Search results for "Forming"

showing 10 items of 1719 documents

‘Word Sound Have Power’: Poetics and Politics in Afro-Caribbean Poetry and Popular Music

2021

International audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.LITT]Humanities and Social Sciences/Literature[SHS.HIST] Humanities and Social Sciences/History[SHS.LANGUE]Humanities and Social Sciences/Linguistics[SHS.HIST]Humanities and Social Sciences/History[SHS.LANGUE] Humanities and Social Sciences/LinguisticsComputingMilieux_MISCELLANEOUS
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“Sometimes I Wanda/Who Will Translate/Dis/Fe de Inglish?” Strategies for Transcribing Jamaican Creole in the Dub Poems of Linton Kwesi Johnson and Be…

2019

International audience; The question of dialect has always been central to Caribbean literature, and more specifically to poetry. In a (post)colonial context of diglossia between standard English and Jamaican Creole, and of a strong hierarchy between oral and scribal forms of linguistic and literary expression, the mere possibility of writing ‘real’ literature in Patwa was severely contested until quite recently. Yet, an increasing number of poets have experimented with Creole over the course of the last century and have amply demonstrated that it is a legitimate medium for poetic and literary expression.This paper looks at various strategies employed by Anglo-Jamaican dub poets Linton Kwes…

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.LITT]Humanities and Social Sciences/Literaturepoetic rhythmdub poetryJamaican Creole / Patwa[SHS.LANGUE]Humanities and Social Sciences/Linguistics[SHS.LANGUE] Humanities and Social Sciences/Linguisticsperformance poetryoral literature
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“Whey Mi Belang”: Borders of Class, Race and Gender in Reggae Lyrics and Afro-Caribbean Oral Texts

2018

International audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.SOCIO]Humanities and Social Sciences/Sociology[SHS.LITT]Humanities and Social Sciences/Literature[SHS.SOCIO] Humanities and Social Sciences/SociologyComputingMilieux_MISCELLANEOUS
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Grenzen

2019

„Wo, wie, warum ziehen wir unsere Grenzen?“ Diese Fragen beziehen sich nicht nur auf physisch begehbare Räume und administrativ handhabbar gemachte Einheiten. Grenzziehungen und Entgrenzungen sind immer auch Ausdruck von Machtansprüchen, von politischer, sozialer und individueller Identitätssuche, von menschlicher Selbstdefinition. Denn wenngleich es Grenzen zwar von jeher gegeben zu haben scheint, entsteht doch der Eindruck, dass sie in der modernen Realität zunehmend bedeutsamer werden, obwohl oder gerade weil sie allenthalben fallen: Nicht zuletzt Anfang und Ende menschlichen Lebens werfen die Frage nach der Grenze, ihrer Definition, ihrer Verschiebbarkeit auf. Tatsächlich ist das Wort ‚…

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.PHIL] Humanities and Social Sciences/PhilosophyInterdisziplinäre ForschungGrenze <Philosophie>Künste[SHS.HIST] Humanities and Social Sciences/HistoryGrenze <Motiv>[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.RELIG] Humanities and Social Sciences/ReligionsGrenze[SHS.LANGUE] Humanities and Social Sciences/Linguistics
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“A Modern Slave Song:” Reggae Music and the Memory of Slavery

2019

International audience; From early ska tunes to modern-day dancehall sounds, Jamaican popular music has been a privileged site for the re/creation and transmission of a communal memory of slavery, within Jamaican society itself but also in the broader context of the African and Afro-Caribbean diasporas. The lyrics of reggae songs constitute a vast textual repertoire where a predominantly oral discourse on slavery is produced and circulated, mostly outside institutional circles. In such texts, slavery serves as a memorial matrix which fosters a sense of identity, community and resistance for Afro-Caribbean people around the world. This chapter examines a corpus of 250 song lyrics dedicated t…

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.SOCIO]Humanities and Social Sciences/Sociology[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.LITT]Humanities and Social Sciences/Literature[SHS.SOCIO] Humanities and Social Sciences/Sociology[SHS.HIST] Humanities and Social Sciences/History[SHS.HIST]Humanities and Social Sciences/Historyslaverypopular cultureComputingMilieux_MISCELLANEOUSreggae / Jamaican popular lyrics
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Beatrix Potter au cinéma: 1971-2018

2018

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsadaptation filmiquefilm adaptationsBeatrix Potterlittérature pour la jeunessechildren's literature
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« It Dread Inna Inglan », une chronique des luttes des Antillais au Royaume-Uni dans les poèmes de Linton Kwesi Johnson

2019

International audience; Linton Kwesi Johnson, dit LKJ, chanteur, poète et musicien de reggae s’est affirmé depuis les années 1960 comme un artiste noir de premier plan en Angleterre. Né en 1952 en Jamaïque, LKJ arrive à Londres parmi les dizaines de milliers d’immigrants antillais qui s’installent au Royaume-Uni à partir de l’après-guerre. Dans un contexte social tendu, marqué par le racisme et les violences policières auxquels font face les Antillais, LKJ développe une nouvelle forme d’expression artistique entre musique et poésie : la « dub poetry ». Ce faisant, il devient le porte-voix des luttes des Noirs pour leur reconnaissance au sein de la société britannique.

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsimmigration antillaise au Royaume-Uni[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.LITT]Humanities and Social Sciences/Literaturemouvements antiracistesdub poetryreggae / musiques caribéennes
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Liszt, lectures et écritures

2013

International audience; Trois universités françaises se sont associées afin de rendre hommage à Franz Liszt, le plus européen des compositeurs du XIXe siècle, et célébrer ainsi le bicentenaire de sa naissance en 2011. Trois colloques dans trois villes différentes, Rennes, Dijon et Strasbourg, ont souhaité aborder trois aspects différents de sa personnalité artistique, littéraire, politique et son inscription dans les courants culturels de son temps.Critique musical et littéraire, critique d’art, grand lecteur et observateur de son temps, Liszt écrit également un nombre impressionnant de lettres. Sa correspondance reste un corpus largement étudié aujourd’hui et elle a assuré l’un des axes de…

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsmusique à programme[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.LITT]Humanities and Social Sciences/Literature[SHS] Humanities and Social SciencesFranz LisztHistoire de la musique − Sources[SHS]Humanities and Social Sciences
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Starshooter

2019

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts
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L'usage de la chanson et la tentation de la comédie musicale chez Jean-Luc Godard

2018

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts
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