Search results for "INTERNI"
showing 10 items of 222 documents
Locus ovatus in formam amphitheatri constructus. Dal Teatro Greco di Villa Adriana al Teatro Olimpico di Palladio
2018
In 1579, at the end of a career studded with prestigious assignments, Andrea Palladio designed for the Olympic Academy a “theater on an ancient model but small and unspeakably beautiful”, as Goethe wrote in his Journey to Italy. A planimetric form, a social function and architectural details, however, severely shows it off from the Vitruvian body of rules of classical theater, enhancing its originality and making it an invention rooted in late-Alexandrian architectures visited and surveyed by Palladio at the Hadrian's Villa in Tivoli.
Che ci fa Carlo Scarpa in scena a Oslo?
2017
Lo spettacolo teatrale Edda (di Jon Fosse per la regia di Robert Wilson), apre una riflessione sul significato dell’astrazione. Quando i riferimenti culturali rappresentano la riduzione in simboli della realtà, e quando invece sono irriconoscibili segni?
AGATHON
2011
Interiors and Exhibits: narrative in motion
2008
Nel 1786, Charles Wilson Peale apre il Natural History Museum di Filadelfia, da cui prende avvio una forma primordiale di exhibition design modernamente inteso, dove diorami, falsi paesaggi e ritratti contribuiscono a rivelare una precisa volontà di “mediatizzazione” del museo. Anche ai nostri giorni le istituzioni museali provano a risolvere le problematiche di “pubblicizzazione” e a fornire, anche al più inesperto visitatore, gli strumenti per individuare il racconto delle “cose” esposte. Peale, osserva Gary Kulik, nel concepire il suo museo come un luogo di intrattenimento per tutti piuttosto che come luogo di alta cultura, gioca un ruolo di vero antesignano della museografia moderna. At…
Una passeggiata effimera tra architettura, design, arte
2010
Poster: Contaminations
2010
THE LIGHT IN MUSEUM EXHIBITIONS AS AN EFFECTIVE TOOL FOR COMMUNICATING THE MEANING OF ANCIENT REMAINS
2011
In this paper, based on research made by the Authors in the Mediterranean area, is highlighted how the use of light in museums can effectively contribute to a better knowledge of the past, giving citizens the opportunity to rediscover their identity and tourists to understand local history and archaeology. The research investigates about the aspects of lighting for archaeological sites or part of them. The charm of an archaeological site or a monument comes from the perception of its whole environmental context, both for functional lighting and artistic valorization. The emphasis is on what should be the most effective lighting system for the monumental sites, one respecting the ruins and t…
THE LIGHT IN MUSEUM EXHIBITIONS AS AN EFFECTIVE TOOL FOR COMMUNICATING THE MEANING OF ANCIENT REMAINS
2011
In this paper, based on research made by the Author in the Mediterranean area, is highlighted how the use of light in museums can effectively contribute to a better knowledge of the past, giving citizens the opportunity to rediscover their identity and tourists to understand local history and archaeology. The research investigates about the aspects of lighting for archaeological sites or part of them. The charm of an archaeological site or a monument comes from the perception of its whole environmental context, both for functional lighting and artistic valorization. The emphasis is on what should be the most effective lighting system for the monumental sites, one respecting the ruins and th…
Natura, territorio e sentimenti dell’uomo: una questione d’identità.Oradour-sur-Glane e il museo della memoria
2010
When a community has a suffering memory, within the memory-oblivion mechanisms characterizing every form of social stability, the interventions of musealization of a specific landscape can usefully contribute to the “trauma elaboration” process, being the only helpful expedients to turn the painful events that the community is not able to cope with into a “shared commemoration”. However, based on the experience from the Charles de Gaulle Memorial in Colombey, the museal interpretation can determine a touristic earning power which can often overwhelm the more expected “duty of memory”. Every new museal insertion, being a place fit for the building of the community mind, has in fact to fulfil…