Search results for "Irlanda"

showing 9 items of 19 documents

Espaces en contrepoint : une esthétique de l’enfermement chez Deirdre Madden

2014

International audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/Literatureenfermement[ SHS.LITT ] Humanities and Social Sciences/LiteratureDeirdre MaddenComputingMilieux_MISCELLANEOUSidentitéesthétiqueLittérature irlandaise
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Les écrits autobiographiques de Sean O' Faolain: la voix concertante du soliste

2004

[SHS.LITT] Humanities and Social Sciences/Literaturedialogue[SHS.LITT]Humanities and Social Sciences/Literatureautobiographiesubversiondiscordancelittérature irlandaise contemporaine[ SHS.LITT ] Humanities and Social Sciences/LiteratureSean O'Faolain
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Sean O'Faolain ou "l'identité espacée": Vive Moi! (1965, 1993)

2000

[SHS.LITT] Humanities and Social Sciences/Literaturedéracinement[SHS.LITT]Humanities and Social Sciences/Literaturedécentrementlittérature irlandaiseautobiographie[ SHS.LITT ] Humanities and Social Sciences/Literaturesituation de soiSean O'Faolaindéterritorialisation
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'In Mucker I was born': humour et pittoresque dans "The Green Fool" de Patrick Kavanagh

2004

International audience; Kavanagh’s The Green Fool (1938) consists of a double portrait of himself and his birthplace, the main motifs of which are humour and wit. In his self-portrait, humour dominates, enabling him to positively, if not, proudly, single himself out : his imputed status as « village fool » or « family idiot » actually reveals his essential singularity as a poet. Contrastingly, his portrait of Inniskeen is marked by farcical theatricality and witticisms galore. Farce and wit prove compelling instruments of ridicule and apt ways to circumvent the constraints of his milieu. Yet their dominance in the communal portrait hints at Kavanagh’s failure to overcome his suffering from …

[SHS.LITT] Humanities and Social Sciences/Literaturepittoresque[SHS.LITT]Humanities and Social Sciences/LiteraturePatrick KavanaghLittérature irlandaise contemporaineautobiographiehumour[ SHS.LITT ] Humanities and Social Sciences/Literature
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Il lavoro a termine nell'esperienza giuridica irlandese alla luce della direttiva 99/70/CE

2012

direttiva 99/70/CeIrlandaSettore IUS/07 - Diritto Del LavoroLavoro a termineProtection of Employees (fixed-term work) Act 2003
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Circa : une aventure éditoriale au-delà des frontières

2014

International audience

histoire de l'art irlandais[ SHS ] Humanities and Social SciencesRevue d'art contemporain[SHS] Humanities and Social Sciencescritique d'artComputingMilieux_MISCELLANEOUS[SHS]Humanities and Social Sciences
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La questione nord-irlandese tra autodeterminazione ed integrità territoriale

1996

integrità territorialeIrlanda del NordIUS/13 - DIRITTO INTERNAZIONALESettore IUS/13 - Diritto Internazionaleautodeterminazioneautodeterminazione dei popoli
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Lin et lignes retissés : De la réappropriation de l’histoire dans « Cloth » de Rita Duffy et Paul Muldoon

2020

International audience; This paper focuses on Cloth, A Visual and Verbal Collaboration by Paul Muldoon and Rita Duffy. Muldoon’s poetic text and Duffy’s paintings were commissioned by the Millennium Court Arts Centre in Portadown in 2007 to feature in a collaborative exhibition and catalogue under the general banner “Interrogating Contested Spaces in Post-Conflict Society”. Duffy’s images and Muldoon’s prose poem – which subtly echo W.B. Yeats’s poem “Cuchulain Comforted” – are all about delineating and crossing borders between domestic and institutional spaces; personal and political spaces; garments, skin and psyche; violence and peace; etc. Duffy’s images of vestments, shirts or handkerc…

intermédialitéContemporary Irish literature[SHS.LITT]Humanities and Social Sciences/LiteratureLittérature irlandaise contemporainePaul MuldoonGeneral Engineering06 humanities and the artsNorthern Ireland[SHS.ART]Humanities and Social Sciences/Art and art history060401 art practice history & theory16. Peace & justicegaze[SHS.LITT] Humanities and Social Sciences/Literatureintermediality[SHS.HIST] Humanities and Social Sciences/Historyregard[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.HIST]Humanities and Social Sciences/HistoryRita Duffy0604 artsIrlande du Nord
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Fenêtres sur couples : trois nouvelles de Sean O'Faolain

2003

In several short stories, Sean O'Faolain ponders over the complexity of love relationships and tries to unveil some of the unconscious motivations underlying them. This essay focuses on three of these short stories, namely "There's a Birdie in the Cage", "Discord" and "An Inside Outside Complex", and shows how, in each of them, the fissures or cracks in love relationships are figuratively represented by an isotopy of windows, the various qualities of which are artfully exploited by O'Faolain (the window as partition between contiguous spaces, as transparent filter, as surface or frame). The position of characters with regard to windows (their framing) and their relations to windows (how the…

visionfenêtre[SHS.LITT]Humanities and Social Sciences/Literatureréalitéaltérité[ SHS.LITT ] Humanities and Social Sciences/Literaturelittérature irlandaise contemporaineréelamournouvelle[SHS.LITT] Humanities and Social Sciences/LiteratureregardtableauSean O'FaolainComputingMilieux_MISCELLANEOUS
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