Search results for "MuSICA"
showing 10 items of 1344 documents
L'ultimo Pierrot
2014
Heinz-Klaus Metzger o della musica negativa
2010
Canti di Sicilia: un percorso musicale fra Otto e Novecento
2017
Il saggio prende le mosse dalle prime ricerche sulla musica popolare siciliana condotte da Vigo, Salomone Marino e Pitrè per soffermarsi sulle raccolta dei "Canti della terra e del mare di Sicilia" (1907) di Antonio Favara e sulla rielaborazione di una melodia trascritta da Alberto Favara inclusa da Luciano Berio nel ciclo "Folk Songs" (1964).
Musica e rito nei contesti anellenici della Sicilia di VI-V secolo a.C.
2014
Il rinvenimento di un frammento di aulos e di un pomello di una lyra tra i materiali dello scarico di Grotta Vanella a Segesta provenienti da un’area sacra posta sull’Acropoli, testimonianze di grande rilievo nel panorama della documentazione materiale della Sicilia greca e anellenica, sollecita a ripensare al ruolo e al valore della musica in certi contesti della Sicilia ‘indigena’. A fianco delle evidenze segestane, si analizza un caso appartenente a un altro comprensorio anellenico dell’isola, Sabucina (corredo della Tomba 78 della necropoli nord-est), che documenta quello stesso uso della musica e dei suoi simboli da parte di gruppi elitari come elemento di distinzione sociale e strumen…
La construcció del significat en l'obra d'Olivier Messiaen: «Saint François d'Assise», música de l'invisible
2014
El color, el so, el ritme, els ocells i la fe catòlica, són nocions d’una importància manifesta en el pensament musical del compositor francès Olivier Messiaen. Aquesta memòria se centra en l’estudi de la significació de la seva obra. El Saint François d’Assise representa la culminació de l’art musical de Messiaen. Malgrat la forma fragmentària de l’obra, la substància fonamental d’aquesta òpera no es troba en la narració de les diverses escenes de la vida del sant, sinó en l’articulació precisa dels significats que palesen el seu ascens espiritual devers la gràcia i la santedat. A través de l’anàlisi del discurs que trobem en l’aparell textual de l’obra, constituït pel llibret, i de l’anàl…
“Il barbaro è vinto”. D’Annunzio contra Wagner . Dal sinfonismo tedesco alla musica del silenzio nei romanzi di Gabriele D’Annunzio
2012
“You won the barbarian”. D’annunzio contra Wagner. Symphonic from German to music of silence in the novels of Gabriele D’Annunzio Summary This study aims to demonstrate how music has a relevance in the prose of Gabriele D’Annunzio. It is not just an aesthetic embellishment, sound sweetening syntax, melodic accompaniment to the events described. It suggests, rather, as a real source of inspiration, texture composition that motivates and supports events and characters. By analyzing the novels most markedly musical, symbol of opposing cultural trends and conceptual changes of direction, is possible to see as a controversial figure of Wagner, whose music inspires and influences the novel Il t…
Obtaining the Compatibility between Musicians Using Soft Computing
2010
Modeling the musical notes as fuzzy sets provides a flexible framework which better explains musicians’ daily practices. Taking into account one of the characteristics of the sound: the pitch (the frequency of a sound as perceived by human ear), a similarity relation between two notes can be defined. We call this relation compatibility. In the present work, we propose a method to asses the compatibility between musicians based on the compatibility of their interpretations of a given composition. In order to aggregate the compatibilities between the notes offered and then obtain the compatibility between musicians, we make use of an OWA operator. We illustrate our approach with a numerical e…
Choral conducting education: The lifelong entanglement of competence, identity and meaning
2020
Choral singing is one of the most widespread musical activities, and choral conductors work in a variety of social settings that involve every imaginable type of choir and musical genre. The conductor role draws on a number of skills and competencies that are partly acquired through education but, equally importantly, through experience. Choral conductors shape their practice in highly individual fashions as amalgamations of background, formal education, career development and working situation. The present qualitative study seeks to uncover how choral conductor practices arise and unfold, by using Etienne Wenger’s theory of communities of practice and situated learning as the key analytic…
The 'Other' Coastal Area of Venice: Musical Ties with Istria and Dalmatia
2018
Despite the difficulty of classifying the art music of Istria and Dalmatia, and according to several degrees of subordination, adaptation, and autonomy from Venice and Italy, the essay examines the multilingual society of the aforementioned regions and the extraordinary development of a rare Slavic-Romance cultural symbiosis during the sixteenth century. The main topics focused are: 1- the linguistic and cultural frame, 2 - the professional music from Koper (Capodistria) to the free Republic of Dubrovnik (Rugusa), 3 - the music for Protestants and the policy of Catholic Church at the time of the Counter Reformation, 4 - the value of incidental music on stage, either in Croatian or Italian t…
Musicologie sans frontières / Muzikologija bez granice / Musicology without Frontiers: Svecani zbornik za Stanislava Tuksara / Essays in Honour of St…
2010
La vita e l'opera di Stanislav Tuksar e il suo contributo alla musicologia internazionale. In particolare gli studi di estetica della musica e di storiografia, nonché il suo lavoro di editor della "International Review of the Aesthetics and Sociology of Music" e i saggi importanti sul rapporto tra le culture nazionali e il cosmopolitismo nell'Europa centrale, in relazione alla Croazia e agli Slavi del Sud dal sedicesimo al diciannovesimo secolo.