Search results for "Modernisme"
showing 10 items of 42 documents
« Conversation, Conversion et Proportion »
2004
The Sound of a Brush : The Painter, by Janet Frame, 1975
2008
First-Hand Becomes Second-Hand: André Brink's A Dry White Season
2009
This paper offers a reading of André Brink's novel A Dry White Season in relation to his own essay The Novel:. Language and Narrative From Cervantes to Calvino. The aim is to demonstrate that Brink's theory can help highlight aspects of his apartheid writings which have often been neglected. The paper explores, in particular, the metafictional features of a novel more famous for its committed nature than for its self-reflexivity
Crises langagières
2022
L'inclusivisme est un fondamentalisme
2020
International audience
L’arsenal de la déconstruction
2021
International audience
Le paysage médial et la facture de l’œuvre : Livre, impression, illustration
2023
"Tightrope walking the twenty-first century": Jeanette Winterson's vital connections with Modernism
2012
International audience; In Art Objects (1995), her aesthetic manifesto, Jeanette Winterson calls for a new literature for the new millennium, and new forms of writing that could “answer to twenty-first-century needs”. Far from repudiating the past, Winterson urges the twenty-first-century artist to turn to previous generations for inspiration, and to draw poetic power from the “lineage of art”. Since “every new beginning prompts a return”, before he/she can fully experiment with language, the true artist must first experience his/her vital connections with the past, not in the spirit of ancestor worship, but to reclaim past literature, “(re-state) and (re-instate) (it) in its original vigou…
Recording Britain : John Piper et le patrimoine architectural anglais dans les années 1940
2016
This article is about the artist John Piper's participation in one of the programmes for the preservation of national heritage that were organised during the Second World War. It focuses on Piper's paintings and texts – notably the articles that he contributed to the Architectural Review – in order to illustrate the aesthetic controversy between modernism and tradition, abstraction and naturalism, which underpins the ambivalence of reconstruction.