Search results for "Jazz"

showing 10 items of 62 documents

Biografies de músics de jazz i índex alfabètic eixamplat dels jazzístes més significatius

2017

Continuació de l'arxiu: 'JAZZ-apropament pràctic al gènere jazzístic - Nau Gran - U.V',. Les biografies de músics de Jazz més significatives estàn ordenades alfabèticamente i la seua contextualizació resulta més pràctica. Continuation of the file: 'JAZZ-apropament pràctic al gènere jazzístic-Nau Gran-U. V ',. The biographies of the most significant Jazz musicians are alphabetically arranged and their contextualization is more practical.

EstilsJazzBiografiaIntèrpretEnregistramentsFormacionsMúsica
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Tonal Hierarchies in Jazz Improvisation

1995

Statistical methods were used to investigate 18 bebop-styled jazz improvisations based on the so- called Rhythm Changes chord progression. The data were compared with results obtained by C. L. Krumhansl and her colleagues in empirical tests investigating the perceived stability of the tones in the chromatic scale in various contexts. Comparisons were also made with data on the statistical distribution of the 12 chromatic tones in actual European art music. It was found that the chorus- level hierarchies (measured over a whole chorus) are remarkably similar to the rating profiles obtained in empirical tests and to the relative frequencies of the tones in European art music. The chord- level …

ImprovisationClassical musicHierarchyRhythmbiologySpeech recognitionChorusChord (music)Chromatic scaleJazzbiology.organism_classificationMusicMathematicsMusic Perception
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Play together, think alike: Shared mental models in expert music improvisers

2015

International audience; When musicians improvise together, they tend to agree beforehand on a common structure (e.g. a jazz standard) which helps them coordinate. However, in the particular case of collective free improvisation (CFI), musicians deliberately avoid having such a referent. How, then, can they coordinate? We propose that CFI musicians who have experience playing together come to share higher-level knowledge, which is not piece-specific but rather task-specific: an implicit mental model of what it is to improvise freely. We tested this hypothesis on a group of 19 expert improvisers from the Parisian CFI community, who had various degrees of experience playing with one another. D…

Improvisationcoordination[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsimprovisation05 social sciencescard sorting[SHS.PSY]Humanities and Social Sciences/Psychology06 humanities and the artsMusicalReferent050105 experimental psychology060404 musicTask (project management)mental modelsCard sortingSimilarity (psychology)0501 psychology and cognitive sciencesPsychology (miscellaneous)JazzPsychologySet (psychology)0604 artsMusicCognitive psychologyteam cognition
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Džeza loma Džeimsa Lī Burka "Deiva Robišo" detektīvromānu sērijā

2020

Džeimsa Lī Burka “Deiva Robišo” detektīvromāni ir plaši pazīstami literatūrcienītāju vidū. Papildus izciliem detektīvstāstiem, romāni piedāvā ieskatu 1980.-to gadu Ņūorleānā, kur tiek parādītas tādas tēmas kā vīrišķība, agresija, un rase. Šajā darbā tika aplūkota džeza tēma, un kā džeza terminoloģija palīdz uzturēt detektīvstāsta struktūru. Izmantojot izvēlēto darbu analīzi, interpretāciju, naratoloģiju un rūpīgu lasīšanu, darbā tika apskatīta džeza terminoloģija un tās sasaista ar detektīvstāstu. Darba rezultātā tika izstrādāta padziļināta džeza terminoloģijas analīze, un izskatīta tās ietekme uz detektīvromānu.

James Lee BurkenarratorlogyjazzValodniecībadetective novelsDave Robicheaux
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How to make people become Ambassadors of Jazz - A Comparative Case Study of Voluntary Jazz Concert Promoters in Agder

2018

Master's thesis Music Management MU501 - University of Agder 2018 This study observes the comparative cases of two jazz clubs in the region of Agder, South of Norway. The cases investigated are the Non-Profit Organisations (NPOs) and voluntary associations (VOs); Kristiansand Jazzvesen (KJV) and Arendal Jazzklubb (AJ), that has slightly different organisational structures and environments. The main objective has been to unveil if there is a need for ambassadors of jazz, or jazz enthusiasts, in order for these jazz concert promoters to ‘thrive’, improve their live jazz concert experiences and recruit new volunteers. Then, how this can be achieved in a fast-changing digitalised “festivalised”…

Jazz AmbassadorsConcert PromotersLive ConcertsNon-Profit OrganisationsMU501Jazz ClubAudience ExperiencesVDP::Samfunnsvitenskap: 200::Sosiologi: 220
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JAZZ: apropament pràctic al gènere jazzístic mitjançant audicions i col.loquis - Nau Gran - U.V.

2017

Història del Jazz dividida en 10 sesiones de trabajo. Estilos y músicos más significativos tot ello acompañado de un largo índice de intérpretes, biografías, grabaciones y otras entradas de índole jazzístico a destacar, acompañado además de una contextualización sobre la información recibida en cada momento. Trabajo dirigido a los alumnos adultos mayores de 55 años de la Universitat de València dentro de los estudios pertenecientes al itinerario de la 'Nau Gran'. Història del jazz dividida en 10 sessions de treball a classe. Estils i músics més significatius tot acompanyat d’un llarg índex d’intèrprets, biografies, enregistraments i altres entrades jazzístiques a destacar tot contextualitza…

Jazzinstrumentsestilsformacionsenregistramentscronologia
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Fractionating auditory priors: A neural dissociation between active and passive experience of musical sounds

2019

Learning, attention and action play a crucial role in determining how stimulus predictions are formed, stored, and updated. Years-long experience with the specific repertoires of sounds of one or more musical styles is what characterizes professional musicians. Here we contrasted active experience with sounds, namely long-lasting motor practice, theoretical study and engaged listening to the acoustic features characterizing a musical style of choice in professional musicians with mainly passive experience of sounds in laypersons. We hypothesized that long-term active experience of sounds would influence the neural predictions of the stylistic features in professional musicians in a distinct…

Malecognitionmagnetoencephalographykognitiomusic perceptionPhysiologyPREDICTIONLoudness PerceptionFEATURESSocial SciencesMismatch negativityhavaitseminenMusical0302 clinical medicineHearingHESCHLS GYRUSMedicine and Health SciencesPsychologymusic cognitionta515media_commonClinical NeurophysiologyBrain MappingMEGMultidisciplinaryMusic psychologyPhysicsQBRAIN RESPONSES05 social sciencesRMUSICIANSElectrophysiologyBioassays and Physiological AnalysisBrain ElectrophysiologyPhysical Sciencesta6131MedicineSensory PerceptionFemaleJazzPsychologyelectroencephalographyResearch ArticleCognitive psychologyAdultImaging Techniques515 PsychologySciencemedia_common.quotation_subjectmusiikkiNeurophysiologybioakustiikkaNeuroimagingResearch and Analysis Methodsta3112050105 experimental psychologybioacousticsYoung Adult03 medical and health sciencesacoustic signalsPerceptionENCULTURATIONHumans0501 psychology and cognitive sciencesActive listeningACQUISITIONElectrophysiological TechniquesCognitive Psychology3112 NeurosciencesBiology and Life SciencesAcousticsREPRESENTATIONSViolin musical stylespitch perceptionAcoustic StimulationDISCRIMINATIONCognitive ScienceClinical MedicineTimbreMusicNEUROPLASTICITY030217 neurology & neurosurgeryNeurosciencePLOS ONE
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Modeling the Target-Note Technique of Bebop-Style Jazz Improvisation: An Artificial Neural Network Approach

1995

In cognitive science and research on artificial intelligence, there are two central paradigms: symbolic and analogical. Within the analogical paradigm, artificial neural networks (ANNs) have recently been successfully used to model and simulate cognitive phenomena. One of the most prominent features of ANNs is their ability to learn by example and, to a certain extent, generalize what they have learned. Improvisation, the art of spontaneously creating music while playing or singing, fundamentally has an imitative nature. Regardless of how much one studies and analyzes, the art of improvisation is learned mostly by example. Instead of memorizing explicit rules, the student mimics the playing…

MelodyImprovisationCognitive scienceArtificial neural networkComputer sciencebusiness.industrySupervised learningImitative learningContext (language use)MemorizationArtificial intelligencebusinessJazzMusicMusic Perception
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Auditory Profiles of Classical, Jazz, and Rock Musicians: Genre-Specific Sensitivity to Musical Sound Features

2016

When compared with individuals without explicit training in music, adult musicians have facilitated neural functions in several modalities. They also display structural changes in various brain areas, these changes corresponding to the intensity and duration of their musical training. Previous studies have focused on investigating musicians with training in Western classical music. However, musicians involved in different musical genres may display highly differentiated auditory profiles according to the demands set by their genre, i.e., varying importance of different musical sound features. This hypothesis was tested in a novel melody paradigm including deviants in tuning, timbre, rhythm,…

Melodyoppiminen515 PsychologySpeech recognitionlcsh:BF1-990Mismatch negativityMusicalta3112050105 experimental psychologymemory03 medical and health sciencesP3a0302 clinical medicinePsychology0501 psychology and cognitive sciencesGeneral PsychologyOriginal Researchlearning05 social sciencesmismatch negativity (MMN)16. Peace & justiceauditory event-related potentials (ERP)musical expertiseClassical musicinvoluntary attentionlcsh:PsychologyDuration (music)Ear training516 Educational sciencesJazzPsychologyTimbre030217 neurology & neurosurgeryCognitive psychology
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Il Jazz e la Coscienza Artificiale

2011

Settore ING-INF/05 - Sistemi Di Elaborazione Delle InformazioniJazzComposizione automaticaCoscienza artificiale
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