Search results for "MuSICA"

showing 10 items of 1344 documents

Il Conservatorio di musica di Palermo nel contesto italiano ed europeo

2022

This is the first history of the Music Conservatory of Palermo, established in 1617. Italian and foreign authors contributed 15 essays, narrating the Conservatory's foundation and development, but also focusing on the European and Italian context.

Settore L-ART/07 - Musicologia E Storia Della MusicaMusical Education Palermo Conservatory of Music
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"Verdi come fatto di cultura": prospettive su "Studi verdiani"

This paper questions the cultural role of the musicological journal "Studi verdiani", founded in 1982 by Pierluigi Petrobelli, reconstructs its genesis and reflects on its future possibilities.

Settore L-ART/07 - Musicologia E Storia Della MusicaMusicology Opera Studies
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Nation and/or Homeland: Identity in 19th-Century Music and Literature between Central and Mediterranean Europe

2012

The aim of this book is to focus on the development of national awareness elaborated around a series of different case studies, in which the terms nation, homeland and people have been applied. This Romantic lexicon identifies similar but various conceptions of the national idea in some countries dominated by Italian, German and Slavic cultures, and in some groups or minorities such as the Jews and the Vlachs in Central and Mediterranean Europe. In order to clarify the cultural framework, the authors explore the construction of identity through folk tunes, poetry inspired by popular culture, and opera in which the national myths or heroes appear. In the self-making tradition, the national t…

Settore L-ART/07 - Musicologia E Storia Della MusicaNational Awakening Central Europe Slavic Cultures Jews Otherness Opera
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INTRODUCTORY WORD

2012

The aim of this book is to focus on the development of national awareness elaborated around a series of different case studies, in which the terms nation, homeland and people have been applied. This Romantic lexicon identifies similar but various conceptions of the national idea in some countries dominated by Italian, German and Slavic cultures, and in some groups or minorities such as the Jews and the Vlachs in Central and Mediterranean Europe. In order to clarify the cultural framework, the authors explore the construction of identity through folk tunes, poetry inspired by popular culture, and opera in which the national myths or heroes appear. In the self-making tradition, the national t…

Settore L-ART/07 - Musicologia E Storia Della MusicaNational awakening Central Europe Slavic Cultures Jews Otherness Opera
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Giuseppe Sigismondo, Apoteosi della musica del Regno di Napoli, a cura di C. Bacciagaluppi, G. Giovani e R. Mellace, con un saggio introduttivo di R.…

2018

Review of the first edition of Sigismondo's "Apoteosi", a detailed and very interesting history of the music in Naples from the Sixteenth to the early Nineteenth Century. The work is a mailstone in the process of construction and diffusion of the myth of the "Neapolitan School" in composition.

Settore L-ART/07 - Musicologia E Storia Della MusicaNeapolitan School Giuseppe Sigismondo History of music in Naples
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La nostra musica. «Fortunio» fra vecchie e nuove canzoni (1888-1899)

2013

L'articolo studia il posto riservato alla canzone nella rivista napoletana "Fortunio", pubblicata fra il 1888 e il 1899

Settore L-ART/07 - Musicologia E Storia Della MusicaNeapolitan Song Fortunio Music Periodicals
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Anfione e Nivildo. Nota sui rapporti di Niccolò Jommelli con l'arcade Gioacchino Pizzi

2017

The Roman poet Gioacchino Pizzi (1716-1790) was a leading figure of the Accademia dell’Arcadia in the second half of the Eighteenth Century. His relationship with the composer Niccolò Jommelli (1714-1774) is investigated for the first time. Their collaboration started in 1751 in the occasion of the creation of a “componimento drammatico” for the birthday of King Joseph I of Portugal. They worked together again in 1757, when they wrote “Il Creso”, a three-acts opera performed at the Teatro di Torre Argentina. The friendship between the man of letters and the musician is clearly described in Pizzi’s undated ode “Per la venuta in Roma del celebre maestro di cappella il signor Niccolò Jommelly”…

Settore L-ART/07 - Musicologia E Storia Della MusicaNiccolò Jommelli Gioacchino Pizzi Arcadia Roma musica
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Voce “Toscano, Nicolò”

2018

Settore L-ART/07 - Musicologia E Storia Della MusicaNicolò ToscanoPolyphonic SchoolPalermoSacred MusicDominican Order
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Verdi e il Théâtre Italien di Parigi (1845-1856)

2019

Quale ruolo svolse il Théâtre Italien di Parigi nella relazione privilegiata che legò Verdi alla Francia? Fino ad oggi gli studiosi hanno lasciato quasi del tutto inevasa questa domanda. Eppure proprio il Théâtre Italien, istituzione votata specificamente all’esecuzione di opere italiane in lingua originale, fino alla sua chiusura, nel 1878, fu di gran lunga il palcoscenico parigino sul quale si diede con maggior frequenza e costanza la musica del compositore. Della storia dei legami fra Verdi, le sue opere e il Théâtre Italien, questo libro indaga le tormentate fasi comprese fra gli esordi (Nabucodonosor, 1845) e i primi trionfi (Il trovatore, 1854- 56). Attraverso un percorso di ricerca c…

Settore L-ART/07 - Musicologia E Storia Della MusicaNineteenth Century Music Italian Opera French Opera Opera Studies Giuseppe Verdi
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"Panem et circenses". Teatri e pubblici di Parigi al tempo di Donizetti

2019

L'articolo offre una panoramica sui teatri parigini negli anni Quaranta dell'Ottocento, descrivendone funzioni, repertori, pubblici.

Settore L-ART/07 - Musicologia E Storia Della MusicaNineteenth Century Music Opera Studies Gaetano Donizetti
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