Search results for "Musical"

showing 10 items of 797 documents

Tonal cognition

2015

International audience; The present chapter deals with tonal cognition, and more precisely with tonal hierarchies and how tonal hierarchies influence music perception in Western music. The 12 chromatic tones, on which Western tonal music is based, are organized in subsets of seven tones that define musical keys. Within a given key, some tones and chords are structurally more important than others, resulting in intra-key hierarchies. Inter-key distances also rely on tonal hierarchies. Keys are not only related because they share several tones, but also because hierarchically important tones in one key continue to be of importance in others. Two major models of tonal hierarchies are detailed:…

[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing arts[SHS.PSY]Humanities and Social Sciences/Psychology[ SCCO.PSYC ] Cognitive science/Psychology[SCCO] Cognitive scienceMusical keys[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.PSY] Humanities and Social Sciences/Psychology[SCCO]Cognitive science[ SHS.PSY ] Humanities and Social Sciences/Psychology[SCCO.PSYC]Cognitive science/Psychology[SCCO.PSYC] Cognitive science/PsychologyTonal hierarchyChordsMusic perceptionTones
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Acquiring music information : An incidental learning approach.

2022

This thesis contains my empirical works resulting from three years of studying contingency learning, that is the human ability to learn regularities between two or more events, applied to music. Learning music requires time and effort. However, many skills can be automatized in less time-consuming and effortful ways. Indeed, some research suggests that many elements of music knowledge are mostly implicitly acquired. In Chapter 1, the potential benefit of using an incidental learning procedure to automatize musical sub-skills useful for sight-reading and for pitch identification is discussed. In Chapter 2, the first set of experiments investigate whether an incidental contingency learning ta…

[SHS.PSY] Humanities and Social Sciences/PsychologyApprentissage musicale.Perception du tempsApprentissage contingenteLecture a vuSight-ReadingTime perceptionIncidental learningApprentissage incidenteIdentification des tonsPitch identificationMusic learningContingency learning
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La mesure, éléments pour une (future) sociologie du temps musical

2007

Prolongement de la conférence de François Ribac au CEFEDEM Rhône-Alpes, dans le cadre du cycle "Enseigner la musique" Lyon, 2006; Cet article a pour objet la mesure, et plus particulièrement sa déclinaison musicale.Dans un premier temps, l'auteur s'intéresse à la perception, amenant à interroger les notions d'espace et de temps, et les spécificités de l'expérience musicale. Il défend ainsi l'idée que le corps est notre principal outil d'appréhension des choses et que la perception est bien une activité.La seconde partie est consacrée aux conceptions et aux usages du temps dans la musique. L'examen de la partition et du métronome montre comment les postulats de la philosophie mécaniste et la…

[SHS.SOCIO]Humanities and Social Sciences/Sociology[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.SOCIO] Humanities and Social Sciences/Sociology[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsprocessus cognitifmesure[ SHS.SOCIO ] Humanities and Social Sciences/Sociologyperception[ SHS.HISPHILSO ] Humanities and Social Sciences/History Philosophy and Sociology of Sciences[SHS.HISPHILSO]Humanities and Social Sciences/History Philosophy and Sociology of Sciences[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.HISPHILSO] Humanities and Social Sciences/History Philosophy and Sociology of Scienceshistoire des techniques musicalesexpérience musicalemusique
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Allgemeine musikalische Zeitung : prescrire la musique à la fin du xviiie siècle

2019

International audience

[SHS.SOCIO]Humanities and Social Sciences/Sociology[SHS.SOCIO] Humanities and Social Sciences/SociologyAllgemeine musikalische Zeitungédition musicale[SHS] Humanities and Social Sciencespresse musicaleprescription musicaleComputingMilieux_MISCELLANEOUS[SHS]Humanities and Social Sciences
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Espacio sonoro actual: estudio analítico sobre los hábitos musicales y su relación con el aula de música en la ESO

2010

La presente investigación pretende explorar el panorama sonoro actual dentro de un campo de trabajo basado en estudiantes de Educación Secundaria Obligatoria. Para ello, se han estudiado sus gustos, referencias, preferencias y hábitos, descubriendo la situación actual de la utilización que estos jóvenes hacen de la música. El desarrollo del trabajo se basa en dos vertientes: el estudio del entorno social y musical y la relación con el aula de música dentro del centro educativo. Estructuralmente, el trabajo se compone de una “Justificación Legal” en la que se expone la relación con la actual ley de educación, un “Marco Teórico” que muestra el panorama sonoro y educativo-musical actual, los “…

adolescentesgustos musicales
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"Antiphonarium ecclesiae Parochialis Oppoliensis" Carla Juliusa Adolpha Hoffmanna (1801–1843)

2022

This article describes Antiphonarium ecclesiae Parochialis Oppoliensis – Carl Julius Adolph Hoffmann’s antiphonary prepared for the needs of parish musical and liturgical life. The collection is presented against the background of all the activities of this famous Opole music director. From the very beginning of his work in Opole he was committed to raising the local music culture – first in the parish, in the field of religious music, and then also in the whole city, enlivening its concert life. As a result he also improved the level of education and musical awareness of the city’s inhabitants.

antyfonarzmusical culture in Silesiakultura muzyczna na Śląskukościół Świętego Krzyża w OpoluC.J.A. HoffmannChurch of the Holy Cross in Opoleantiphonary
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Aproximació historicoanalítica a la música de José Antonio Valls Subirats (1958-1983)

2022

OBJECTIUS: Aquesta tesi doctoral té els següents objectius generals: (1) estudiar la influència musical dels jesuïtes a Tortosa, com a seu del bisbat de Tortosa, que incorpora el poble d’Alcanar, des de la fi del segle XIX fins a la primera meitat del segle XX; (2) recuperar la producció de José Antonio Valls Subirats (1958-1983), natural d’Alcanar; i (3) determinar el llenguatge i la «poesi» d’aquest compositor. Com a objectius específics, es realitzaran les tasques següents: dintre de l’objectiu general núm. 2, es farà una panoràmica de la vida i l’obra de José Antonio Valls Subirats; i dintre de l’objectiu general núm. 3, (a) es realitzarà una anàlisi estilística de tota la seva producci…

anàlisi musicalUNESCO::HISTORIA::Historia por especialidades::Historia del artecompanyia de jesúsllenguatge musical:HISTORIA::Historia por especialidades::Historia del arte [UNESCO]josé antonio valls subirats
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Influencia de la práctica instrumental en el sistema orofacial

2014

Introducción. El aparato estomatognático es muy importante para los instrumentistas de viento ya que les permite la ejecución musical. Por lo tanto, les debería preocupar su estado en cuanto a función y salud. Se ha observado que una maloclusión puede afectar a la correcta posición del instrumento en la boca, al igual que tocar instrumentos de viento podría influir en el esqueleto dentofacial. Sin embargo la exacta relación entre ellos no se conoce en profundidad. Es a esta relación a lo que pretendemos aportar con este trabajo. Objetivos. El propósito general es valorar los cambios y patologías orofaciales asociadas, con relación de causa-efecto, a la práctica con instrumentos musicales de…

apiñamientohigiene oralresaltemusicianorofacial musclemúsicooral hygiene:CIENCIAS MÉDICAS [UNESCO]instrumento musicaloverbiteUNESCO::CIENCIAS MÉDICASoverjetmaloclusiónmúsculos orofacialessobremordidamusical instrument
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Wagner políticamente pensado

2014

Wagner siempre vinculó arte y política. Nuestra hipótesis es que ese vínculo puede percibirse tanto en los contenidos conscientemente introducidos por él en sus libretos, como en la forma de su principal innovación artística: el drama musical. Para confirmarla atenderemos a su biografía, a los fundamentos filosóficos de su estética y a los contenidos políticos de la Tetralogía. Más adelante nos referiremos a los cambios formales introducidos por Wagner en la historia de la música. Finalmente examinaremos  recurriendo a Adorno de un modo crítico, cómo queda articulada en Wagner la forma como contenido social.

arte política drama musical innovación musical forma como contenido socialEstéticaLaocoonte. Revista de Estética y Teoría de las Artes
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Performing arts and mediation technology in the period of lockdown

2021

Advancements in digital technologies have become novel ways to enrich communication, expression, and transmission of arts knowledge. Technology is increasingly implemented in the performance space, as a source of inspiration for artists. Especially in this period of lockdown, mediation technology has turned out to be an essential tool for different aspects of social life, as in performing arts. With venues, schools and artistic activities closed, performers, students and spectators have been obliged to keep connecting in remote conditions. This article wants to retrace the aesthetic impact of mediation technology in performing arts during this period of lockdown by focusing on the aspects t…

as a source of inspiration for artists. Especially in this period of lockdownUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASGiusy Advancements in digital technologies have become novel ways to enrich communicationterritorios para el arte 590908 2021 7 8182072 Performing arts and mediation technology in the period of lockdown Caruso [revista de investigación musical]schools and artistic activities closed2386-8260 13268 Itamarand transmission of arts knowledge. Technology is increasingly implemented in the performance spaceperformersPerforming Artsrevista de investigación musical: territorios para el arte 590908 2021 7 8182072 Performing arts and mediation technology in the period of lockdown Carusoexpression:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]students and spectators have been obliged to keep connecting in remote conditions. This article wants to retrace the aesthetic impact of mediation technology in performing arts during this period of lockdown by focusing on the aspects that induced advancements of strategies for the transmission of performing arts. The goal is to illustrate the potentialities as well as the challenges of the arttechnology encounter by underlining the transformation of the interaction with and perception of the performance space in remote conditions and in distance learning. The implementation of digital technologies is contributing to the evolution of the performing arts sector by facilitating futuristic approaches. 402 412mediation technology has turned out to be an essential tool for different aspects of social lifeas in performing arts. With venues
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