Search results for "Maya"
showing 10 items of 54 documents
Characterization of Maya Blue Pigment in Pre-Classic and Classic Monumental Architecture of the Ancient Pre-Culombian City of Calakmul (Campeche, Mex…
2011
This paper presents the first evidence of the use of Maya Blue pigment in late pre-classic (c.300BC-300AD) architecture in the Maya Lowlands. This was detected combining an innovative technique, the voltammetry of microparticles (VMP), with atomic force microscopy (AFM), transmission electron microscopy (TEM), scanning electron microscopy/energy dispersive X-ray microanalysis (SEM/EDX), visible spectrophotometry and Fourier transform infrared spectroscopy (FTIR). The pigment was found on the polychrome facade of substructure IIC of pre-Columbian city of Calakmul (Campeche, Mexico). The identification of Maya Blue in this building may prove to be the earliest known use of this colour on the …
‘Maya chemistry’ of organic–inorganic hybrid materials: isomerization, cyclicization and redox tuning of organic dyes attached to porous silicates
2013
[EN] Association of indigo and lapachol dyes to aluminosilicate clays yields polyfunctional organic – inorganic hybrid materials forming Maya Blue-like systems. Upon partial removing of clay's zeolitic water by moderate thermal treatment, abundant isomerization, cyclicization and oxidation reactions occur defining a‘ Maya chemistry whose complexity could explain the versatile use of such materials in the pre-Columbian cultures and permits the preparation of polyfunctional materials potentially usable for therapeutic and catalytic purposes.
¿Por qué la literatura?
2021
In poetry, as well as in a good part of prose works, the rhythm of words is the music that governs reason and emotion. Literature occupies an important place in my creation. In this article I describe the different procedures in which I configure its presence in my music and the main themes in four of my works: Envoi, Como el viento, Maya and Transmutación.
Polysaccharide remains in Maya mural paintings: is it an evidence of the use of plant gums as binding medium of pigments and additive in the mortar?
2020
A number of monosaccharides characteristic of plant gums were found in paint layers and preparation layers of samples of Maya mural paintings of 10 archaeological sites located in Campeche and Yucatan regions. This finding opens the question about the deliberate use of these organic polymers as additives for improving workability and mechanical properties in the preparation layer mortar and conferring cohesion to the pigments in the paint layer. The study performed by GC-MS has confirmed the presence, in significant amounts, of a series of monosaccharides, being glucose and mannose between the most abundantly found. Nevertheless, the low amount present in most of the samples hindered the qu…
Popoya: historia de un poblado maya
2009
Traduzione della monografia in italiano
Arte en piedra tallada. La lítica del asentamiento urbano maya de La Blanca, Petén, Guatemala
2014
La presente tesis doctoral se centra en el estudio de los objetos de la cultura material asociados a las industrias lítica, ósea y malacológica hallados en La Blanca, un asentamiento urbano maya situado en el Departamento de El Petén, en Guatemala, en las Tierras Bajas Mayas del Sur, cuyo período de ocupación más significativo se desarrolló en el Clásico Tardío a Terminal y la transición al Postclásico Temprano. Los objetos de la cultura material constituyen una parte del registro arqueológico cuyo valor como fuente de información ha sido obviada en numerosas ocasiones en el área maya y para la que no existía una metodología de estudio claramente definida. Es por ello que desde el inicio de…
Insights into the Maya Blue technology: greenish pellets from the ancient city of La Blanca.
2011
Financial support is gratefully acknowledged from the MEC Projects CTQ2011-28079-CO3-01 and 02 which are also supported with ERDF funds. Research was conducted within the "Grupo de anlisis cientifico de bienes culturales y patrimoniales y estudios de ciencia de la conservacion" Microcluster of the University of Valencia Excellence Campus. The authors would like to thank Dr. Isabel Solana (SCSIE, UV), Dr. Jose Luis Moya Lopez, and Manuel Planes Insausti (Microscopy Service UPV) for their technical support.
From Maya Blue to “Maya Yellow”: A Connection between Ancient Nanostructured Materials from the Voltammetry of Microparticles
2011
The yellow hue of a series of samples from wall paintings in several Mayan archaeological sites can be attributed to the presence of indigoid compounds, including isatin and dehydroindigo, attached to palygorskite, a local phyllosilicate clay. SEM/EDX, TEM, UV/Vis spectroscopy, and voltammetry of microparticles show that the ancient Mayas could prepare indigo, Maya Blue, and "Maya Yellow" during successive stages. Copyright © 2011 WILEY-VCH Verlag GmbH & Co. KGaA, Weinheim.
Identification of indigoid compounds present in archaeological Maya blue by pyrolysis-silylation-gas chromatography–mass spectrometry
2014
Abstract A study based on the use of pyrolysis-silylation-gas chromatograpy–mass spectrometry (Py-GC–MS), which aimed to identify indigoid compounds and to clarify the multicomponent composition of Maya blue (MB) pigment, has been carried out. A series of reference compounds and synthetic MB specimens prepared in the laboratory have been analysed by this technique. An analysis of archaeological MB samples from 14 Maya archaeological sites from Mexico and Guatemala has also been performed. The obtained results demonstrate that, in addition to indigo, oxidised species such as dehydroindigo, which is formed as a result of redox processes taking place while preparing the pigment, are present in…
The Maya Blue Pigment
2011
Abstract Maya blue is an artificial pigment fabricated by the Maya in the early first millennium AD. The pigment was used in Prehispanic times from the southern Maya region to most Mesoamerican cultures. Maya blue is made from indigotin mixed with palygorskite. This light blue pigment is surprisingly resistant to degradation in adverse environmental conditions, as it is unaffected by the attack of acids, alkalis, oxidants, reducing agents and organic solvents. Scientists do not fully agree in the mechanism of this organoclay interaction. The fabrication and distribution of this pigment probably required a sophisticated technical and commercial infrastructure. This chapter reviews the presen…