Search results for "Musik"
showing 10 items of 183 documents
Repertoar på tvers av naturlig stemmetype
2006
Masteroppgave i utøvende musikk 2006 - Høgskolen i Agder, Kristiansand Repertoar på tvers av stemmetype, er en undersøkelse om hvordan man kan gjøre repertoar på tvers av stemmetype av lyrisk og dramatisk karakter, og hva slags ødeleggelser som kan ramme stemmeinstrumentet hvis sangeren ikke er teknisk klar. Dette er en masteroppgave i mastergradsstudiet i utøvende musikk ved høgskolen i Agder. Oppgavens omfang er på 55 sider, samt abstract/utdrag, forord, innholdsfortegnelse og litteraturliste. Med oppgaven følger en cd med innspilt musikk der jeg synger tre arier av Guiseppe Verdi. Repertoar på tvers av stemmetype er delt inn i åtte kapitler. (1) Første kapittel handler om klassifisering …
Kompetanse i arrangørorganisasjoner
2013
Masteroppgave i Music management- Universitetet i Agder 2013 Kompetanse er et buzz-ord i norsk musikkbransje, men hvordan forholder arrangørorganisasjoner seg til begrepet? Oppgavens problemstilling er «Hvilken funksjon og posisjon har kompetanse hos en konsertarrangør?». Det teoretiske grunnlaget er hentet fra teori om kompetanse, strategi og strategisk kompetansestyring. Oppgavens empiri er blitt til gjennom intervjuer med informanter i to norske arrangørorganisasjoner – Østsia i Kristiansand og Hulen i Bergen. Som metodisk fremgangsmåte er det valgt en stegvis-deduktiv induktiv tilnærming. Dette metodevalget forutsetter at det foregår en induktiv prosess gjennom flere steg fra rådata til…
Music in International Development : The Experience of Concerts Norway (2000–2018)
2020
Paper I and Paper III is excluded from the dissertation with respect to copyright. Paper I will be available from 19/11/2021. Paper III will be available from 13/05/2022. This article-based doctoral thesis contributes to the multifaceted debate concerning the role of music in “development.” By development, I refer to the international aid sector and the deliberate actions of states and/or development agencies to promote equity between various localities and between social groups or classes in the Global South, previously referred to as developing or third world countries. Development studies is an academic field of its own, but it is interdisciplinary in nature, due to heterogenous understa…
RETUNE – A toolbox for composing based on Hardanger fiddle music from Setesdal
2020
Signature characteristics in music can inform our sense of a genre or repertoire or style’s particular processes and serve as tools for composing more of it. This combined scientific and artistic study of popular music performance explores how Hardanger fiddle characteristics based on the tradition from Setesdal can be described as compositional tools. Through music analysis and an investigation of compositional processes, the study uncovers and articulates often tacit insider knowledge of the primarily orally transmitted practice of the Hardanger fiddle. In terms of rhythm, the study analyses the foot stomp and its bowing; in terms of melodic structure, the study looks at the little-resear…
Sporfinnere : En undersøkelse av norsk musikkproduksjons teknologiske utvikling i et bevaringsperspektiv
2019
The Sound of Reconciliation? Musical and Sociocultural Harmony in the Sri Lanka–Norway Music Cooperation (2009–2018)
2020
"Det er jo viktig, men ikke lett å få til" - En undersøkelse av sangens plass i grunnskolen.
2022
The purpose of the article is to examine singing in Norwegian primary schools. Through a schematic overview of the singing activity at ten schools in Agder and qualitative interviews with teachers and school management, we focus on the following question: How is singing used in today’s schools, and what are the teachers’ arguments for implementing or not implementing singing activities? As a theoretical framework, we present singing in educational contexts in Norway from a historical and contemporary perspective and present relevant theories related to the concepts of “formation” and “community music”. The results show that singing activity varies from school to school, decreasing when stud…
Godhetsdiskursen om sang i barnehage og skole
2022
Nesten alene: Artisten, økonomien og bransjen
2022
This chapter explores the framework conditions under which Norwegian artists and managers work and discusses them against a backdrop of established theories on the effects of digitalization. The author’s ambition is to expand our understanding of how the current business of music works by focusing on the people who work with it. The chapter draws on a series of interviews with ten Norwegian artists and managers conducted during the winter of 2019/2020. Building on these interviews, this chapter argues that while digitalization certainly has offered artists and managers a range of possibilities, many of the ways they work are variations on traditional structures and models. A key finding in …