Search results for "Mitteleuropa"

Angst als Textspur und Bildspur in Graphic Novels zum historischen Geschehen des 20. Jahrhunderts

2020

Neben vielen anderen Charakterisierungen, etwa ‚Jahrhundert der Diktatoren‘, ist für das 20. Jahrhundert wahrscheinlich auch die Formulierung ‚Jahrhundert der Angst‘ gerechtfertigt. Dieser Beitrag ist ein erster Versuch, die Darstellung von Angst in verbal-piktoralen Narrativen zu erschließen. Text- und Bildspuren zu Angst – politisch genutzte Techniken der Angsterzeugung einerseits und bis zu dauerhafter Traumatisierung gehende Angsterfahrung andererseits – sind in vielen Graphic Novels zur Geschichte des 20. Jahrhunderts ein wesentliches Deutungsangebot. Obwohl ästhetisch und intellektuell anspruchsvoll, somit ein Angebot zur Aufarbeitung von Geschichte, ist diese Fokussierung von Angst d…

FOREWORD a Musicologie sans frontières/Muzikologija bez granice/Musicology without frontiers. Essays in Honour of Stanislav Tuksar

2010

La vita e l'opera di Stanislav Tuksar e il suo contributo alla musicologia internazionale. In particolare gli studi di estetica della musica e di storiografia, nonché il suo lavoro di editor della "International Review of the Aesthetics and Sociology of Music" e i saggi importanti sul rapporto tra le culture nazionali e il cosmopolitismo nell'Europa centrale, in relazione alla Croazia e agli Slavi del Sud dal sedicesimo al diciannovesimo secolo.

Sonnenbarke und zyklisches Weltbild. Überlegungen zum Verständnis der spätbronzezeitlichen Ikonographie in Mitteleuropa

2005

International audience

Recensione di LEHMANN A. W. & NÜSS H., 2015. Libellen. Bestimmungsschüssel für Nord und Mitteleuropa. Deutscher Jugendbund für Naturbeobachtung, 200 …

2018

A View from the Inside: The Dawning Of De-Westernization of CEE Media and Communication Research?

2015

The Editorial outlines some characteristics of the development of the Central and Eastern European (CEE) media and communication scholarship during the past 25 years. In the majority of CEE countries, the media and communication research was re-established after the collapse of communism. Since then, a critical mass of active scholars has appeared who form an integral part of the larger European academia. A gradual integration of East and West perspectives in media and communication research is taking place along with moving away from the barely West-centred approach, and utilizing the research done by CEE scholars. Certain 'de-westernization' and internationalization of the research in ter…

Mitteleuropa - ein Gespenst geht herum : Mitteleuropa-käsite 1900-luvulla

1997

Mitteleuropa oltre il mito. Rinuncia, nostalgia, il caso Moor

2019

The paper focuses on the co-existence of national identities, the concepts of Central Europe as a geographic space, and Mitteleuropa as a cultural space. In particular, it examines the development of a cultural unity need after the fall of the Austrian Empire, namely from the time of independent small states after the WWI, to the time of the iron curtain that reshaped the continent into two halves, West and East, thus delating the spirit of Mitteleuropa. As Milan Kundera wrote in 1983, at end of WWII the civil frame of Central Europe disappeared, and only the idea of a cultural community survived for a long time. On the one hand, the "nostalgia" of Mitteleuropa, and the new policy after the…

Paradigma culturale e canone popolare: musica e nazione nei paesi slavi della Mitteleuropa nel diciannovesimo secolo

2016

The national identity of Slavic Mitteleuropa is examined by means of a new approach to different cultural paradigms, namely the historical events out of which the popular canon in music flourished at the end of eighteenth-century Poland and in nineteenth-century Bohemia, Slovenia and Croatia. This phenomenon must be analysed within a framework in which cosmopolitism and nationalism co-existed in a mix of functional and autonomous music, superseding the boundaries of subordination, adaptation and autonomy.

Predgovor/Foreword

2016

Nel corso del XIX secolo l'idea di popolo e l'idea di nazione hanno prodotto la nascita di nuovi orientamenti nella musica dei paesi slavi della Mitteleuropa. Le fonti cui si sono ispirati i fautori dei movimenti nazionali in Germania, Austria, Polonia, Cekia, Slovenia e Croazia sono state descritte come popolari, ma si tratta in realtà di musiche folkloriche, devozionali, brani d'opera e brani d'autore, che furono usati anche nella musica d'arte (opere e sinfonie), con l'unico scopo di attestare i principi identitari essenziali per la formazione dei futuri stati dopo la caduta dell'impero austro-ungarico. La storia e le tradizioni dei paesi sopra elencati non hanno quasi nulla in comune, s…

De Musica Disserenda, XII/1, 2016: Nineteenth-Century Music in Central Europe: Paradigms and Popular Canon

2016

Nations and nationalism have been a main research topic for decades, but the last few years have witnessed noticeable growth in these studies. The perspective generally accepted in the humanities – that demands for political independence of the nations in nineteenth-century Central Europe were premised on a sense of cultural identity – has also been taken up by contemporary musicological thought. Essays by philosopher and social anthropologist Ernest Gellner on “invented nations” in Nations and Nationalism (1983), or by historian and political scientist Benedict Anderson on “imagined communities” in Imagined Communities: Reflections on the Origin and Spread of Nationalism (1991), supported …