Search results for "MuSICA"
showing 10 items of 1344 documents
La pizarra digital interactiva en el aula de música: importancia y propuesta de evaluación del tratamiento de la información y competencia digital du…
2013
El presente trabajo trata de, por una parte, dar a conocer las posibilidades y aplicaciones de la Pizarra Digital Interactiva en el aula de música en dos centros de la Comunidad Valenciana desde un punto de vista crítico. Además ofrece una propuesta de evaluación del Tratamiento de la Información y Competencia digital en la materia de Música durante la etapa de Educación Primaria. Este proceso investigador supone, por último, la necesidad de reflexión con respecto a la indispensable respuesta del Sistema Educativo a las demandas sociales así como a la imprescindible formación permanente en la labor docente. This document aims to show Interactive Whiteboard's possibilities and enforcements f…
Musurgia Naturalis
2009
La musurgia universalis può dividersi in naturalis (suoni e rumori della natura, folklore vocale) e musurgia artificialis (suoni e rumori non intenzionali causati dal lavoro umano, tutta la musica strumentale e la musica d'arte). La musica dei Pigmei Ba-Benzele come esempio di musica affatto naturale. La musica di due compositori contemporanei come musica artificiale, ma germinante dalla natura: vegetale quella di Giovanni Damiani; animale/umana quella di Federico Incardona.
Tune recognition from melody, rhythm and harmony
2009
Earlier studies have shown that listeners recognise familiar tunes. With tunes that are manipulated in some way, melody has been shown to be more important for recognition than rhythm. The present study examined the importance of melody, rhythm and harmony for tune recognition by listeners with varying musical expertise. Forty-six participants, divided into three groups according to their musical expertise, heard the first two phrases of familiar tunes in four different versions: melody, rhythm, melody with harmony and rhythm with harmony. The participants were asked to identify the tunes. A two-factor ANOVA was conducted with the four versions of presentation and the three groups of partic…
The Semantics of Musical Topoi : An Empirical Approach
2015
THE ARTICLE INTRODUCES AN EMPIRICAL APPROACH to studying music’s extrinsic meanings, based on the idea of musical topos as a set of musical entities that is delimited and furnished with meaning by extramusical associations in a listener population. The proposed methodology involves free, associative responses as well as responses on semantic variables addressing the imagery. After deriving potential topical structures for a given musical domain from the quantitative results, the structures are substantiated by using them to guide a rule-based, qualitative analysis of the free responses. The approach allows a view to the topical organization of a musical domain in which the identity of each …
Turismo musical: conceptualización e implicaciones territoriales. Un análisis exploratorio de los procesos de coordinación turístico-musicales de la …
2023
Some important territories in Central countries have been offering high-value musical activities to their residents for the last two decades, which also attract visitors and therefore generate tourism. In order to address the conceptualization of musical tourism as a general objective, the thesis conducts an in-depth review of the literature and proposes an initial social, economic, and territorial analysis of music and its international evolution, as well as in Spain, where tourism activity constitutes a possible higher evolution for music and requires a local network with coordination relationships between public and private agents. However, there is little empirical evidence and academic…
Música y estereotipo nacional: un análisis del caso español a través de la obra de José Varela Ortega
2022
El historiador José Varela Ortega ha desarrollado una amplia investigación sobre los estereotipos en la historia de España. En este ámbito de estudio presentó su último y relevante libro: España. Un relato de grandeza y odio (2019). En esta publicación, Varela Ortega cita varias obras musicales que constituyen el origen de algún estereotipo o que los desarrollan y difunden. Este artículo pretende profundizar en dicho tema, aportando un estudio musical que desarrolle el análisis del historiador. El enfoque de investigación tratará de relacionar en todo momento la obra referenciada con el contexto musical, histórico y social en el que se produce su creación y, sobre todo, su difusión. Entre l…
Aspetti della vita musicale nella Palermo del Settecento
2008
Il testo si propone di tracciare un quadro d'insieme della vita musicale in Sicilia - in particolar modo a Palermo - nel XVIII secolo e di sottolinearne alcuni aspetti, quali i generi musicali più diffusi, le occasioni e i luoghi in cui si faceva musica, le testimonianze rimaste (iconografiche, documentarie). Verranno inoltre esaminati i rapporti tra la Sicilia ed altri centri siciliani ed italiani, cercando di valutare la posizione della capitale siciliana nel contesto musicale italiano ed europeo.
Giovani e musica: verso un'estetica sociale della musica
2007
In questo contributo si intende proporre una prima riflessione circa una pista di ricerca volta a definire i tratti teorici ed empirici di un’estetica sociale della musica. Si mira cioè a rintracciare e ricostruire una fenomenologia dei vissuti musicali a partire non tanto dalla domanda se e come la musica (intesa come significato e come testo) “esprima” o “rappresenti” il reale, quanto piuttosto dall’intento di accertare (attraverso una metodologia di tipo etnografico ed etnometodologico) se e come la musica possa essa stessa produrre la realtà, determinando certe forme e manifestazioni di azione sociale nel quotidiano. Ciò appare particolarmente significativo in un’epoca postmoderna e glo…
Carlo Serra, La voce e lo spazio. Per un'estetica della voce
2010
Who Controls Who? Embodied Control Within Human–Technology Choreographies
2017
In this article we explore issues of embodied control that relate to current and future technologies in which body movements function as an instrument of control. Instead of just seeing ourselves in control, it is time to consider how these technologies actually control our moving bodies and transform our lived spaces. By shifting the focus from devices to choreographies among devices, we perform a theoretical analysis of the multidimensional aspects that reside within embodied interaction with technology. We suggest that it is beneficial to acknowledge and reformulate the phenomena of embodied control that go beyond the instrumental user-to-device control scheme. Drawing upon the phenomeno…