Search results for "Improvisation"

showing 10 items of 51 documents

Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition

2021

Starting from sociologist Anne-Marie Green?s idea of ?common space?, and from Hans Robert Hauss? reception theory, the improvisation workshop is thought to be a way of transforming the practices of reception, in order to modify the nature of the culture of listening of each listener. Four research axis are, then, proposed, from the validation of the personal experience of the participants to the reception of the instant?s surprise as a factor of education, including the research of communicational tools specific to reception of music, capable of captivating the listeners with the original aspects of the unknown musical territories.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASrevista de investigación musical: territorios para el arte 590908 2021 7 8182064 Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition Dutrathe improvisation workshop is thought to be a way of transforming the practices of receptioncapable of captivating the listeners with the original aspects of the unknown musical territories. 165 186Arthur Starting from sociologist Anne-Marie Green?s idea of ?common space?territorios para el arte 590908 2021 7 8182064 Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition Dutra [revista de investigación musical]2386-8260 13268 Itamarproposedthenincluding the research of communicational tools specific to reception of music:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]from the validation of the personal experience of the participants to the reception of the instant?s surprise as a factor of educationand from Hans Robert Hauss? reception theoryin order to modify the nature of the culture of listening of each listener. Four research axis are
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Focal Points in Collective Free Improvisation

2013

OLLECTIVE FREE IMPROVISATION (herein abbreviated as CFI), while not a recent phenomenon in music (free jazz’s first experiments date from the late 1950s), remains under-studied. The extant literature either deals with political aspects (Carles and Comolli 2000) or tries to analyze the resulting music, using musicological tools (Jost 1994) or new concepts drawn from the complexity sciences (Borgo 2005). My research on CFI focuses on a cognitive approach, in order to understand the process of collective improvisation: 1 how a group of improvisers who do not know each other and are not using a common referent 2 (Pressing 1988) can answer the challenge of making music together. This paper deals…

[SHS.DROIT] Humanities and Social Sciences/Lawmedia_common.quotation_subject0603 philosophy ethics and religionReferentfocal points[ SHS.DROIT ] Humanities and Social Sciences/Law050105 experimental psychology060404 musicVisual artsPolitics[SHS.DROIT]Humanities and Social Sciences/LawPhenomenonMaterials Chemistry0501 psychology and cognitive sciencesComputingMilieux_MISCELLANEOUSmedia_commonImprovisationClass (computer programming)[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsimprovisation05 social sciencesPerspective (graphical)06 humanities and the artsArtEpistemology[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsCollective free improvisation060302 philosophyPerformance artJazz0604 artsMusic
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Improvisation : usages et transferts d'une catégorie

2010

International audience

[SHS.DROIT]Humanities and Social Sciences/Law[SHS.DROIT] Humanities and Social Sciences/LawimprovisationtransfertsusagesComputingMilieux_MISCELLANEOUS[ SHS.DROIT ] Humanities and Social Sciences/Law
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« Interstellar Overdrive » de Pink Floyd et le processus de création à travers le prisme de l’improvisation collective : du chaos à l’ordre ?

2019

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsInterstellar Overdriveimprovisation collective[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsPink Floydprocessus de créationComputingMilieux_MISCELLANEOUS
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An assessment model for the musical material produced during the course of music therapy

2016

Assessment is described as the collection and analysis of information with an objective of planning and implementing an effective treatment program. Past research suggests that the professional recognition, level of communication in interdisciplinary teams and the results of research directly depend on the successful implementation of an assessment system. However, to date no tools that assess musical material produced during the course of music therapy are formalised or widely implemented into clinical practice. After exploration of both the clinicians’ and researchers’ needs for an assessment system and thorough analysis of the existing assessment tools used in music therapy settings, an …

assessmentMusical Profilemusiikkiterapiaclinical improvisation
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The role of piano improvisation in teaching harmony, using combined materials selected from the baroque period and jazz standard repertoire : towards…

2015

barokkimusiikkikasvatusjazzharmonyimprovisationtertiary music educationbaroquepianoimprovisointitaidemusiikkiclassicalsoinnutus
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The effect of improvisational music therapy on the treatment of depression: protocol for a randomised controlled trial

2008

Background. Music therapy is frequently offered to individuals suffering from depression. Despite the lack of research into the effects of music therapy on this population, anecdotal evidence suggests that the results are rather promising. The aim of this study is to examine whether improvisational, psychodynamically orientated music therapy in an individual setting helps reduce symptoms of depression and improve other health-related outcomes. In particular, attention will be given to mediator agents, such as musical expression and interaction in the sessions, as well as to the explanatory potential of EEG recordings in investigating emotion related music perception of individuals with depr…

depressiopsykiatriaimprovisaatioimprovisationmusic therapydepressionmusiikkiterapiaEEGbehavioral disciplines and activitiesrandomised controlled trialhumanitiesRCTpsychiatry
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Temporal constraints and creativity in bass lines of eminent jazz musicians

2023

Tämän eksploratiivisen tutkimuksen ensimmäisenä päätavoitteena on selvittää, miten päätöksentekoon ja toiminnan suunnitteluun käytettävissä oleva aika (esitettävän musiikin tempon ja harmonisen rytmin mukaan mitattuna) on yhteydessä luovuuteen huipputason jazzbasistien bassolinjoissa, kun luovuutta mitataan sävelkuvioiden vaihtelevuutena. Tutkimuksen toisena päätavoitteena on selvittää, onko laajan tietovaraston oppiminen välttämätön edellytys luovuudelle bassolinjojen rakentamisen yhteydessä. Aineisto koostuu 42:sta Paul Chambersin ja Ron Carterin bassolinjan nuotinnoksesta, joissa kaikki neljäsosanuoteista poikkeavat sävelkestot on joko poistettu tai muutettu neljäsosanuoteiksi. Aineiston…

eksperttiysajalliset rajoitteetjazzimprovisationluovuusexpertiseimprovisointitemporal constraintscreativityasiantuntijuus
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Le problème de la coordination dans l'improvisation collective libre. Premiers résultats expérimentaux

2010

improvisation libre[SHS.DROIT]Humanities and Social Sciences/Law[SHS.DROIT] Humanities and Social Sciences/Lawimprovisation[ SHS.DROIT ] Humanities and Social Sciences/Law
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Con la vista e con il passo. Quintiliano e la teoria dell'improvvisazione

2022

Il contributo analizza le modalità comunicative del capitolo 10, 7 dell'Institutio oratoria di Quintiliano dedicato all'improvvisazione The contribution analyzes the communicative methods of chapter 10, 7 of Quintilian's Institutio oratoria dedicated to improvisation

improvisationQuintilianInstitutio oratoriaSettore L-FIL-LET/04 - Lingua E Letteratura Latina
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