Search results for "Forming"

showing 10 items of 1719 documents

La cause du jazzNaissance d'une passion, Paris 1930-1934

2019

Naissance d'une passion, Paris 1930-1934 « Ne pouvant courir les montagnes, je les chanterai, d'en bas » René Daumal Le domaine que nous aborderons, celui de l'amour du jazz, pourrait n'être que musical. Mais ce n'est pas le cas. La passion du jazz, telle qu'elle apparaît et se précise dans le Paris des années trente, à travers un tout petit groupe d'admirateurs procède du travail des idées. Idées ténébreuses, contradictoires. Et en cela, passionnantes, bien sûr. Ils sont quelques jeunes gens, fort peu nombreux, dans le Paris du début des années trente, à se reconnaître avec passion dans une musique américaine, que l'on peut entendre en Europe depuis 1917. Lorsqu'ils s'expriment sur cette m…

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts
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"Try out" de Kas Product, ou la fulgurance d'une électro-punk à la française

2018

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts"Try out"Kas Product[SHS] Humanities and Social Sciencesélectro-punk à la françaiseComputingMilieux_MISCELLANEOUSfulgurance[SHS]Humanities and Social Sciences
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Psychedelic Floyd : L’underground à Londres 1966-1967

2018

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts1966-1967undergroundPsychedelic Floyd[SHS] Humanities and Social SciencesLondresComputingMilieux_MISCELLANEOUS[SHS]Humanities and Social Sciences
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Opus musicum angelorium : Quand la musique des « invisibles » émerge aux confins du sensible – Hommage à Giacinto Scelsi

2019

The article focuses on the music of the “invisible”, that is to say, the sound art suggested by the community of angels (between God and Satan). Based on the thought of Boece or Hanslick, Pythagoras or Eliade ... the study touches on both the aesthetics and the musicology of “modern” and “contemporary” music scores (Debussy, Jolivet, Scelsi, Messiaen, Stockhausen, Schnebel, Denisov, Ohana, Henry, Crumb, Grisey, Pintscher, Francesconi, Hurel ...). Conceived as a tribute to Giacinto Scelsi (poet and composer who has often mentioned angels in his poems as well as in his titles of musical works), “Opus musicum angelorium” tries to analyze the limits of the sensitive (at the limit of the inaudib…

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts:PEDAGOGÍA [UNESCO]ArteUNESCO::PEDAGOGÍAComputingMilieux_MISCELLANEOUSMúsica
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Essere compositore secondo Jean Barraqué

2020

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsArte:PEDAGOGÍA [UNESCO]UNESCO::PEDAGOGÍAComputingMilieux_MISCELLANEOUSMúsica
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Théâtre musical et matiérisme : Atomtod de Giacomo Manzoni

2019

This article deals with Atomtod (1964), Giacomo Manzoni's third stage work, which addresses the theme of atomic weapons and its political and social issues. After evoking the historical context in which it was conceived, we studied some emblematic aspects of Atomtod’s libretto, focusing on music and staging as well as its analogies with Intolleranza by Luigi Nono. Based on archival documents (sketches, press articles, an inedited correspondence), the present article specifically aims at illustrating to what extent this work refers to the composer’s materialistic poetics.

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsArte:PEDAGOGÍA [UNESCO]UNESCO::PEDAGOGÍAComputingMilieux_MISCELLANEOUSMúsica
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Jeff Beck You Had It Coming (en ligne sur réseau Canopé)

2021

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsComputingMilieux_MISCELLANEOUS
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Du son au sens : vers une approche sub-symbolique de l’analyse musicale assistée par ordinateur

2011

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsComputingMilieux_MISCELLANEOUS
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Musique Paul Misraki : Ali Baba de Jacques Becker, entre comédie-farce et vision de l'Orient

2020

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsComputingMilieux_MISCELLANEOUS
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Il suono del Medio Evo al cinema. Un itinerario, pp. 385-434 (ns. IX/2)

2018

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsComputingMilieux_MISCELLANEOUS
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