Search results for "Fresco"
showing 10 items of 33 documents
VIRTUAL RESTORATION 2. THE FRESCOES OF THE ROCK-CUT CHURCH OF LAMA D’ANTICO NEAR FASANO (ITALY)
2020
This volume is the second in the series of books dedicated to Virtual Restoration and represents the natural continuation of the previous volume published in 2017: Virtual restoration 1. Paintings and Mosaics. The first volume presented the general topic of virtual restoration as applied to pictorial surfaces and mosaics via 38 case studies that illustrated specific issues: from the survey to the representation of the surfaces, from the mapping of decay to the analysis of colour, from the treatment of the gaps to the virtual reconstruction, as well as the diagnostic analyses of the surfaces. This second volume illustrates all the applications that can be used for virtual pictorial restorati…
Santo carmelitano
2011
Studio di un affresco staccato tardogotico dell'ultimo quarto del XV secolo esposto nel Museo d'Arte sacra di Alcamo
«L'arte giottesca portata al suo apogeo»: l'Oratorio di San Giorgio nella discussione dei conoscitori (1837-1846)
2021
The Nineteenth-Century rediscovery of the Oratory of S. Giorgio offers the opportunity to question the conservation methods, historical analysis and creative reception of fourteenth-century painting. This essay reconstructs the historical circumstances of the discovery of Altichiero’s frescoes and the consequent discussions among connoisseurs concerning the autography and the cultural value of the same. The protagonists of this scholarly discussion - the German art historian Ernst Förster (1800-1885) and his Italian colleague Pietro Selvatico Estense (1803-1880) - see the Paduan fresco cycle as a model for both modern draughtsmanship and large-scale fresco decoration. This dualistic charact…
The T.r.u.e. Methodology and Software. Application and Method: Mural paintings in the Church of S. Maria della Catena in Palermo
2008
Poster presented at the International Conference and Workshop "Teaching Conservation/Restoration of Architectural Heritage, Goals, Contents and Methods", EAAE-ENHSA, Genova, 18-20 ottobre 2007.
La cúpula de la Basílica de la Virgen de los Desamparados de Valencia (I): el ámbito de la gloria
2007
-Rafael.G-Mahiques@uv.es Estudio iconográfico de los frescos de la cúpula de la Basílica de la Virgen de los Desamparados de Valencia, obra de Antonio Palomino realizada entre 1701 y 1704. Aproximación a un análisis del ámbito de la Gloria celestial. Aquí la Virgen aparece como reina e intercesora ante el Trono de Gracia, en donde, de acuerdo con la tradición iconográfica, se incluye a San Juan Bautista y los arma Christi portados por ángeles. En torno a este núcleo se disponen los bienaventurados, agrupados bajo el criterio de la Letanía Lauretana, en la cual María es invocada con los títulos de Reina de los Ángeles, de los Patriarcas, Profetas, Apóstoles, Mártires, Confesores, Vírgenes y …
Los frescos del Camarín de la Virgen de El Puig de Santa María, del pintor José Vergara : iconografía, significado y valor hermenéutico para los vale…
2010
La capilla de San Vicente Ferrer de Valencia o la apoteosis de la alegoría tardobarroca
1996
La Parroquia de Nuestra Señora de la Misericordia de Campanar: proceso constructivo y decorativo
2008
The parish of Our Lady of Mercy in Campanar presents an extensive constructive and decorative process from the 16th century. This article tries to improve the knowledge of its different historical phases and contributes with unpublished documentation as the contract for its bells tower with the architect Josep Mínguez La parroquia de Nuestra Señora de la Misericordia de Campanar presenta un dilatado proceso constructivo y decorativo desde el siglo XVI a la actualidad. Este artículo intenta profundizar en sus diferentes fases históricas y aporta documentación inédita como las capitulaciones de su campanario con el arquitecto Josep Mínguez
Recensione di Cometa M. (2017), Il Trionfo della morte di Palermo. Un’allegoria della modernità, Quodlibet, Macerata
2019
Michele Cometa’s book analyzes the fifteenth-century fresco Il Trionfo della Morte (The Triumph of Death), conceived for the courtyard of the Ospedale Grande e Nuovo of Palazzo Sclafani in Palermo and currently housed in the Regional Gallery of Palazzo Abatellis, in the same city. The approach is inspired by Visual Culture studies: there are historical reconstructions and references to previous critical analyses of the pictorial work, but the fresco is interpreted in a new way, considering its narrative structure, thematic clusters as well as the allegories, the medieval topoi and the different cultural influences present in Sicily at the time.
Константин Великий и св. Елена на фресках Яна Кубена в Воздвиженском костеле в Бжеге
2020
The paper introduces the splendid representations of Emperor Constantine the Great and Saint Helena in Jan Kuben’s frescos in the church under invocation of the Triumph of the Cross in Brzeg. They testify strongly of the incessant presence of the creative reflection over the Christian ancient times in the area of Opole Silesia in the period of the Catholic reform in the 18th century. Kuben’s trompe-l’oeil constitutes a wonderful combination of deeply experienced Catholic spirituality with the genius of the artist – a visionary.