Search results for "Letterature comparate"
showing 10 items of 542 documents
Belli gli amori illeciti ma meglio il pane e formaggio
2018
About "Can You Forgive Her?" by Anthony Trollope
L'esperienza della VQR per l'Area 10. Procedure e organizzazione interne
2019
Riflessioni sulla valutazione della ricerca VQR Reflections on the evaluation of VQR research
Diario minimo veneziano
2012
About the 69th Venice International Film Festival
From Image/Text to Biopicture: Key Concepts in W. J. T. Mitchell's Image Theory
2017
One of the most influential American journals, October, in 1996 submitted to an authoritative array of art historians and visual art scholars the famous “Visual Culture Questionnaire”. Though the answers showed some scepticism about the term “visual culture”, this issue can be considered the point of no return in the evolution of a field that has since had, especially in the United States, but also in Europe, considerable and well-established institutional effects, an increasingly transparent and self-conscious disciplinary statute as well as an appropriate number of canonical texts that define the “visual turn” in the humanities.
Preface
2017
The volume is devoted to images in painting, photography and cinema invented by literature. At the same time it intends to question, through this perspective, the relationship between text and image, between verbal and visual in modern and contemporary literature. The authors investigate the mutual boundaries between literature and arts from the point of view of aesthetics, visual culture and literary theory, trying to build a map of the notional ékphrasis, a description which constitutes the work of art while telling it.
The Challenge of Cave Art. On the Future of Visual Culture
2016
Does it make sense to consider cave art—the art of an ancient past—a challenge for vi- sual culture as an academic discipline and as a research field? It might seem an oxymoron, or rather a boutade, a paradox. Yet there are many reasons to believe that this dive into the past in the age of new media, of digital literacy, can show us a way to the future of our discipline and that it can give us new energy for research. It certainly helps us to answer some fundamental questions that contemporary visual culture has faced in recent years—mostly in connection with its stepmother, traditional art history—if only because cave art studies inevitably shifts the research focus from the issue of Art t…
Premessa a: Cultura visuale in Italia : immagini, sguardi, dispositivi
2022
Questo volume raccoglie le riflessioni maturate durante il convegno internazionale “Cultura visuale in Italia. Prospettive della ricerca” svoltosi a Palermo tra il 19 e il 21 marzo 2018. Si è trattato di un incontro che ha visto la partecipazio- ne di molti dei protagonisti della ricerca italiana in quell’ambito “indisciplinato” – per usare una felice espressione di W.J.T. Mitchell – che è la cultura visuale, accademica e non, un campo di studi che ha ormai solide tradizioni internazionali e anche notevoli ricadute accademiche, come dimostra la presenza a Palermo di docenti che, pur provenendo da “altre” discipline, la comparatistica letteraria, l’estetica, la storia dell’arte, la mediologi…
Voci di Pasolini. L’uso della voice-over nel teatro e nel cinema di fiction
2022
Nel presente articolo si inizia una ricognizione della voce fuori campo, attribuibile a una figura d’autore, entro due ambiti della produzione di Pasolini: il teatro e il cinema di fiction. Dopo una premessa storica e teorica sulla voce fuori campo, si riflette sulle implicazioni poetiche ed espressive di questo strumento in Affabulazione, Calderón, Uccellacci e uccellini e La sequenza del fiore di carta.
Il romanzo come fine. Per una lettura comparata delle opere di Walter Siti e Michel Houellebecq
2019
· The Novel as an End. A Comparative Study of the Works of Walter Siti and Michel Houellebecq · This essay questions the possibility of a comparative study of Siti and Houellebecq’s works. It identifies a point of contact in the common representation of the End as a preferred lens for the study of the individual: both authors represent contemporary society from a strong apocalyptic point of view. The relationships between the two authors are analyzed starting from the recognition of three thematic areas: the link between sex and money in the representation of desire; the disappearance of a religious horizon, followed by the most total nihilism; and a deliberately immoralist way of narrating.