Search results for "Lyric"

showing 10 items of 53 documents

Musical familiarity in congenital amusia: Evidence from a gating paradigm

2013

Congenital amusia has been described as a lifelong deficit of music perception and production, notably including amusic individuals' difficulties to recognize a familiar tune without the aid of lyrics. The present study aimed to evaluate whether amusic individuals might have acquired long-term knowledge of familiar music, and to test for the minimal amount of acoustic information necessary to access this knowledge (if any) in amusia. Segments of familiar and unfamiliar instrumental musical pieces were presented with increasing duration (250, 500, 1000 msec etc.), and participants provided familiarity judgments for each segment. Results showed that amusic individuals succeeded in differentia…

AdultMaleCognitive Neurosciencemedia_common.quotation_subjectExperimental and Cognitive PsychologyMusicalAmusiaJudgmentYoung AdultReaction TimemedicineHumansTune Deafnessmedia_commonLong-term memoryAuditory Perceptual DisordersRecognition PsychologyMiddle Agedmedicine.diseaseLyricsNeuropsychology and Physiological PsychologyAcoustic StimulationMusic perceptionDuration (music)Auditory PerceptionFemaleConsciousnessPsychologyMusicCognitive psychologyCortex
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Anna Achmatova i Šerlok Cholms: liričeskij geroj i geroj narodnyj

2020

The new comic about Anna Akhmatova is an instance of transmedial translation; the new narrative however is not based on the writer's work but on her biography. This is justified by Akhmatova's conscious and active construction of her own life mythology. The lyrical hero of Akhmatova's poems started living her own life outside the texts: an analogous phenomenon has been observed concerning the heroes of mass-literature, Sherlock Holmes being an outstanding example. Consequently, the methodology which has been developed for the study of mass culture can be fruitfully applied to high literature – this does not mean that Akhmatova is a masscult writer, but rather that the distinction between bo…

Akhmatova Sherlock Holmes Comics Lyrical heroSettore L-LIN/21 - Slavistica
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La Cumparsita: a source of lawsuits Contursi and Maroni vs. Matos Rodríguez

2016

This article deploys Tango along with the lawsuits concerning to whom participated in the elaboration of “La Cumparsita” and its lyrics as a frame of reference for discussing about copyrights and intellectual property. In addition to giving an opinion about the procedure to arrive at the final solution related to the adjudication of the copyrights along its effects of that in each one of the beneficiaries, the author tell us a little bit of the process of creating this musical composition as well as the scope it had during its time. El presente artículo utiliza al Tango, a los pleitos y personajes que participaron en la elaboración de La cumparista y sus letras, como marco referencial para …

ArbitrationGeneral MedicinePropiedad IntelectualIntellectual propertyLyricsLa CumparsitaIntellectual PropertyLawsuitsCopyrightLaw//purl.org/pe-repo/ocde/ford#5.05.00 [https]Derechos De AutorMusical compositionSociologyTango“La Cumparsita”ArbitrajeHumanitiesElaborationPleitosAdjudicationIUS ET VERITAS
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Lyrics against images: music and audio description

2012

Music has been an integral part of films from as far back as the silent movie era, where a piano accompaniment was used to build the narrative and an orchestra was used to drown out the sound of the projector. Music in films can encompass a wide array of elements, from a song to a whistle, and can play many roles, as has been commented upon by many researchers. Due to the relevance of music in film narrative, it is an element which merits attention when it comes to making a film accessible, be it through Audio description, Audio subtitling, Sign Language or Subtitling for the Deaf and Hard-of-Hearing. This article focuses on Audio description (AD) and how music is handled in audio described…

AudiodescripciónLinguistics and LanguageSonidoAudiènciamedia_common.quotation_subjectAudio description; Film music; Lyrics; Sound; AudienceForeign languageÀudiodescripcióFilm musicTraducció audiovisualSign languageAudienciaAudio descriptioncomputer.software_genreLanguage and LinguisticsEducationSoundtrackPopular musicNarrativemedia_commonLetrasAudienceUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASMultimediaPianoTranslation and InterpretingAudio descriptionTraducción e InterpretaciónTraducció--RevistesArtLyricsLinguisticsTraducción audiovisualSound:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]MusicLyricsAudiovisual translationcomputerBanda sonoraAudiodescripción; Banda sonora; Letras; Sonido; Audiencia
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La intimidad corporal en la filosofía de Ortega y Gasset

2015

[EN] In the face of the social crisis of intimacy for the extimacy, in neurosciences, and its reduction to privacy in legal field, this article explains the orteguian idea of the intimacy highlighting its bodily character. This notion of intimacy, rooted in body, discovers the sentimental aspect of reality (lyricism), and also overcomes thingism and subjectivism through the analysis of the mechanism of metaphor and the capacity of entering yourself. Reality of intimacy is conceived as enforceability (executive reality), and represents an alternative to idealism, objetivism of conscience and psychological introspection.

ConCienciaPsychoanalysisLyricismMetaphormedia_common.quotation_subjectB1-5802SubjetividadFace (sociological concept)VitalidadEntering YourselfCuerpoInterioridadVitalitySpiritExecutive RealityFeelingIdealismSubjectivismAlmaPhilosophy (General)Inwardnesslcsh:B1-5802Consciencemedia_commonEspírituSentimientoMetáforaPhilosophyField (Bourdieu)lcsh:Philosophy (General)Realidad ejecutivaSoulEnsimismamientoSubjectivityIPhilosophySubjectivity.MetaphorIntrospectionConcienceYoBodyHumanitiesIsegoria 53: 491-513 (2015)
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Welcome to the candy shop! Conflicting representations of black masculinity

2014

AbstractMainstream hip hop videos have long been known for their images of scantily clad women, extreme materialism, and misogynist and homophobic lyrics. In this article I focus on how rapper 50 Cent's masculinity is constructed and expressed through music, lyrics and images in his video ‘Candy Shop’ from 2005. This is a classically modelled hip hop video, replete with markers of hypermasculinity: fancy cars, ‘bling’, and lots of beautiful, sexually available women. Several scholars have discussed how women are exploited in videos like this and reduced to props for the male star. However, few have explored how this macho masculinity is constructed. Through a close reading of this video, us…

Cultural StudiesFraming (social sciences)Masculinitymedia_common.quotation_subjectClose readingHypermasculinityMainstreamArtMaterialismLyricsMusicVisual artsmedia_commonPopular Music
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Epistemic, interpersonal, and moral stances in the construction of us and them in Christian metal lyrics

2011

Abstract Religious groupings and subcultures both tend to have well-articulated interests, aims, and values that unite certain people but also alienate those who do not share their interests. The case is then made for the construction of difference between ‘us’ and ‘them’. This paper examines the construction of such a group boundary in the previously little studied context of the Christian metal (CM) music subculture. The focus of analysis is on the kinds of stances that are taken and attributed to ‘us’ and ‘them’ in the English lyrics of Finnish CM groups. The particular types of stance are related to questions of epistemology, interpersonality, and morality. The paper shows that the bord…

Cultural StudiesLinguistics and LanguageBinary oppositionCommunicationmedia_common.quotation_subjectta6122Context (language use)ta6121MoralityLyricsWorshipObject (philosophy)EpistemologyDivinityHeavenSociologymedia_commonJournal of Multicultural Discourses
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Bridging between the metal community and the church: Entextualization of the Bible in Christian metal discourse

2012

Abstract For many metal music groups, the music and sounds play a more important role than language and the lyrics do. In the Christian metal (CM) genre, however, the verbal dimension has a significant status. Drawing on the concept of entextualization, the process of producing texts through extraction and relocation, this paper describes how CM groups craft their discourse (song lyrics plus textual contents on their websites) by drawing on pre-existing biblical texts while connecting them with the resources provided by the metal music culture. Entextualization is a fruitful way of looking into how the Bible is used on CM band websites for mediating between Christianity and metal music cult…

Cultural StudiesLiteratureCraftbusiness.industryCommunicationIdentification (psychology)SociologyChristianityLyricsbusinessBridging (programming)Visual artsDiscourse, Context & Media
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Dialogicality and spiritual quest in Christian metal lyrics

2013

Abstract: Christian metal (CM) music provides a good example of how religious discourse is undergoing change in today’s world. CM merges religion with popular cultural forms and ways of expression, thereby also transforming the meaning of religion and religious practice. However, the phenomenon has attracted surprisingly little scholarly attention; most writers have treated CM as yet another example of North American Contemporary Christian Music (CCM). The present article takes a detailed look into what is “said” by Finnish CM groups with a particular focus on religious ideology in a context outside the original national and religious context of the genre. Drawing on the sociology of langu…

Cultural StudiesLiteraturebusiness.industrymedia_common.quotation_subjectReligious studiesContext (language use)ta6121ChristianityLyricsExistentialismReligiosityChristian musicSociology of languageAestheticsSociologyIdeologybusinessmedia_commonJournal of religion and popular culture
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“Come, Dark-eyed Sleep”: Michael Field and the Performance of the Lyric as a Radical Fantasy

2021

This article seeks to illustrate how the Michael Fields articulate their Sapphic poetry in Long Ago (1889) not only in keeping with their own Shakespearean aspirations and with Robert Browning’s hybrid formula of dramatic lyrics, but also in connection with Jonathan Culler’s theory of the lyric as a performative genre. Much recent scholarship has broken ground in the rediscovery and reappraisal of the Fields’ literary stature, yet the general critical approach has been divisive in addressing their poetry and their verse dramas separately. Some critics have taken heed of how their lyrics in general exhibit an intrinsic dramatic temper, yet no systematic inquiry has discussed how this lyrical…

EmbryologyLyricEnergy (esotericism)media_common.quotation_subjectPerformancePE1-3729Performative utteranceEnglish literatureMichael FieldFantasymedia_commonLiteratureLong AgoPoetrybusiness.industryField (Bourdieu)Cell BiologyArtLyricsEnglish languageScholarshipClose readingAnatomySapphoPR1-9680businessFilología InglesaDevelopmental Biology
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