Search results for "MOTIONS"
showing 10 items of 784 documents
Opettajan ammatillinen kasvu saa voimaa tunteista
2013
Leena Aarto-Pesosen väitöskirja ”Tää koulutus ei oo tehnyt musta pelkkää jumppamaikkaa” : substantiivinen teoria aikuisoppijan ammatillisen kasvun holistisesta prosessista liikunnanopettajakoulutuksessa (Jyväskylän yliopisto 2013).
The Automated Emotional Music Generator With Emotion and Season Features
2013
Nowadays, there are various types of automated music generating systems to automatically compose music clips instantly; however, those randomly-generated music clips still sounded uncomfortable and discordant. This paper attempts to add with emotion and season features to assist automated music generating systems based on algorithm, and then tries to make all generative music clips sound with harmonious and emotional meaning to listeners. The automated music generator used in this topic is not only based on algorithm but also adopts Thayer’s emotional model as well as four season factors, so all music clips will not only express unique music emotions but also indicate all seasons which may …
Ambivalent Emotions in Music : We Like Sad Music When It Makes Us Happy
2013
We often react ambivalently to a piece of music, simultaneously experiencing both sadness and happiness, and attributing both emotions to the musical content. Two experiments were conducted (1) to empirically test for ambivalent emotions and (2) to investigate the amount of musical information necessary to elicit such emotions. In experiment 1, synthesized musical excerpts were manipulated in tempo (fast/slow) and mode (major/minor). By using unipolar scales, listeners could independently rate how (1) happy and (2) sad the music made them feel, as well as the (3) happiness and (4) sadness perceived in the music. Regarding perceived emotion, happiness was higher in major-fast excerpts, sadne…
The Pleasant Emotion of Sad Music
2013
In general, sad music is thought to cause us to experience sadness, which is considered an unpleasant emotion. As a result, the question arises as to why we listen to sad music if it evokes sadness. We hypothesized that felt and perceived emotion may not actually coincide in this respect: sad music would be perceived as sad, but the experience of listening to sad music would evoke positive emotions. A total of 44 participants listened to mu-sical excerpts and provided data on perceived and felt emotions by rating 62 descriptive words or phrases re-lated to emotions on a scale that ranged from 0 (not at all) to 4 (very much). The results revealed that the sad music was perceived to be more t…
The Effects of Positive and Negative Emotions During Online Shopping Episodes on Consumer Satisfaction, Repurchase Intention, and Recommendation Inte…
2019
The aim of this study is to examine the emotions that consumers experience during their online shopping episodes as well as their effects on consumer satisfaction and two types of post-purchase behavioural intentions: repurchase and recommendation intentions. By hypothesising a research model and testing it with the data from 1,786 Finnish online shoppers, which was collected in co-operation with 18 Finnish online stores between September 2018 and December 2018 and is analysed by using structural equation modelling (SEM), the study makes several interesting findings. First, we find positive emotions to have stronger effects in comparison to negative emotions. Second, we also find that where…
Attitudes toward sad music are related to both preferential and contextual strategies.
2015
Music-related sadness and its paradoxical pleasurable aspects have puzzled researchers for decades. Previous studies have highlighted the positive effects of listening to sad music and the listening strategies that focus on mood-regulation. The present study explored people’s attitudes toward sad music by focusing on a representative sample of the Finnish population. Three hundred and fifty-eight participants rated their agreement with 30 statements concerning attitudes toward sad music. The ratings were subjected to factor analysis, resulting in 6 factors explaining 51% of the variance (RMSEA = 0.049). The factors were labeled Avoidance, Autobiographical, Revival, Appreciation, Intersubjec…
The Sound of Sadness : The Effect of Performers' Emotions on Audience Ratings
2013
Very few studies have investigated the effect of performers’ felt emotions on the audience perception of their performances. Does it matter what a performer feels or thinks about when performing? To investigate this, we asked four violinists to play the same musical phrase in response to three different instructions. The first in-struction was to focus on the technical aspects of their playing. The second instruction was to give an expres-sive performance. Following a sadness-inducing mood induction task, the third instruction was to play while focusing on their felt emotions. High quality audio and motion-capture recordings were made of all perfor-mances. Subsequently, motion-capture anima…
Are Musical Emotions Chimerical? Lessons From the Paradoxical Potency of Music Therapy
2013
The dominant psychological model of emotion posits that a cognitive process (the appraisal) precedes, and results in, the corresponding emotion, including any induced state of physiological arousal: the cognitive com-ponent of emotion mediates the effect of the external cause on the internal arousal component. If emotions in music were naturalistic, the same mechanism should apply. However, a study in which a group of people with autism were compared with matched controls showed a normal level of physiological responsiveness to music in the autism group, coupled with a reduced capacity to verbalize their responses to it. It is hard to account for these results in terms of the standard mecha…
“It is better than working with a person” : Affective cues and responses to robots at work
2022
Robotic technologies are gaining popularity in various industries, and, by implication, academic research anticipates changes in occupations and work tasks, as well as in the labor market in general. In the future, human employees and robots will increasingly work side by side as coworkers. Despite growing interest, little is known about human employees’ experiences of working with robots, and particularly, their emotions toward robots. However, research has shown that emotions – that is, affective responses – play an important role in the use and adoption of technologies. To address this research gap, we conducted a qualitative questionnaire examining the emotions experienced by employees …
Psychobiosocial Experiences in Sport : Development and Initial Validation of a Semantic Differential Scale
2021
Abstract Objectives To develop and validate the Psychobiosocial Experience Semantic Differential scale in sport (PESD-Sport), a new measure to assess discrete emotions and performance-related experiences in sport as conceptualized within the individual zones of optimal functioning (IZOF; Hanin, 2000, 2007, 2010) framework. Method In Study 1, we developed a preliminary 53-item version of the scale using a semantic differential format in the construction of the items pertaining to 12 psychobiosocial modalities. We chose this format to attain a clear representation of psychobiosocial states between opposites along perceived performance functionality (i.e., functional, dysfunctional). The preli…