Search results for "Mention"

showing 5 items of 15 documents

Educación artística : revista de investigación

2018

Resumen: El arte, a lo largo de los años de escolaridad se relega legislativa y curricularmente a favor de otras áreas de aprendizaje, cuando se sabe que es el área que más conecta con la naturaleza infantil. Este artículo analiza la situación de la educación artística en la legislación actual en las etapas de infantil y primaria y ofrece una panorámica de los diseños curriculares de las universidades y de su oferta formativa. También se presentan los resultados obtenidos a partir de una encuesta realizada al profesorado de los Grados de Educación Infantil y Primaria de las diferentes universidades españolas, con cuestiones planteadas en torno a la necesidad de contar con una mayor especial…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASEarly Childhood EducationMenciónEspecialidadinvestigación sobre programas de estudiosEducación infantilPrimary EducationMentionformación de profesoresSpecialty:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Educación primariaArteArteducación artística
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Observaciones sobre una reflexión heterodoxa en los Comentarii de Juan Luis Vives a la Ciudad de Dios de San Agustín

2019

The Patres ecclesiae?s works were a frequent topic of discussion at the time in which many humanists stood against the decadent medieval scholastics. That Juan Luis Vives was part of this tradition is demonstrated in his commentaries on Saint Augustine works. Despite its pedagogical function, the scholia of the Valencian author became quite subjective. In this sense, his ecdotic work or, specially, his «criticisms and censures» can be mentioned. Here, Vives strongly disapproves of the intense political and intellectual turmoil of his epoch. Thus, this article is aimed at describing those annotations in which Vives adopts such an Erasmist point of view to comment Augustine?s De Civitate Dei.…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASthe reiteration of his arguments will be remarked throughout the Commentarii. The modus operandi of Vives is justified by propaedeutic issues and it stimulates the freedom of conscience. anotaciones ? reflexión crítica ? antiescolanticismo ? censurahis ecdotic work orVives strongly disapproves of the intense political and intellectual turmoil of his epoch. Thusthis article is aimed at describing those annotations in which Vives adopts such an Erasmist point of view to comment Augustine?s De Civitate Dei. Thereforewe will analyse the way in which Vives comments the contents of this work. MoreoverPedro The Patres ecclesiae?s works were a frequent topic of discussion at the time in which many humanists stood against the decadent medieval scholastics. That Juan Luis Vives was part of this tradition is demonstrated in his commentaries on Saint Augustine works. Despite its pedagogical function1135-9560 8276 Studia philologica valentina 536436 2019 21 7225813 Observaciones sobre una reflexión heterodoxa en los Comentarii de Juan Luis Vives a la Ciudad de Dios de San Agustín Fernández Requenaspeciallyhis «criticisms and censures» can be mentioned. Here//pages.uv.es/SPhV/cas/numero21.wiki [annotations ? critical reflexion ? anti-scholasticism ? censorship 69 81 https]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]the scholia of the Valencian author became quite subjective. In this senseannotations ? critical reflexion ? anti-scholasticism ? censorship 69 81 https://pages.uv.es/SPhV/cas/numero21.wiki
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De la performance musicale dans la Guyane traditionnelle : expression cognitive singulière d?une musique-verbe

2021

Guianese culture and traditional music, here evoked, are various. It is more a transcultural process that, along centuries, gave an original result born in the Americas, in Guiana in this case. It is a form of refoundation, of recreation of cultures and new human beings generally called Creoles. The musical performance, that I study here, is the echo of social and cultural space of this reformulation of thought, life, and conception of the world. It is, as well, a mean of transposition and transformation of the values issued of diverse sources and categories. It is in no way a second-rate cultural practice, as it is the place where were born philosophies and actions for common life as well …

as it is the place where were born philosophies and actions for common life as well as for individual life. This organization of the musical experience requires several levels of readings to better understand the underlying performance that is the issue discussed here. What is then the subject of the musical performance in French Guianese traditional society? What are the implementation techniques and the intrinsic forms of knowledge? What is the creation process and for what goal? Without a doubtlifeUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASand conception of the world. It isrevista de investigación musical: territorios para el arte 590908 2021 7 8182062 De la performance musicale dans la Guyane traditionnelle : expression cognitive singulière d?une musique-verbe Anakesa Kululukaalong centuriesin Guiana in this case. It is a form of refoundationis the echo of social and cultural space of this reformulation of thoughtquestions arising from this issue are still numerous and varied. And the answers one can give are just as numerous. The few basic questions mentioned above are a theme for the reflection conducted here by the author on traditional music of French Guiana. 105 1442386-8260 13268 Itamara mean of transposition and transformation of the values issued of diverse sources and categories. It is in no way a second-rate cultural practicehere evokedof recreation of cultures and new human beings generally called Creoles. The musical performancegave an original result born in the Americasterritorios para el arte 590908 2021 7 8182062 De la performance musicale dans la Guyane traditionnelle : expression cognitive singulière d?une musique-verbe Anakesa Kululuka [revista de investigación musical]Apollinaire Guianese culture and traditional musicas well:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]that I study hereare various. It is more a transcultural process that
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A propósito de la localización de una pintura sobre tabla de ?La Virgen de la Leche?, del siglo XIV, atribuida a Bernabé de Módena, que perteneció al…

2020

The castle's Hermitage of Yecla (Region of Murcia) constituted during the 13th to 16th centuries the first parish of the population, hosting a triptych-shaped altarpiece presided over by a tempera painting on wood of Our Lady of Humility or "Virgo Lactans", dated around 1370 and attributed to the painter Barnaba da Modena, which was the titular image of the mentioned temple under the title of Our Lady of the Incarnation, until at the end of the 18th century it changed ownership for the Conception of Our Lady. The table at averages of the eight hundred was placed in an a loft, appropriating it at the beginning of the 20th century by the retired military Pascual Spuche y Lacy, who sold it aro…

dated around 1370 and attributed to the painter Barnaba da Modenawith the purpose that the painting is transferred to the Yecla City Council as a museum piece. 41 62UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASFrancisco Javier The castle?s Hermitage of Yecla (Region of Murcia) constituted during the 13th to 16th centuries the first parish of the populationdeciding in 2019 after its restoration to put it on sale at the Fair TEFAF in New York through the Nicolás Cortés Art Gallery in Madrid. Currentlydel siglo XIVacquiring it by the dealer José Arnaldo de Weissberger Khan0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707976 A propósito de la localización de una pintura sobre tabla de ?La Virgen de la Leche?atribuida a Bernabé de Módenawhich was the titular image of the mentioned temple under the title of Our Lady of the Incarnation0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707976 A propósito de la localización de una pintura sobre tabla de "La Virgen de la Leche" del siglo XIV atribuida a Bernabé de Módena que perteneció al patrimonio artístico de Yecla (Murcia)appropriating it at the beginning of the 20th century by the retired military Pascual Spuche y Lacywho sold it around 1923/1924 in Madrid in the art marketuntil at the end of the 18th century it changed ownership for the Conception of Our Lady. The table at averages of the eight hundred was placed in an a loft:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]who had it in his possession right up until the 50s of the last century when it passed into the hands of another collector and whose heirs have kept the panel to this dayhosting a triptych-shaped altarpiece presided over by a tempera painting on wood of Our Lady of Humility or ?Virgo Lactans?its possible acquisition is being managed by the cultural services of the Government of the Region of Murciaque perteneció al patrimonio artístico de Yecla (Murcia) Delicado Martínez
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La resistenza di interfaccia calcestruzzo poroso-terreni a grana fina per il consolidamento di pendii mediante trincee drenanti profonde

2022

Le trincee drenanti profonde rappresentano uno dei metodi più efficaci per la mitigazione del rischio da frana, in pendii con falda idrica. Esse sono realizzate mediante pannelli o pali secanti. Il riempimento è costituito di calcestruzzo poroso o materiale granulare. Se le trincee sono adeguatamente “innestate” nel terreno stabile e il materiale di riempimento ha sufficiente resistenza e rigidezza come il calcestruzzo poroso, si ha ulteriore in-cremento di resistenza a taglio per effetto shear keys, oltre a quello derivante dalla riduzione delle pressioni in-terstiziali. L’incremento di resistenza è dovuto sia alla resistenza all’interfaccia calcestruzzo–terreni sia a quella intrinseca del…

interface shear strengthPervious concreteSettore ICAR/07 - Geotecnicashear keys effect. Pervious concrete for deep trench drains used to stabilise slopes must simultaneously satisfy many requirements namely adequate hydraulic conductiv-ity adequate shear strength a few days after pour-ing capacity to act as a protective filter for soils in which the drain is installed good resistance to clog-ging and adequate residual hydraulic conductivity. The pervious concrete with appropriated mix-design can effectively satisfy all the abovementioned requirements. If the trenches depth is such that they intersect the sliding surface and if the trenches are adequate-ly "socket" in the layers of stable soil there is a fur-ther increase in shear strength due to the shear keys effect. This latter is in addition to the increase in shear strength resulting from the reduction of inter-stitial pressures that remains the principal scope of the draining trenches. Obviously the increase of shear strength due to the shear keys effect occurs if the trenches are filled with material that have enough strength and stiffness such as the porous concrete. In this case the beneficial effects of the draining trenches on stability are also due to the resistance at the concrete interface of the trench - soils and to the intrinsic resistance of the concrete at the area of the trench intersected by the sliding surface taken into consideration.The increase in resistance due to the shear keys effect can be very significant in relation to the thickness and interspace of the trenches. Results reported in the paper demonstrated that the interface fine grained soil-pervious concrete is higher than the residual shear strength of the soil.
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