Search results for "Forming"

showing 10 items of 1719 documents

Compte rendu de : Basile Zimmermann, Waves and Forms. Electronic Devices and Computer Encoding in China, Cambridge, The MIT Press, 2015, 296 p.

2018

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsSound Studies[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.HIST] Humanities and Social Sciences/HistoryChinese Studies[SHS.INFO]Humanities and Social Sciences/Library and information scienceshistoire de la musiquesinologie[SHS.HIST]Humanities and Social Sciences/History[SHS.INFO] Humanities and Social Sciences/Library and information sciencesComputingMilieux_MISCELLANEOUShistoire culturelle
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Sounding the Middle Ages : A Cinematic Chronotope

2022

Abstract This article explores the strategies used in movies to recreate the sound of the Middle Ages. The musical elements that our culture chooses for identifying the past and their reasons for those choices are an interesting point to start this investigation. Bakhtin's notion of “chronotope” is useful for discovering the musical signs of “medievalness”; indeed, the sources for authenticity are not the “historical” sources but the musical paradigm defined before the Second World War.

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsVisual Arts and Performing ArtsCommunication[SHS.ART] Humanities and Social Sciences/Art and art historyMusic
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Ce que les usagers et Internet font à la prescription culturelle publique et à ses lieux : l'exemple de la musique en Ile de France

2010

Recherche menée pour le programme interministériel " Culture et Territoires en Ile de France " 1 2008-2010 1 Le programme de recherche « Culture et territoires en Ile-de-France » est une initiative conjointe du Ministère de la Culture (Mission de la recherche et de la technologie, Département des études, de la prospective et des statistiques, Direction régionale des affaires culturelles d'Ile-de-France), du Ministère de l'Équipement (Plan Urbanisme Construction Architecture, Direction régionale de l'équipement d'Ile-de-France) et de l'Institut d'aménagement et d'urbanisme de la Région d'Ile-de-France.

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsWeb 2.0[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing arts[SHS.INFO]Humanities and Social Sciences/Library and information sciences[ SHS.INFO ] Humanities and Social Sciences/Library and information sciencesexpertise cuturellemusiqueblogs[SHS.INFO] Humanities and Social Sciences/Library and information sciences
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Ear Training Applications in Music Education: Exploring Utilization, Effectiveness, and Adoption Factors in France

2023

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[INFO.EIAH] Computer Science [cs]/Technology for Human LearningMusic Learning Use of Technology Music Education Ear Training
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Topo-analyse de la musique mixte

2017

National audience; The purpose of this article is to pursue a semiotic approach to mixed music already outlined in some writings. After having developed a theoretical model capable of synthesizing the possible concert apparatus and defining the functions of the various protagonists, this article attempts, on the one hand, to establish a typology of the main relational strategies between instrumental and electronics observed in the repertoire and, on the other hand, to develop an analysis method using the topics. Relational strategies are approached with the concept of topic, defined as an imaginary place to articulate potential contents and unify them within an identifiable theme. In the re…

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SCCO]Cognitive science[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsAnalyse musicale[ SCCO ] Cognitive scienceCognition musicale[SCCO] Cognitive science
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Prêt-à-porter ou coupe sur mesure ? Liberté et contraintes de la temporalité dans l’interprétation de la Sequenza III de Berio

2017

National audience; Sequenza III (1965-1966) for Female Voice by Luciano Berio is one of the leading works in the solo vocal repertoire after 1945. The work is the culmination of a fruitful on-going collaboration with Cathy Berberian, interrupted by the singer’s death in 1983. Perfectly knowing the singer’s vocal possibilities, Sequenza III was “not only written for Cathy, but about Cathy” as the composer asserts. It is then legitimate to ask the question of the fate of the work, since Sequenza III was by no means reserved, in Berio’s mind, to a dedicated performer. In order to answer this question, this article analyzes five recorded performances (Berberian, 1967 and 1970; Castellani, 1998,…

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SCCO]Cognitive science[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsAnalyse musicale[SCCO] Cognitive scienceCognition musicale[ SCCO ] Cognitive science
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Temporalité et texture dans "Eight Lines" de Steve Reich : de la perception locale à la forme expérientielle

2017

Consacré à la nouvelle question d’agrégation 2018 « Les temps de la musique », ce numéro illustre la diversité des problématiques auxquelles seront confrontés les candidats au concours. Il aborde à la fois le temps de la création et celui de l’interprétation, les temporalités des musiques « savantes » et celles des musiques « populaires », réunissant des textes synthétiques et des analyses d’oeuvres, des approches historiques, ethnomusicologiques et esthétiques. ISBN 9782368570432; National audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SCCO]Cognitive science[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsAnalyse musicale[SCCO] Cognitive scienceCognition musicale[ SCCO ] Cognitive science
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La filiation Varèse - Zappa en question

2017

National audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SCCO]Cognitive science[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing arts[SCCO] Cognitive science[ SCCO ] Cognitive scienceCognition musicaleComputingMilieux_MISCELLANEOUS
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Les "Poules gallo-romaines" : Anecdote instrumentale et sociale d'une ancienne collectiondu Musée d'Archéologie Nationale de St-Germain-en-Laye (78)

2014

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.ARCHEO]Humanities and Social Sciences/Archaeology and PrehistoryComputingMilieux_MISCELLANEOUS
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Renaissance Music and the Slavic World

2019

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.ART] Humanities and Social Sciences/Art and art history
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