Search results for "Lustratio"
showing 10 items of 81 documents
The Collaboration of Lewis Carroll and Harry Furniss: illustrating the Sylvie and Bruno books
2008
The collaboration between Harry Furniss and Lewis Carroll did not stem from friendship, but from necessity: Carroll always illustrated his own texts as he wrote them, but his drawing skills were not good enough for publication. Yet it was impossible for him to write up the novel if the illustrating process did not take place simultaneously. To what extent is the collaborative creation of Sylvie and Bruno a real dialogue? Did Carroll only consider Furniss as an extension of himself? The correspondence between the two men allows us to analyse the complex relationship between the writer and the artist, but also acts as a prism that decomposes Carrollian creation into its graphic and textual co…
Art and Science in Word and Image: Exploration and Discovery
2019
International audience; Art and Science in Word and Image investigates the theme of ‘riddles of form’, exploring how discovery and innovation have functioned inter-dependently between art, literature and the sciences. Using the impact of evolutionary biologist D’Arcy Thompson’s On Growth and Form on Modernist practices as springboard into the theme, contributors consider engagements with mysteries of natural form in painting, photography, fiction, etc., as well as theories about cosmic forces, and other fields of knowledge and enquiry. Hence the collection also deals with topics including cultural inscriptions of gardens and landscapes, deconstructions of received history through word and i…
Genesis de Paul Nash : exploration de l'imaginaire par la gravure dans le livre illustré moderniste
2011
International audience
Illustration, wood-engraving and the textual fabric
2012
International audience
Recension pour Les Cahiers victoriens et édouardiens, n° 80 (automne 2014) : Paul Goldman and Simon Cooke (eds.), Reading Victorian Illustration, 185…
2014
Compte-rendu d'ouvrage
La bille et l'encrier : écriture et auto-illustration chez Mervyn Peake
2005
International audience; Cette analyse génétique des illustrations de Peake repose sur l'examen des manuscrits de Titus Groan et Gormenghast et permet de remonter à la source d'un ambitieux projet d'auto-illustration avorté. Cet avant-texte révèle une tension entre un texte proliférant et l'image graphique qui le génère et l'endigue.
Revue Textimage numéro 7 - Illustration et discours scientifiques : une perspective historique
2015
International audience; Recueil de onze articles sur les illustrations scientifiques du quinzième siècle à nos jours.
“Displaced Representation and Nationalistic Appropriation: Illustrating the Atlantic Cable Project of 1858”
2013
International audience
Le livre illustré face à la danse : un médium empathique ?
2020
This article looks at the illustrated book as an intermedial transaction relying on a process of empathetic reception. The books examined here belong to the revival of illustration in England after the First World War: the series Impressions of the Russian Ballet (1918-1922) written and published by Cyril Beaumont, and the ‘livre de peintre’ Russian Ballet (1919) written and illustrated by David Bomberg. Part and parcel of the reception of modern dance, and more precisely of the Russian ballet, these books emphasize the symbolic significance of print in its ability to capture the ephemeral performance of dance.