Search results for "Montage"

showing 8 items of 18 documents

L'écart du sens. Cadrage et montage cinématographiques selon Eisenstein et Merleau-Ponty

2010

International audience

[SHS.DROIT]Humanities and Social Sciences/Lawécart du sens[SHS.DROIT] Humanities and Social Sciences/LawMerleau-Pontycadrage cinématographiquemontage cinématographique[ SHS.DROIT ] Humanities and Social Sciences/LawComputingMilieux_MISCELLANEOUSEisenstein
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L’artisan, son comptable et sa retraite. Etude d’un profil d’indépendants établis

2017

International audience; En complément des constats statistiques de la recherche sur l’accumulation patrimoniale chez les indépendants, l’article vise à contribuer à une compréhension des choix faits par les artisans pour préparer leur retraite. Il prend au sérieux la persistance d’une conception professionnelle de la retraite, fondée sur un souci d’autoprotection de ses vieux jours, qui semble expliquer un niveau de détention patrimoniale des ménages indépendants très supérieur à celui des ménages salariés. Étayée par une enquête qualitative, à la fois circonscrite géographiquement et centrée sur un profil d’artisans du bâtiment établis, l’analyse propose de rendre compte de deux mécanismes…

[SHS.SOCIO]Humanities and Social Sciences/Sociology[ SHS.HIST ] Humanities and Social Sciences/History[SHS.SOCIO] Humanities and Social Sciences/Sociologyartisans du bâtiment[SHS.HIST] Humanities and Social Sciences/Historysociologie des indépendantssens de la retraitemontage[ SHS.SOCIO ] Humanities and Social Sciences/Sociologyaccumulation patrimoniale[SHS.HIST]Humanities and Social Sciences/Historyréalisme comptable
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Tres artistas en el exilio: Max Aub, Félix Candela y Josep Renau

2020

Three artists in exile focuses on the historical diaspora provoked by the Spanish civil war (1936- 1939), and how it influenced three prominent figures of the cultural scene of that period: the writer and typographer Max Aub Mohrenwitz (Paris, 1903-Ciudad de Mexico, 1972); the architect Félix Candela Outeriño (Madrid, 1910-Raleigh, US, 1977); and the artist Josep Renau Berenguer (Valencia, 1907-Berlín, 1982). They are the three protagonists of this article, who were simultaneously living in Mexico during the exile and who made notable contributions in the fields of arts and humanities (Max Aub), architecture (Félix Candela), and graphic design and photomontage (Josep Renau). While they were…

and graphic design and photomontage (Josep Renau). While they were born in different citiesthey still represent the best contribution of the Spanish culture to Mexico 297 3111903-Ciudad de MexicoUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASUS1977)1982). They are the three protagonists of this articleand produced relevant artistic works. Eighty years after the beginning of this story1972)where they published booksFélix Candela y Josep Renau García0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707991 Tres artistas en el exilio: Max Aubbuilt important buildingsthe architect Félix Candela Outeriño (Madridthe writer and typographer Max Aub Mohrenwitz (Paris [and how it influenced three prominent figures of the cultural scene of that period]and how it influenced three prominent figures of the cultural scene of that period: the writer and typographer Max Aub Mohrenwitz (Pariswho were simultaneously living in Mexico during the exile and who made notable contributions in the fields of arts and humanities (Max Aub)and the artist Josep Renau Berenguer (Valencia:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]1910-Raleigh1907-BerlínManuel Three artists in exile focuses on the historical diaspora provoked by the Spanish civil war (1936- 1939)all they three spent their exile in Latin AmericaMax Aub [0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707991 Tres artistas en el exilio]architecture (Félix Candela)
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Short films : dispersive effects of clip thinking

2013

The New Media have a vast influence on human mind and its cognitive functions. Clip thinking is a state of perception, knowledge and, therefore, consciousness that is formed by the perceptual patterns based on deconstruction of narratives. Practically, the main symptoms of clip thinking are the following: the lack of concentration while dealing with narratives, the incline to multitask work and random access to the information as well as an urge for immediate answers and the frustration if such an answer is impossible to get. Clip thinking is based on the database logic as an opposite to narrative. The present thesis discusses the clip thinking in terms of New Media theory of Lev Manovich a…

cognitionnarrativekognitiodigitaalinen kulttuurielokuvakertomuksetmontageuusmediamontaasiComputingMilieux_MISCELLANEOUSdigital culturelyhytelokuvat
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Poïetic adriftness in Ailbhe Ni Bhriain's video art: dissolved points

2016

International audience

collage[SHS.ART] Humanities and Social Sciences/Art and art historymontagediaspora[ SHS.ART ] Humanities and Social Sciences/Art and art historyvideo art[SHS.ART]Humanities and Social Sciences/Art and art historymigrationhomelessnessComputingMilieux_MISCELLANEOUS
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Editing and Montage in International Film and Video: Theory and Technique

2018

Resenha do livro.

ediciónArts in generalmontajevideoEditingNX1-820MontageBook Reviewlcsh:Communication. Mass medialcsh:Social SciencesAudiovisualReview.EdiciónEdiçãoaudiovisualUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASVideoRevisãoMontajelcsh:P87-96lcsh:HMontagem Audiovisual:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]ReseñaVídeoreseña
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La narrazione iconica nella Russia dei Soviet/The iconic storytelling in the Soviet Russia

2018

Le rivoluzioni russe del 1905 e del 1917 e il conseguente crollo dell’impero zarista condussero a un riassestamento della struttura sociopolitica, determinando un dualismo culturale tra ciò che apparteneva a una tradizione ormai lontana e la futura visione di una società rinnovata. Le trasformazioni sociali innescate dalla giovane intelligencija sovietica hanno dato vita a sperimentazioni innovatrici sia nel campo ideologico che in quello artistico, a partire dal ripensamento della vita collettiva. Vennero messi in discussione i metodi e i mezzi di espressione artistica tradizionali; l’arte figurativa e l’architettura iniziarono a seguire un comune orientamento accogliendo una serie di ques…

fotomontaggio poster propaganda sovietica.photomontage poster soviet propaganda.Settore ICAR/17 - Disegno
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John Edgar Wideman, lecteur-archiviste de Frantz Fanon

2017

This article intends to read Fanon, a Novel, written in 2008 by John Edgar Wideman, as an attempt to decolonize the archive, more specifically the Fanonian archive. Rather than trying to exhume the legacy of the Martiniquan thinker, the novel proposes to set Fanon’s thought in motion, allowing it to unfold before the reader’s eyes. Thus summoned up, the archive assumes an eminently political role. No longer an origin in a teleological narrative, it can only be apprehended by a text that deliberately practices generic blurring and intermingling as a mode of writing. In Fanon, a Novel, the intersection between fiction and the archive serves as a productive space where national and colonial gr…

lcsh:American literatureDidi-Huberman[SHS.LITT]Humanities and Social Sciences/Literaturearchivemedia_common.quotation_subjecteditingformefictionmontageArtlcsh:PR1-9680lcsh:English literatureformpolitique[SHS.LITT] Humanities and Social Sciences/LiteratureWidemanhistoireGeneral Materials SciencehistoryFargepoliticsHumanitiesmedia_commonlcsh:PS1-3576Fanon
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