Search results for "Forming."

La investigación artística. Un espacio de conocimiento disruptivo en las artes y en la universidad”

2020

eIF2α confers cellular tolerance to S. aureus α-toxin

2015

We report on the role of conserved stress-response pathways for cellular tolerance to a pore forming toxin. First, we observed that small molecular weight inhibitors including of eIF2α-phosphatase, jun-N-terminal kinase (JNK), and PI3-kinase sensitized normal mouse embryonal fibroblasts (MEFs) to the small pore forming S. aureus α-toxin. Sensitization depended on expression of mADAM10, the murine ortholog of a proposed high-affinity receptor for α-toxin in human cells. Similarly, eIF2α (S51A/S51A) MEFs, which harbor an Ala knock-in mutation at the regulated Ser51 phosphorylation site of eukaryotic translation initiation factor 2α, were hyper-sensitive to α-toxin. Inhibition of translation w…

Text and Illustration in the Medieval Book: Composition, Reading and Reception

2016

Presentaci´´on de este numero: Texto e ilustración en el libro medieval: factura física, lectura y recepción

De Balneator del Sendebar a Senescalus de los Siete sabios: del “exemplo” al relato de acción

2015

Resumen:  Estudio de la difusion del cuento Balneator/Senescalus en el ciclo del Sendebar –tanto la rama transmision oriental, como la occidental–, para examinar las recreaciones de que ha sido objeto este relato en un continuo proceso de narrativizacion que convierte el «exemplo» del Sendebar, en relato de ccion en el Libro de los siete sabios de Roma y que responde a la necesidad de reactualizar la obra a lo largo de la Edad Media y de adaptarla a distintos modelos genericos, cauces de difusion variados y nuevos contextos y gustos literarios de recepcion.  Palabras clave:  Sendebar. Libro de los siete sabios de Roma. Balneator. Senescalu s . Transmision. Recepcion.  Abstract:  A study tha…

Semblanza iconográfica de la realeza sapiencial de Alfonso X: las miniaturas liminares de los códices regios

2016

La producción libraria de Alfonso X testimonia la simbiosis perfecta entre las funciones de gobierno y la labor intelectual y sistematiza su ideario político y cultural, no solo en texto, sino también en imagen. A partir de las miniaturas liminares de los códices regios, se evidencia que el motivo icónico privilegiado en la representación personal de Alfonso X es el rey con el libro: se analizan las distintas variantes de este modelo iconográfico que estampa la amplia gama de atribuciones que conforman el concepto de autoría alfonsí y consolida el modelo de la realeza sapiencial castellana.

“Waiting for the Bass to Drop”: Correlations Between Intense Emotional Experiences and Production Techniques in Build-up and Drop Sections of Electro…

2014

This study investigates the correlations between theories of intense emotional experiences and production techniques used in the electronic dance music (EDM) sections “build-up” and “drop”, which are designed to build tension and create a heightened emotional intensity among clubbers. This is done by descriptive and interpretive music analysis, where spectrograms and a schematic model visually represent the dominant production techniques. Through a theoretical framework consisting of musical expectancy and gravity, the analysis suggests that i) extensive use of uplifters, ii) the “drum roll effect”, iii) large frequency changes, iv) removal and reintroduction of bass and bass drum and v) a …

Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion Capture

2015

<p>Techniques based on motion capture can be useful in <span><span style="font-size: x-small;">analyzing a wide range of musical styles and practices</span></span>: in this case, Transylvanian village music. We focused on a repertoire known as “Gypsy songs of sorrow”, played by professional Gypsy musicians during parties and celebrations of their own community. Two parameters were the object of study: rhythmic duration, and synchronization between musicians (a violinist and a viola player). Results show that rhythm is a local variant of <em>aksak</em> and is based on two duration units (S=short, L=long) which respect the formula 2:3 < S:L &am…

Música medieval al més enllà

2007

According to the Middle Ages anthropomorphic and anachronical conception, in the other world -in heaven and in hell- they play, listen and dance different musics, vochal and instrumental, mystical hymns or torture shapes. There is too a defined and giving legitimation liturgycal and musical collaboration between heaven and earth’s church, which devils try to sabotage. And different heavenly and hellish attitudes, from pleasure to absolut condemnation, towards human musicians and musics.

¿Música o magia? La presentación de las ondas musicales de Maurice Martenot en España

2015

On 1928, the French musician Maurice Martenot presented at Paris Opera a new electronic musical instrument which he called musical waves. It had success like only a few and attracted the interest of the composers, Martenot strove to spread it with a initial tour that took it all around the world between 1931 and 1932. From the information given by the press –because there are not more references– this article aims to rebuild the presentation of the instrument in Spain all along 1932, to report about the reception by the review and to justify the mystery that involved the instrument because of its unknown electronic running and its performance only with the hands movement on the air.En 1928,…

Performing sound of the past: Remix in electronic dance music culture

2014

The term remix, defined as an activity of taking data from pre-existing materials to combine them into new forms according to personal taste, relates to various elements and areas of contemporary culture. Whichever model used, consideration of the remix depends on recognition of pre-existing cultural codes. Therefore, as a second layer, the remix relies on the authority of the original and it functions at the meta-level. The audience may see a trace of history with the pre-existing object and the meaning creates in the viewer(s), reader(s), listener(s) or, in the contemporary world of DJs and popular electronic dance music culture - in dancer(s). With the aim of specifying modes of creating…