Search results for "Gravure"
showing 8 items of 18 documents
Emotions extrêmes et extrémités des émotions: la représentation de la jouissance dans les gravures libertines
2008
Il contributo si propone di esaminare la rappresentazione del godimento sessuale nelle stampe libertine del Settecento francese. La riflessione si avvale di strumenti psicoanalitici che consentono di determinare un particolare statuto del godimento nell'ambito di queste illustrazioni.
Discovery of a novel state of the Jean Mignon signed etching of "Alexander gifting gold to the priests of Ammon".
2019
There are only two known prints signed by Jean Mignon, a decorative cartouche ("Io. MIGon. 1544") and "Alexander gifting gold to the priests of Ammon" ("Io. MIGon."). Until now, the latter was known only in one state and three proofs kept at the British Musem, the Arsenal Library and the Ecole des Beaux-Arts in Paris. In 2016 the Dole city library purchased an album of prints that contained a different state of this engravong. A close examination further shows that the British Museum proof is actually from the same state as this Dole Library print.
Graver, sculpter : un geste moderniste. Descriptions ekphrastiques dans les manuels de gravure sur bois des années 1920 et 1930 en Grande Bretagne
2015
International audience
Towards roll-to-roll fabrication of electronics, optics and optoelectronics for smart and intelligent packaging
2004
Embedding of optoelectrical, optical, and electrical functionalities into low-cost products like packages and printed matter can be used to increase their information content. These functionalities make also possible the realization of new type of entertaining, impressive or guiding effects on the product packages and printed matter. For these purposes, components like displays, photodetectors, light sources, solar cells, battery elements, diffractive optical elements, lightguides, electrical conductors, resistors, transistors, switching elements etc. and their integration to functional modules are required. Additionally, the price of the components for low-end products has to be in cent sc…
Ivy and Bones: ruins and reversibility during the Blitz
2012
"Ivy and bones: ruins and reversibility during the Blitz" examines how the representation of the ruins of the Blitz is informed by the aesthetic and semiotic tension between abstraction, modernist purity and picturesque accretion. Subsequently building on the notion of reversibility, it explores the way wartime destruction and/or cultural decline is recorded as well as counteracted and compensated for in works by Elizabeth Bowen, Herbert Furst, Claire Leighton, Rose Macaulay, John Piper, and Virginia Woolf. The trope of reversibility provides a template to consider some of the sites where aesthetic conflicts are re-enacted, from blitzed spaces to the printed page as threatened modernist art…
Dynamic preparation of TiO2 films for fabrication of dye-sensitized solar cells
2006
Preparation of nanocrystalline porous titanium dioxide (TiO2) films with roll-to-roll compatible methods was studied. Gravure printing was used for spreading TiO2 paste and paper calendering for pressing TiO2 nanoparticle films. Influence of different preparation methods on performance of fabricated dye-sensitized solar cells (DSSCs) was investigated. The attained light into electricity conversion efficiency was compared with DSSCs fabricated on conductive plastic substrates by doctor-blading spreading with subsequent static pressing. The latter method achieved a light conversion efficiency as high as 5.1%. The efficiency of the cells with a gravure printed TiO2 film was found to be rather …
L'utilisation des reliefs naturels dans l'art gravé et sculpté pariétal du paléolithique supérieur français
2005
Pendant toute la durée du Paléolithique supérieur, en Espagne et en France principalement, les artistes ont réalisé des figurations en utilisant les reliefs naturels et la morphologie des parois de grottes ou d'abris-sous-roche. Ce phénomène artistique, qui a toujours préoccupé les préhistoriens, a suscité les interrogations et les interprétations les plus diverses de la fin du XIXe siècle jusqu'à présent : origine de l'art, préoccupations magico-religieuses, organisation spatiale et sanctuarisation de l'espace souterrain, structures pariétales, chamanisme, techno-cultures, etc. Pendant longtemps, ce que les formes rocheuses pouvaient avoir d'évocateur a été considéré comme la raison d'être…
Des gravures à l'ironie féroce
2013
International audience