Search results for "Language and Literature"

showing 10 items of 552 documents

Metaficció irònica a «Estremida memòria», de Jesús Moncada

2006

The reception of Jesús Moncada’s work at the beginning of his literary career was determined by the debate between «rural novel» and «urban novel», up to the point of directing its reading towards an elegiac dimension, at the expense of other distinctive traits of greater importance. In this sense, Moncada’s work has been understood, in an almost exclusive way, as a literary recording of the collective memory. The present article suggests a different reading of «Estremida memòria», in order to discover the essenciality of the irony in the author’s world, in this case, through the characteristic procedures of metafiction: metalepsi and metatextuality. The recreation of Mequinenza’s history i…

Ironylcsh:Language and LiteratureUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLingüísticaFilologíasMetalepsilcsh:Philology. Linguisticslcsh:P1-1091Memory:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]lcsh:PMetafictionMetatextualityMetafiction; Metalepsi; Metatextuality; Memory; Irony
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Arabesques des images de l'ironie

2006

The author of this article analyzes the field of images of irony, starting from some Douglas C. Muecke’s works and some other personal analyses developed in «Poétique de l’ironie». He questions himself about the tension that exists between a possible archetypal image of irony, which would provide a vertical relationship of power, and its most recent images, which would highlight the fundamental ambiguity of the phenomenon. Between rhetoric and hermeneutics, between violence and conciliation, the outline of an arabesque of irony is defined, which allows us to organize the field of study around the notion of symmetry. Resuming important commentaries made by Sören Kierkegaard and Connop Thirlw…

Ironylcsh:Language and Literaturelcsh:Philology. LinguisticsIrony; Image; Symmetry; AmbiguitySymmetryAmbiguityUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASlcsh:P1-1091LingüísticaFilologías:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Imagelcsh:P
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Considerazioni conclusive

2021

Il saggio presenta alcune considerazioni conclusive sulla sezione monografica dedicata a Istituzioni, relazioni e culture politiche nelle città tra stato della Chiesa e regno di Napoli (1350-1500 ca.). I tre autori, adottando un approccio comparativo, riflettono sulla definizione degli spazi nelle due aree confinanti, sulla condizione delle città pontificie e sulle culture politiche e le specificità dei centri urbani considerati nella raccolta.

Kingdom of NapleLanguage and LiteratureD111-203PSettore M-STO/01 - Storia MedievaleCitieItaliaSecoli XIV-XVStato della ChiesaArchaeologyMedioevoPoliticaRegno di NapoliMedieval historyPapal StatePolitics.politica.CittàCC1-960Reti Medievali Rivista
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Nieznany dramat Henryka Sienkiewicza

2018

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Language and LiteraturePLitteraria Copernicana
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Relaciones entre Berceo y el "Libro de Alexandre" : El ejemplo de los pronombres átonos de tercera persona

2013

Language and LiteraturePP1-1091General MedicinePhilology. LinguisticsCuadernos de Investigación Filológica
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La gradualidad de los procesos de gramaticalización : sobre el uso idiomático del adjetivo "menudo" en español coloquial

2013

RESUMEN: En nuestro articulo nos centramos en el uso idiomatico del adjetivo espanol menudo(s)/menuda(s). Este uso es el resultado de un proceso de gramaticalizacion. El adjetivo menudo literalmente significa "pequeno", pero en su uso idiomatico funciona como un intensificador, que enfatiza prototipicamente la cantidad o la cualidad. Asi, una expresion como iMenudo frio hace! es paralela a la oracion Hace mucho frio, pero la construccion con menudo implica un enfasis mayor, una presencia mas destacada de la subjetividad del hablante. En nuestro articulo analizamos las caracteristicas sintacticas del uso idiomatico de menudo, e intentamos demostrar que menudo es una forma hibrida, que mantie…

Language and LiteraturePP1-1091General Medicinesintaxis gramaticalización intensificador palabra qu- sintagma nominal sintagma adjetivoPhilology. LinguisticsCuadernos de Investigación Filológica
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Bioy Casares: neo-fantástico y deconstrucción

2016

The complex dynamics of space and time present in some of the stories of Adolfo Bioy Casares have their roots in the interstitial that separates the genres of fantasy and neo-fantasy, and most of all in the suggestion of ontological ideas and doubts that characterise the latter. Deeply rooted in the unknown land of a reality that is full of doubts, the literature of Bioy Casares seeks to restore, through the multiple games of fiction, the perception and perceptions of a continuous changes that end with generating parallel worlds. The neo-fantastic passes the crucial limit of traditional fantasy, the stable and certain dichotomy between the real and the imaginary, and to do this it relies on…

Language. Linguistic theory. Comparative grammarP101-410Language and LiteratureBoy Cesares. Deconstruction. Neo-fantastic. Postmodern.PAnnali di Ca’ Foscari. Serie Occidentale
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“Let Me Have Claudio’s Head”

2016

<div> <p>In an attempt to produce a reconstruction of the genealogy of the sources, this essay investigates the relationship between <i>Measure for Measure</i> and the <i>Gospel</i> of Matthew, examining in particular the possibility that the episode related to Claudio’s supposed beheading is somehow associated with the death of John the Baptist, as recorded in Matthew 14:1-12. In Shakespeare as well as in the Evangelist’s text, the request for the head is charged with a highly symbolic value: it is a visualization of the triumph, the gift that the instigator makes to his own superiority, a narcissistic gratification. It is an expression of personal affir…

Language. Linguistic theory. Comparative grammarP101-410Language and LiteratureMeasure for Measure. John the Baptist. Matthew’s Gospel. Shakespeare.P
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Myths of Violence and Female Storytelling in Margaret Atwood’s The Handmaid’s Tale and Kate Atkinson’s Human Croquet

2016

Stories of violence and oppression from classical mythology and fairy tales are redeployed in two novels by Atwood (1985) and Atkinson (1997) as archetypal pre-texts that impact on plot and narrative process. Although they are very different in genre and theme, both novels present first-person female narrators who are trapped in a claustrophobic present, and pose the question of the extent to which a story can be told from within the boundaries traced by myth, fairy tales and quasi-mythical literary texts. Clearly indebted to Orwell’s Nineteen Eighty-Four, The Handmaid’s Tale depicts a dystopian world where women live segregated by a male regime. References to the tale of Little Red Cap, cl…

Language. Linguistic theory. Comparative grammarP101-410Margaret Atwood. Kate Atkinson. Myth. Fairy tales.Language and LiteraturePAnnali di Ca’ Foscari. Serie Occidentale
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Los «cuadros culturales» en los diccionarios italiano-español actuales

2018

Bilingual dictionaries pay more and more attention to the information about the elements that are intimately linked to the culture of one of the two languages in question. This is why, in the absence of an immediate equivalence in the target language, they constitute a challenge for the lexicographer. Thus, bilingual translation dictionaries find it difficult to offer possible equivalents. The bilingual dictionaries that also want to help the decoding of such lexical units offer more extensive information. They do so either through paraphrases that are in the microstructure of the entries, or through what we have called ‘cultural tables’, encyclopaedic texts that complement certain entries …

LexicographySpanish-Italian dictionariesEnciclopèdies i diccionarisLanguage and LiteraturePculture-bound elements
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