Search results for "ONCE"
showing 10 items of 4997 documents
Effects of coaching on generalist primary music teachers´ classroom practice and their `musical self-concept´
2016
The majority of music lessons in primary schools are covered by generalist primary music teachers, usually with little or no training in teaching it. This practice-based research project is part a PhD program to professionalize generalist music teachers in primary schools to teach music lessons. The aim of this study was to describe changes in the generalist primary music teachers´ didactic classroom practices in teaching music. Moreover, this study aimed to analyze the generalist primary music teachers´ development of their `musical self-concept` (Spychiger, 2010). This longitudinal intervention study is qualitative in character. Participants were 8 generalist primary music teachers and 4 …
All Eyes on Me : Behaving as Soloist in Duo Performances Leads to Increased Body Movements and Attracts Observers’ Visual Attention
2020
Duo musicians exhibit a broad variety of bodily gestures, but it is unclear how soloists’ and accompanists’ movements differ and to what extent they attract observers’ visual attention. In Experiment 1, seven musical duos’ body movements were tracked while they performed two pieces in two different conditions. In a congruent condition, soloist and accompanist behaved according to their expected musical roles; in an incongruent condition, the soloist behaved as accompanist and vice versa. Results revealed that behaving as soloist, regardless of the condition, led to more, smoother, and faster head and shoulder movements over a larger area than behaving as accompanist. Moreover, accompanists …
Exploring the Interpersonal Level of Music Performance Anxiety : Online Listener’s Accuracy in Detecting Performer Anxiety
2022
Music performance anxiety (MPA) affects musicians at various stages of a performance, from its preparation until the aftermath of its delivery. Given the commonality and potentially grave consequences of MPA, it is understandable that much attention has been paid to the musician experiencing it. Consequently, we have learned a great deal about the intrapersonal level of MPA: how to measure it, treatments, experimental manipulations, and subjective experiences. However, MPA may also manifest at an interpersonal level by influencing how the performance is perceived. Yet, this has not yet been measured. This exploratory online study focuses on the listener’s perception of anxiety and compares …
Hogyan neveljünk értő közönséget a komolyzenének?
2010
Musical identities in action:Embodied, situated, and dynamic
2022
This article provides a critical overview of musical identities as a research topic. A broad distinction between identities in music (IIM) and music in identities (MII) highlights how musical engagement is central to identity construction. These concepts are integrated with recent advances in psychological theory derived from enactive cognition (4E cognition) to propose a new framework for understanding musical identities, Musical Identities in Action (MIIA). This framework foregrounds musical identities as dynamic (constantly evolving, dialogical, and actively performed), embodied (shaped by how music is physically expressed and experienced), and situated (emergent from interaction with s…
Vito Evola et les métaphores conceptuelles dans les textes religieux
2010
Cette étude analyse l’article scientifique «Semiótica Multimodal de las Experiencias Espirituales: La Representación de Creencias, Metáforas y Acciones» paru en 2009 dans l’anthologie «La Lingüística de hoy: Un paso hacia el entendimiento de la Mente» de Carmen M. Bretones et alii. L’article, écrit par le linguiste et sémiologue Vito Evola, souligne l’importance d’une approche de linguistique cognitive pour l’étude des textes religieux. Ces pages sont remarquables pour deux raisons: elles montrent quelles sont les principales métaphores conceptuelles qu’on utilise pour se rapprocher à la foi et comparent l’analyse des éléments différents, comme mots, dessins et gestes, pour comprendre la co…
La philosophie du droit de Karl Christian Friedrich Krause et de Heinrich Ahrens
2021
Cet essai examine la détermination particulière de l’essence du droit et la méthodologie juridique présentes dans les travaux du philosophe allemand Karl Christian Friedrich Krause (1781-1832) et de son disciple Heinrich Ahrens (1808-1874). Pour ce faire, il condense en quelques pages les fondements du concept de droit livrés par Krause lui-même et ses disciples les plus directs.
Marketing communication analysis of concert halls "Latvija" and "Gors"
2020
Bakalaura darba tēma ir “Koncertzāļu “Latvija” un “Gors” mārketinga komunikācijas analīze”. Darbā ir izvirzīti četri pētnieciskie jautājumi: Kādus komunikācijas instrumentus izmantot, lai sasniegtu koncertzāles “Latvija” mērķauditoriju?; Kādus uzlabojumus vai jaunumus koncertzāles var ieviest savā komunikācijā, lai tās sasniegtu arvien vairāk patērētāju?; Kāda ir koncertzāļu komunikācija Covid-19 krīzes situācijas laikā un kādus mārketinga instrumentus tām vajadzētu pielietot, lai nezaudētu patērētaju uzmanību?; Kādu komunikāciju mērķauditorija sagaida no koncertzālēm? Tēmas aktualitāte atrodama kultūras nozarē pastāvošajā konkurencē, kura ir liela, un cilvēki var izvēlēties patērēt dažādus…
What is Asia? International Studies as Political Linguistics
2012
Introduction: In this chapter I will argue that to be truly interdisciplinary, international studies needs political linguistics. This will equip this wide field to better study global and regional problems, and global-regional interactions. I will illustrate the need for political linguistics by referring to the conceptual history of Asia. The attention to and concern for the ‘Rise of Asia’ has been with us for some three decades now. It is without doubt the greatest change in our time facing the global system. It partly overlaps with another great global change, namely the tortuous but by and large successful development process in the whole ‘Third World’, including Latin America, the Mid…
National identity, national music and popular music in the Italian Music Press during the long 19th century
2011
Discusses the notions of national identity, national music and popular music as they emerged in Italian music periodicals during the years 1840–1890, in relation to the process of Italy’s political unification and the dissemination of foreign operas such as French grands opéras in the years 1840–1870 and Wagner’s Musikdramen from 1871 on. Essays and articles by relevant critics and musicians, such as Abramo Basevi and Francesco D’Arcais are discussed. Articles by lesser known journalists such as Pietro Cominazzi and Mattia Cipollone are also taken into account. The use of words like “national” and “popular” is analysed when referring to Italian opera, to its history and to the operas by for…