Search results for "LOD"
showing 10 items of 4833 documents
Moved through music: The effect of experienced emotions on performers’ movement characteristics
2012
Do performers who feel sad move differently compared to those who express sadness? Although performers’ expressive movements have been widely studied, little is known about how performers’ experienced emotions affect such movements. To investigate this, we made 72 motion-capture recordings of eight violinists playing a melodic phrase in response to three different instructions. The first instruction was to focus on the technical aspects of playing. The second instruction was to give an expressive performance. Before the third instruction, performers were subjected to a mood induction task. Following this, performers played while focusing on their experienced emotions. After each playing co…
Does Pathological Aging Affect Musical Learning and Memory?
2012
the effect of pathological aging on explicit memory is very well documented, but relatively few studies have addressed this issue in the musical domain. To examine learning and consolidation of melodies, we designed a melodic recognition task involving immediate and delayed recognition of 16 target melodies (8 familiar and 8 unfamiliar). Seventeen patients with mild to moderate Alzheimer's disease (AD) and 17 age-matched controls were tested. During the initial presentation of the targets, the participant had to decide whether or not the melody was familiar. Recognition was tested after one and three presentations of the target melodies using a yes/no recognition paradigm. Delayed recogniti…
A Fuzzy-Clustering Based Approach for Measuring Similarity Between Melodies
2017
Symbolic melodic similarity aims to evaluate the degree of likeness of two or more sequences of notes. In this work, we propose the use of fuzzy c-means clustering as a tool for the measurement of the similarity between two melodies with a different number of notes. Moreover, we present an algorithm, FOCM, implemented in a computer program written in C\(\sharp \) able to read two melodies from files with MusicXML format and to perform the clustering to calculate the dissimilarity between any two melodies. In addition, for each iteration step in the convergence process of the algorithm, a family of intermediate states (transition melodies) are obtained that can be used as new thematic materi…
John Blacking Revisited—Comparative Analysis of Venda Tshikone Dance (1958 and 2009)
2019
One of the first research topics of interest for folk music researchers was the stability/instability of folk tunes. Particularly the question which parts and elements in folk tunes are sensitive to change and what are the stable elements of the melodies. Researchers had data collected over several decades, which gave a great opportunity to systematically explore stability of melodies over the years and decades.
Modeling the Target-Note Technique of Bebop-Style Jazz Improvisation: An Artificial Neural Network Approach
1995
In cognitive science and research on artificial intelligence, there are two central paradigms: symbolic and analogical. Within the analogical paradigm, artificial neural networks (ANNs) have recently been successfully used to model and simulate cognitive phenomena. One of the most prominent features of ANNs is their ability to learn by example and, to a certain extent, generalize what they have learned. Improvisation, the art of spontaneously creating music while playing or singing, fundamentally has an imitative nature. Regardless of how much one studies and analyzes, the art of improvisation is learned mostly by example. Instead of memorizing explicit rules, the student mimics the playing…
Melodic improvisation at the age of 6–11 years: Development of pitch and rhythm
2007
The keyboard melodic improvisations of 6–11-year-old children (N = 36) were explored for age-related development and representational types of production. The hypotheses were founded on a model of musical development by the present author. The participants heard a 24-bar ABA-formed piano-bass-percussion- accompaniment. Section A was tonal and section B was modal, lacking the tonic. Age was a significant factor in the development of the tonal hierarchy. The 6–7-year-old children's general emphasis was on the first five tones of the diatonic scale. The 8–9-year-old children preferred tones present in both sections (event hierarchical orientation). In the 10–11-year-old children's products, t…
Sengenyadance of theDigocommunity: Documentation of social context, music transcriptions and acoustic measurements of selected instruments
2015
ABSTRACTThis paper documents social and cultural aspects of Sengenya music which is practiced by Digo community (from the coast region in Kenya). Specifically the paper addresses (a) Background and Regional (Country) Context, (b) Social Context and Description of Sengenya Music, (c) Melodic transcriptions of Chivoti melodies, rhythmic transcriptions of the Six Drum Rhythms, and (d) Acoustic Measurement of selected chivoti Instruments and pitch registers of the drums used to accompany the dance. While there has been some documentation (Zake 1986, Darkwa 1991, Nyakiti 2007) of general social /cultural aspects of the Digo people (including other Coastal communities), scanty information exists …
Análisis pragmaprosódico del marcador discursivo bueno
2016
En líneas generales los marcadores del discurso han sido estudiados desde un enfoque gramatical, léxico, pragmático o pragmasintáctico, si bien, son pocos los estudios que han centrado su atención hacia el plano suprasegmental o prosódico. Nuestro trabajo parte de una hipótesis previa sobre la que ciertos rasgos prosódicos (acento, duración silábica, pausa, fronteras tonales) se asocian a la diversidad funcional de este tipo de unidades lingüísticas. De este modo, desarrollaremos de forma cualitativa y a título ejemplificador un análisis prosódico sobre el marcador discursivo bueno mediante la herramienta informática Praat, de acuerdo con la bibliografía al uso. Nos centraremos así en el es…
Nuevas aportaciones al estudio funcional de la entonación coloquial: propuesta ecléctica de integración de modelos de análisis
2017
Se muestran las ventajas de vincular el modelo interactivo de análisis entonativo fonético-funcional (Hidalgo 2011; 2014) con el denominado modelo de Análisis Melódico del Habla (Cantero 2002; Font 2007; Cantero y Font 2007; Cantero y Mateo 2011) en la idea de que esto permitirá contribuir de mejor manera a: precisar la descripción de la versatilidad funcional de la entonación, marcar con la mayor nitidez posible los límites lingüísticos del estudio prosódico y favorecer los avances en el estudio pragmaprosódico de la conversación coloquial, lagunas habituales en la investigación del componente prosódico. A la exhaustividad metodológica del modelo de Análisis Melódico del Habla se añade una…
Correcting ēthos and Purifying the Body. Musical Therapy in Iamblichus’ De vita pythagorica
2015
The tradition relating to the Pythagoreans and music therapy is most widely attested in two Neoplatonic works, Porphyry’s The Life of Pythagoras, and Iamblichus’ On the Pythagorean Way of Life. Although the chronological distance from the early Pythagoreans makes their accounts controversial, they offer interesting evidence on the beneficial effects of music. Iamblichus, whose work will be focused on in this paper, describes the effects of music on health through the notion of catharsis, which he often links with musical ēthos. The latter is not in fact attested before Plato, but Iamblichus, presenting Pythagoras in Platonic terms, emphasizes the importance he gives to the improvement of th…