Search results for "Musica"
showing 10 items of 1344 documents
Amando Blanquer Ponsoda y su aportación al Concurso de Composición de Música Festera de Alcoy
2013
Este artículo pretende dar a conocer la aportación del compositor Amando Blanquer Ponsoda al Concurso de Composición de Música Festera de Alcoy, a través del análisis estilístico y musical del pasodoble Musical Apolo (1956) y de la marcha mora L¿embaixador (1959) que fueron primeros premios en este certamen. El análisis musical desarrollado se ha centrado principalmente en los elementos más importantes de la Música Festera como son: el ritmo, la melodía y la forma, sin descuidar otros como la armonía o la instrumentación, constituyendo los primeros el eje base del estudio analítico. Creemos que estas premisas resultan imprescindibles, si queremos llegar a obtener un grado de información sat…
La aportación de José María Ferrero Pastor a la música de Moros y Cristianos de Alcoy
2014
Este artículo pretende acercar al lector la aportación del compositor Jose María Ferrero Pastor (1926-1987) a la música de Moros y Cristianos de Alcoy. En él se analizarán desde el punto de vista estilístico y musical, las tres marchas moras que fueron primeros premios en el Concurso de Composición de Música Festera de Alcoy : El Berberisch (1961), Bon Capità (1971) y El Kabila (1980).
Orígenes de la música en las Fiestas de Moros y Cristianos de Alcoy
2013
En este artículo se quieren dar a conocer las primeras composiciones musicales que acompañaron desde sus orígenes las Fiestas de Moros y Cristianos de Alcoy. Además se estudia el origen de dichas composiciones que se interpretaban en la Fiesta desde el siglo XV y se realiza una breve aproximación a los conceptos de Música Festera y de Fiesta de Moros y Cristianos.
Ermeneutica delle dissonanze
2013
Uno degli obiettivi più urgenti della ricerca architettonica consiste nella comprensione dei luoghi della contemporaneità. La molteplicità e la complessità che caratterizzano il paesaggio attuale impongono nuove chiavi di lettura e nuove strategie capaci di orientare lo sguardo dell’architetto. Bisogna cogliere la modernità del racconto che i luoghi suggeriscono e concepire i contenuti della narrazione all’interno della dialettica intessuta tra descrizione e progetto. Così come la composizione a scala architettonica si sostanzia e si qualifica dalla intersezione di figure e forme e dal sincretismo dei significati dello spazio, allo stesso modo, i contenuti di una composizione a scala territ…
Una ricerca tra architettura e musica. La composizione nelle teorie seriali
2013
Nella percezione cognitiva umana l'ascolto di un brano musicale o l'esperienza spaziale dell'architettura hanno la stessa capacita di divenire immagini, idee, ricordi o memoria. La questione sulla quale sovente ci si interroga è se questa appurata "conseguenza comune" discerne da una verificata "causa comune" o se, in altri termini, esiste un'istanza che lega così strettamente la percezione di un suono e di un'architettura. Architettura e musica trovano entrambe la loro genesi nel medesimo, sublime, atto: il "comporre". Atto di "creazione" di opere nuove, certo, ma anche atto di "indagine" del complesso sistema di relazioni che strutturano i rapporti sia tra gli oggetti semplici dell’opera …
Adaptive tuning system and parameter estimation of a digitally controlled boost converter with STM32
2019
. This paper proposes a diagnostic system of a power electronic converter, based on a cheap STM32 Nucleo board, aiming to extract some relevant measurements which gives back important values of the converter's parameters behavior. Moreover the designed system is also exploited for implementing the converter's auto tuning in order to optimize its dynamic performance.
A Musical Pattern Discovery System Founded on a Modeling of Listening Strategies
2004
Music is a domain of expression that conveys a paramount degree of complexity. The musical surface, composed of a multitude of notes, results from the elaboration of numerous structures of different types and sizes. The composer constructs this structural complexity in a more or less explicit way. The listener, faced by such a complex phenomenon, is able to reconstruct only a limited part of it, mostly in a non-explicit way. One particular aim of music analysis is to objectify such complexity, thus offering to the listener a tool for enriching the appreciation of music (Lartillot and SaintJames, 2004). The trouble is, traditional musical analysis, although offering a valuable understanding …
Tempo Induction from Music Recordings Using Ensemble Empirical Mode Decomposition Analysis
2011
Tempo and beat are among the most important features of Western music. Owing to the perceptual nature of tempo, its automatic analysis and extraction remains a difficult task for a large variety of music genres. Western music notation represents musical events using a hierarchical metrical structure distinguishing different time scales. This hierarchy is often modeled using three levels: the tatum, the tactus, and the measure. The tatum represents the shortest durational value in music that is not just an accidental phenomenon (Bilmes 1993). The tactus period is the most perceptually prominent period, and is the period at which most humans would tap their feet in time with the music (Lerdah…
Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags
2013
Social media services such as Last.fm provide crowd-sourced mood tags which are a rich but often noisy source of information. In contrast, editorial annotations from production music libraries are meant to be incisive in nature. We compare the efficiency of these two data sources in capturing semantic information on mood expressed by music. First, a semantic computing technique devised for mood-related tags in large datasets is applied to Last.fm and I Like Music (ILM) corpora separately (250,000 tracks each). The resulting semantic estimates are then correlated with listener ratings of arousal, valence and tension. High correlations (Spearman's rho) are found between the track positions in…
Further Investigation of Harmonic Priming in Long Contexts Using Musical Timbre as Surface Marker to Control for Temporal Effects
2004
Harmonic priming studies have reported facilitated processing for chords that are harmonically related to the prime context. Responses to the target (the last chord of an 8-chord sequence) were faster and more accurate when the target was strongly related, i.e., a tonic chord, to the preceding prime context than when it was less related, i.e., a subdominant chord. Results have been interpreted in terms of musical expectations and processing speed: the prime allows listeners to develop expectations for future events which lead to facilitated processing of the most strongly expected event. The present experiment investigated an alternative hypothesis suggesting that the harmonic structure of…