Search results for "LOD"
showing 10 items of 4833 documents
Priming paradigm reveals harmonic structure processing in congenital amusia.
2012
Abstract Deficits for pitch structure processing in congenital amusia has been mostly reported for melodic stimuli and explicit judgments. The present study investigated congenital amusia with harmonic stimuli and a priming task. Amusic and control participants performed a speeded phoneme discrimination task on sung chord sequences. The target phoneme was sung either on a functionally important chord (tonic chord, referred to as “related target”) or a less important one (subdominant chord, referred to as “less-related target”). Correct response times were faster when the target phoneme was sung on tonic chords rather than on subdominant chords, and this effect was less pronounced, albeit si…
Investigating the effects of musical training on functional brain development with a novel Melodic MMN paradigm.
2013
Sensitivity to changes in various musical features was investigated by recording the mismatch negativity (MMN) auditory event-related potential (ERP) in musically trained and nontrained children semi-longitudinally at the ages of 9, 11, and 13 years. The responses were recorded using a novel Melodic multi-feature paradigm which allows fast (<15 min) recording of an MMN profile for changes in melody, rhythm, musical key, timbre, tuning and timing. When compared to the nontrained children, the musically trained children displayed enlarged MMNs for the melody modulations by the age 13 and for the rhythm modulations, timbre deviants and slightly mistuned tones already at the age of 11. Also, a …
Motivic matching strategies for automated pattern extraction
2007
This article proposes an approach to the problem of automated extraction of motivic patterns in monodies. Different musical dimensions, restricted in current approaches to the most prominent melodic and rhythmic features at the surface level, are defined. The proposed strategy of detection of repeated patterns consists of an exact matching of the successive parameters forming the motives. We suggest a generalization of the multiple-viewpoint approach that allows a variability of the types of parameters (melodic, rhythmic, etc.) defining each successive extension of these motives. This enables us to take into account a more general class of motives, called heterogeneous motives, which inclu…
Leaping across Modalities: Speed Regulation Messages in Audio and Tactile Domains
2010
This study examines three design bases for speed regulation messages by testing their ability to function across modalities. Two of the design bases utilise a method originally intended for sound design and the third uses a method meant for tactile feedback. According to the experimental results, all designs communicate the intended meanings similarly in audio and tactile domains. It was also found that melodic (frequency changes) and rhythmic (segmentation) features of stimuli function differently for each type of message.
Perceived complexity of western and African folk melodies by western and African listeners
2006
Stylistic knowledge and enculturation play a significant role in music perception, although the importance of psychophysical cues in perception of emotions in music has been acknowledged. The psychophysical cues, such as melodic complexity, are assumed to be independent of musical experience. A cross-cultural comparison was used to investigate the ratings of melodic complexity of western and African participants for western (Experiment 1) and African folk songs (Experiment 2). A range of melodic complexity measures was developed to discover what factors contribute to complexity. On the whole, the groups gave similar patterns of responses in both experiments. In Experiment 1, western folk s…
Simulating music with associative self-organizing maps
2018
Abstract We present an architecture able to recognise pitches and to internally simulate likely continuations of partially heard melodies. Our architecture consists of a novel version of the Associative Self-Organizing Map (A-SOM) with generalized ancillary connections. We tested the performance of our architecture with melodies from a publicly available database containing 370 Bach chorale melodies. The results showed that the architecture could learn to represent and perfectly simulate the remaining 20% of three different interrupted melodies when using a context length of 8 centres of activity in the A-SOM. These promising and encouraging results show that our architecture offers somethi…
Automated Extraction of Motivic Patterns and Application to the Analysis of Debussy’s Syrinx
2009
A methodology for automated extraction of repeated patterns in discrete time series data is presented, dedicated to the discovery of musical motives in symbolic music representations. The basic principle of the approach consists in a search for closed patterns in a multi-dimensional parametric space, comprising various features related to melodic and rhythmic aspects, which can be organized into note-based and interval-based descriptions. The pattern description is further reduced through a lossless pruning of the sequence description. This requires in particular a detailed estimation of the specificity relations between patterns. For instance, a pattern is more specific than its suffix, an…
Statistical features and perceived similarity of folk melodies
2001
Listeners are sensitive to pitch distributional information in music (N. Oram & L. L. Cuddy, 1995; C. L. Krumhansl, J. Louhivuori, P.Toiviainen, T. Järvinen, & T. Eerola, 1999). However, it is uncertain whether frequency-based musical features are sufficient to explain the similarity judgments that underlie listeners' classification processes. A similarity rating experiment was designed to determine the effectiveness of these features in predicting listeners' similarity ratings. The material consisted of 15 melodies representing five folk music styles. A multiple regression analysis showed that the similarity of frequency-based musical properties could account for a moderate amount …
Autocorrelation in meter induction: the role of accent structure.
2006
The performance of autocorrelation-based meter induction was tested with two large collections of folk melodies, consisting of approximately 13 000 melodies for which the correct meters were available. The performance was measured by the proportion of melodies whose meter was correctly classified by a discriminant function. Furthermore, it was examined whether including different melodic accent types would improve the classification performance. By determining the components of the autocorrelation functions that were significant in the classification it was found that periodicity in note onset locations was the most important cue for the determination of meter. Of the melodic accents includ…
2018
A music reader has to “look ahead” from the notes currently being played—this has usually been called the Eye-Hand Span. Given the restrictions on processing time due to tempo and meter, the Early Attraction Hypothesis suggests that sight readers are likely to locally increase the span of looking ahead in the face of complex upcoming symbols (or symbol relationships). We argue that such stimulus-driven effects on looking ahead are best studied using a measure of Eye-Time Span (ETS) which redefines looking ahead as the metrical distance between the position of a fixation in the score and another position that corresponds to the point of metrical time at fixation onset. In two experiments of…