Search results for "Forming"
showing 10 items of 1719 documents
Adriano Junio. Emblemas. Estudio introductorio, traducción notas e índices. Beatriz Antón y Antonio Espigares
2014
Edicion critica del libro: Adriano Junio. Emblemas . Beatriz Anton (Estudio introductorio). Beatriz Anton y Antonio Espigares (Traduccion, notas e indices), Zaragoza, Libros Portico, 2013, pp. 396. Nos encontramos ante la primera edicion moderna y ante la primera traduccion al castellano de una significativa obra de emblematica de un autor alabado y considerado ya en su epoca por su exquisita erudicion. Estimamos que esta edicion de los Emblemata de Adriano Junio merece los mas sinceros elogios por la gran claridad expositiva y el acertado enfoque con que nos ilustra la introduccion; y especialmente, por la esmerada traduccion revestida de elegancia, precision y fidelidad al texto. En suma…
Le porte della storia. L’Età Moderna attraverso antiporte e frontespizi figurati. Genoveffa Palumbo
2014
Recension critica del libro de Genoveffa Palumbo: Le porte della storia. L’Eta Moderna attraverso antiporte e frontespizi figurati, Roma, Viella, 2012, 562 p. Il libro di Genoveffa Palumbo, dedicato allo studio delle antiporte e dei frontespizi delle opere a stampa pubblicate nel lungo arco temporale che va dal secolo XVI al secolo XVIII, e il frutto di un originale percorso di ricerca maturato in lunghi anni di assiduo lavoro, sostenuto da brillanti intuizioni, preziosa erudizione, approfondite riflessioni storiche.
La invención de Carlos II. Apoteosis simbólica de la Casa de Austria. Víctor Mínguez
2014
Recension critica del libro de Victor Minguez: La invencion de Carlos II. Apoteosis simbolica de la Casa de Austria , Madrid, Centro de Estudios de Europa Hispanica, 2013, pp. 401.
El Pancarpium Marianum de Jan David: grabados y conceptos para la Capilla de Nuestra Señora de los Ojos Grandes (Lugo)
2013
ABSTRACT: The Nuestra Senora de los Ojos Grandes Chapel, in the Lugo cathedral, houses in its interior a rich Iconographic Program consecrated to the praise of the Mother of God. Its XVIII th century paintings can be divided into two groups according to the source from which they proceed: Sacred Emblematics or the Pancarpium Marianum by Jan David (1607). Concretely, this study focuses on this latter work, in which we introduce the Pancarpium in order first, to demonstrate how some of its engravings were mimetically copied in the ovals of Lugo and, second, to make use of the explanations given by the author in order to analyze in depth the meanings hidden behind the images of our chapel. KEY…
Sic itur ad astra. Maria Helena Dinis de Teves Costa Ureña Prieto (1928-2013)
2014
Necrológica: Maria Helena Dinis de Teves Costa Ureña Prieto (1928-2013), Profesora Catedrática jubilada, Departamento de Filología Clásica, Facultad de Letras, Universidad de Lisboa (FLUL).
Pierio Valeriano. Jeroglíficos. Prólogo General y Libros I–V. Francisco José Talavera Esteso
2014
Recension critica de Pierio Valeriano. Jeroglificos. Prologo General y Libros I–V, Introduccion, edicion critica, traduccion anotada e indices al cuidado de Francisco Jose Talavera Esteso, Alcaniz – Madrid, 2013, pp. CLXXXV+387.
Hacia la consolidación de IMAGO
2013
Los ángeles de la Lonja de los Mercaderes de Valencia (1484 - ca. 1498). Un estudio de iconografía musical
2015
ABSTRACT: Although the historical and artistic significance of the Lonja (Guildhall) of the Merchants of Valencia is undeniable, up until now there has been no detailed study of the decoration of the vaults over the old Merchant’s Chapel and the Chamber of Trade. The vaults form a unitary visual program in which fifty-two angels are depicted praying, carrying various objects and playing a wide repertoire of musical instruments. This article analyzes the visualization of heavenly music in the Lonja through the iconographic subject of the musician angel. To this end, I have used an iconographic-iconological methodology to study these images, to which I have added observations on the organolog…
The Emblematic Handkerchief in Othello, and Its Untold Backstory
2017
ABSTRACT: Early modern emblems intentionally performed aspects of one’s character that elicited curiosity while conveying secret messages, often amorous and at times shared by lovers. Emblems could be engraved in medallions, affixed to jewelry, printed in books, and sewn into textiles, such the strawberry motif embroidered in the handkerchief Othello gives Desdemona in Shakespeare’s play, The Tragedy of Othello, the Moor of Venice . Most critics interpret the emblematic handkerchief for what it comes to mean in the play, whereas I explore how it could have meant when Othello initially gives it to Desdemona. Why would a chivalric warrior give his lady such a handkerchief? And what could this…
El lugar de María Intercesora en las imágenes de la Escala de Salvación. Interpretación iconográfica de sus aspectos formales.
2013
ABSTRACT: Iconographic studies often overlook the formal questions of an image, which nevertheless can be essential to interpret the continuity of an iconographic type. This is the case of the Scala Salutis, in which Christ and His Mother intercede with God on behalf of humanity. Mary’s place in these works depends on the varying manners in which she was regarded between the end of the Middle Ages and the 16 th century, when this iconographic type reached its highest level of development. And it will be precisely her physical position in the images, along with other significant elements, that determines the given type. KEY WORDS: Mary Intercessor, Scala Salutis, History of Iconographic Type…