Search results for "MuSICA"
showing 10 items of 1344 documents
Bibliografia. Ascesa, declino e 'resurrezione' di Giacomo Meyerbeer
2007
Rassegna bibliografica ragionata su Giacomo Meyerbeer.
Dioniso a Palermo (in memoria di Michele Perriera): 1. Prologo (PEC), 2. Memoria (MP), 3. Immagini (PEC), 4. Distillazioni (MP e PEC)
2011
Di Michele Perriera (Palermo, 1937-2010), scrittore, drammaturgo, maestro di teatro, è qui considerato specialmente il dramma "I Pavoni" (1983, 1998), del quale egli fu autore e regista. Si coglie quindi il senso del suo teatro, che "si nutre di musica ed alla musica aspira", e dei suoi romanzi, "Romanzo d'amore" (2002) e "Finirà questa malìa?" (2004).
Claudio Monteverdi entre acédia e melancolia
2014
Love melancholy is a central aspect of early modern era. Sixteenth century Italy is dominated by Petrach’s model, the acedia, a condition which is characterized by love pain and lack of reciprocity. But during the seventeenth century also a new melancholy feeling appears, a more gentle one characterized by a sweet nostalgia. In the article two compositions by Claudio Monteverdi are compared: Zefiro torna, on a text by Petrarca, for five voices, which is an example of the first idea of melancholy; and Zefiro torna, on a text by Rinuccini (a rewriting of the Petrarchan sonnet), for two tenors and continuo, which is an example of the second one. In the first composition Monteverdi draws upon t…
La mauresque sur scène et les contacts musico-teatraux entre l'Italie et la ville de Dubrovnik au XVIe siècle
2019
The moresca, and the related forms of weapon dance, either spread in the Mediterranean basin or in several countries of Central and Southern Europe, was a kind of 16-century choreography. Born as a battle between Saracens and Christian knights, this dance inspired different kinds of mimic spectacle that served as a part of comedies and pastoral plays. The article analyses the relationship between the moresca intermingled in the pastorals of Dubrovnik and Siena, both marked by a strong presence of dances, songs and choruses to increase the fantastic and sentimental emphasis of the performances. Both Dubrovnik’s and Italian’s plays were characterized by shepherds, nymphs, and rustic men (the …
Mulè Giuseppe, in Enciclopedia della Sicilia, a cura di Caterina Napoleone, Parma, Ricci, 2006, p. 642
2006
Breve ritratto del compositore siciliano (1885-1951).