Search results for "Musical"
showing 10 items of 797 documents
"Il resto è silenzio". Riflessioni su "Sette storie per lasciare il mondo"
2013
Il saggio descrive la genesi, la struttura teatrale e la partitura musicale dello spettacolo di Roberto Andò e Marco Betta "Sette storie per lasciare il mondo", anche in relazione al ciclo di fotografie "sul sonno" di Ferdinando Scianna ("Dormire, forse sognare", 1997).
Paradoxe sur le théâtre lyrique. La réforme de l'opéra entre Rousseau et Diderot
2014
This article examines the relationship between fiction and reality in the opera according to the approach of Rousseau and Diderot. The ambiguous and contradictory definition of this relationship brought Rousseau to remove the singing from the opera and to invent a new genre, the "mélodrame". It was a very paradoxical solution that Diderot could have shared as this article tries to prove. Sujet de cet article c’est la relation entre la fiction et la réalité dans l’opéra selon Rousseau et Diderot. La définition ambiguë et contradictoire de cette relation conduit Rousseau à l’élimination du chant dans le théâtre lyrique par l’idéation du “mélodrame”, une solution paradoxale que – on veut montr…
Unità minime in Guido d'Arezzo e nei grammatici latini
2009
Guido d’Arezzo in the Micrologus points out an ascending scale of the units that form the songs, drawing a parallel between this one and the ascending scale of the units that form the metres according to the Latin grammarians. The units of the metres are: litterae, syllabae, partes, pedes, versus; the units of the songs are: soni, syllabae, neumae/partes, distinctiones. There are problems as regards the interpretation of the song units that are in the middle, especially neumae/partes and syllabae. From the analysis of Guido’s text and from the comparison with the Latin grammarians’ works, it turns out that the neumae/partes, called in a clearer manner partes cantilenae, correspond to the pa…
Microformas: Mi solitario vuelo (Microrrelato), La mariposa efímera (Microcuento)
2021
Music, vibrotactile mediation and bodily sensations in anorexia nervosa : "It's like I can really feel my heart beating"
2020
This article presents the theoretical, scientific, and methodological foundations for the design and implementation of an innovative technological and clinical platform that combined sound, music, and vibrotactile mediation used in a therapeutic setting by adolescents suffering from anorexia nervosa. In 2019, we carried out a pilot experiment with a group of 8 adolescent patients hospitalized in the Eating Disorders Unit of the Department of Adolescent and Young Adult Psychiatry of the Institut Mutualiste Montsouris in Paris. Within this clinical framework, we aimed to create conditions suitable for patients to reinvest in their “disaffected” bodily zones and internal experiences through re…
ACTO II / ACT II Mujeres / Women ¿Es gay la música de Chopin? Aspectos de la recepción de la música de Chopin en el siglo XIX
2021
Considering that it is difficult, if not impossible, for an analysis of Chopin?s music to unmask some aspects of his private life (such as an alleged sexual and affective attraction for individuals of his own sex), we can however argue that, throughout the 19th century, a connection was established between his work and a ?feminine universe.? That connection might have had implications in the way in which the feminized image of its author was constructed. The analysis of certain aesthetic and stylistic traits of Chopin?s music can help understand the causes of that perception.
La pizarra digital interactiva en el aula de música: importancia y propuesta de evaluación del tratamiento de la información y competencia digital du…
2013
El presente trabajo trata de, por una parte, dar a conocer las posibilidades y aplicaciones de la Pizarra Digital Interactiva en el aula de música en dos centros de la Comunidad Valenciana desde un punto de vista crítico. Además ofrece una propuesta de evaluación del Tratamiento de la Información y Competencia digital en la materia de Música durante la etapa de Educación Primaria. Este proceso investigador supone, por último, la necesidad de reflexión con respecto a la indispensable respuesta del Sistema Educativo a las demandas sociales así como a la imprescindible formación permanente en la labor docente. This document aims to show Interactive Whiteboard's possibilities and enforcements f…
Tune recognition from melody, rhythm and harmony
2009
Earlier studies have shown that listeners recognise familiar tunes. With tunes that are manipulated in some way, melody has been shown to be more important for recognition than rhythm. The present study examined the importance of melody, rhythm and harmony for tune recognition by listeners with varying musical expertise. Forty-six participants, divided into three groups according to their musical expertise, heard the first two phrases of familiar tunes in four different versions: melody, rhythm, melody with harmony and rhythm with harmony. The participants were asked to identify the tunes. A two-factor ANOVA was conducted with the four versions of presentation and the three groups of partic…
The Semantics of Musical Topoi : An Empirical Approach
2015
THE ARTICLE INTRODUCES AN EMPIRICAL APPROACH to studying music’s extrinsic meanings, based on the idea of musical topos as a set of musical entities that is delimited and furnished with meaning by extramusical associations in a listener population. The proposed methodology involves free, associative responses as well as responses on semantic variables addressing the imagery. After deriving potential topical structures for a given musical domain from the quantitative results, the structures are substantiated by using them to guide a rule-based, qualitative analysis of the free responses. The approach allows a view to the topical organization of a musical domain in which the identity of each …
Turismo musical: conceptualización e implicaciones territoriales. Un análisis exploratorio de los procesos de coordinación turístico-musicales de la …
2023
Some important territories in Central countries have been offering high-value musical activities to their residents for the last two decades, which also attract visitors and therefore generate tourism. In order to address the conceptualization of musical tourism as a general objective, the thesis conducts an in-depth review of the literature and proposes an initial social, economic, and territorial analysis of music and its international evolution, as well as in Spain, where tourism activity constitutes a possible higher evolution for music and requires a local network with coordination relationships between public and private agents. However, there is little empirical evidence and academic…