel Baixauli published in the volume Espiral (2010), an original and highly significant example of modern fantastic literature that has abolished the real and imaginary borders, that is to say a significant example of fantastic literature conceived as a language phenomenon. The conception of reality integrates and naturalises the supernatural and the irrational in a vision that joins multiple dimensions and perspectives of reality. The self-referential component is also of essential importance in this fantastic, which assimilates and exhibits themes and motifs of inherited traditions in a fully c…