Search results for "Experience"
showing 10 items of 1093 documents
HabEat: Understanding critical periods and critical factors of the formation and of the modification of food habits
2011
Introduction: Diets of young children in many European countries are not ideal (too many lipids; not enough fruit and vegetables). Early nutrition may have an impact on health in later life (diabetes, obesity, heart problems) and the first two years of life are of crucial importance in the acquisition of food habits. The HabEat project aims at understanding better of how food habits are formed and can be changed, in infants and children (< 5 years). Methods: With 11 beneficiaries from 6 European countries, HabEat (2010-2013) is based on a multidisciplinary approach (epidemiology, nutrition, behavioural science, psychology and sensory science). On one hand, in order to identify critical peri…
Body experience in disabled persons. Dialogue between Pierre Ancet and Marcel Nuss
2010
Hedonic message or nutritional message: Which one works?
2019
Eating is not just about incorporating foods or nutrients. Eating or feeding is both a symbolic and social act that is part of a family, a history and a society. This is an essential act which contributes to social identity and to alterity, and which is a vector of pleasure and commensality. However, eating becomes a source of worries because of the conflicting messages and unrealistic injunctions broadcasted through paper press and Internet web sites that lead to misunderstandings and confusions in the mind of the eaters. Moreover, the pleasure of eating is demonized and stigmatized in favor of rational messages highlighting the nutritional values of "healthy" foods to be favored. However,…
Lastensuojelun asiakasperheiden äitien vanhemmuuden riskitekijät
1997
Dal bambino maltrattato all’adolescente a rischio: il ruolo dei fattori di sviluppo nel rischio di recidiva per minori autori di reato
2019
Risk factors related to the family environment and mental distress have been identified as risk factors for deviant behaviour and delinquency during adolescence. This paper, in particular, wants to highlight the specificity of adverse childhood experiences in a sample of young prisoners at the Minor Court of Palermo. In addition to the high presence of emotional neglect and psychological and physical abuse, in this sample there are high percentages of psychopathological symptoms, significantly related to an increased risk of recidivism. The data collected will be improve the studies on the subject but also offer interesting insights for the prevention and the management of juvenile delinque…
Is timing everything? : a longitudinal perspective on adult transitions, their antecedents, and psychological implications
2012
The Good, the Bad and the Ugly Graffiti
2020
Emotions play an essential role in aesthetic and art experience. Graffiti is an example of urban visual communication, and it can also be understood as a form of art. Like other works of art, graffiti can evoke different aesthetic emotions in its audiences, such as pleasure, wonder, interest and pride but also disinterest, disappointment or embarrassment, and even anger and disgust—further impacting, for example, how they value this art form. However, few studies have explored what kinds of emotions people feel when they appraise graffiti. This chapter discusses emotions in graffiti using examples from participant interviews in the Purkutaide study. Interview quotes are assessed against the…
Experience and Existence Revisited Something Essential on A Philosophical Education in Film Art
2013
Abstract The film, the living imagery, traces out its legend before the eyes of the viewer seated there in the darkened space, and in his consciousness becomes a lived spectacle, an interiorised impress of experience. It takes up its abode in him and he falls in step with its movement, merging with the stream of its narrative. In this there evolves an aesthetic-existential situation – of one, many; of one, a qualitative multiplicity is born, and with it the experienced essence of the unique, the inimitable. On this same, the critic pronounces judgement – as often as not his verdict – on this spectacle which he – and another – has beheld; that individual, original experience is thus now couc…