Search results for "PASS"
showing 10 items of 1629 documents
Il culto della croce e la poesia per immagini: il caso della granadiglia nel diciassettesimo secolo
2011
The article focuses on an unknown phenomenon developed within the frame of the Counter-reformation Italy, in which interact the Catholic faith and a sort of transfer from painting to literature. At the time, the Latin-American flower maracock (maracuja), renamed granadilla by the Spanish conquistadores, was transformed by the Jesuits into Flos passionis/passionflower, whose components were forced to represent Christ crucifixion. From 1608 to the 1660s, priests and poets, like the well-known G. Botero and G. B. Marino, wrote poems on the passionflower on the basis of some unreal images spread by the Jesuits. Aiming at experiencing a new form of ancient ékfrasis, they had described the Passio…
Utopie egualitarie e riformismo illuminato nella Carestia di Domenico Tempio
2022
La Carestia of the Sicilian poet Domenico Tempio is an allegorical satirical poem that fits into the tradition of southern enlightened reformism, feeding the utopia of peace and social egalitarianism. The article analyzes some frame of the work to grasp the thrust for the renewal of eighteenth-century poetry, through a stylistic use of the poetic language that oscillates between coloriture markedly expressionist and equally visible traces of formal classicism.
La prosa in versi: dal "Cicerone" al "Poeta di teatro"
1995
Il saggio studia il legame del "Cicerone" di Passeroni e del "Poeta di teatro" di Pananti con la tradizione umoristica europea, in particolare con le opere di Sterne. The essay deals with the influence of the Sterne's work on two Italian humorous poems, "Il Cicerone" by Giancarlo Passeroni and "Il poeta di teatro" by Filippo Pananti.
Genèse et création du réalisme mythologique de Michel Butor
2023
Si La Modification est le roman où le mythe s’incorpore au réel, le premier roman de Butor nous permet de comprendre le processus par lequel cette conjonction s’est imposée. Il s’agira d’une part de démontrer la fonction que Passage de Milan joue dans l’affirmation des principes stylistiques de l’écriture butorienne, et, d’autre part, de laisser entrevoir à travers une analyse génétique les transformations du texte qui ont permis de renouveler la représentation du réel et d’aboutir à un système d’échos intertextuels capable de faire dialoguer les romans butoriens entre eux.
Le passioni allo specchio. "Mitleid" e sistema degli affetti nel teatro di Lessing
2005
Lessings Mitleidsbegriff im Kontext der europäischen Diskussion über die Leidenschaften
2008
La Sicile de Maupassant, la sémio-anthropologie des incipit et le nomadisme de la pensée
2017
A reflection on a travel to Sicily by Maupassant becomes an occasion to discuss the category continuous/discontinuous and the symmetric notion of beginning. The starting question is: how can we define a beginning? To answer this question, I adopt a double strategy: on the one side, I resort to some specialists in this field (Lotman, Said, Aragon and Gracq) who allow me – by deferring to some other concepts, authors and theories – to focus on the notion of existence itself and on the nomadism of thinking developed by Deleuze; on the other hand, I concentrate more analytically on a beginning by Maupassant and on a beginning by Malinowski in order to underline the importance of interdisciplina…
I ricordi figurati: «foto di famiglia» in Sicilia
2006
Today we are witnessing the increasingly insistent formation of visual stereotypes. The continuous repetition of these modules, used in similar situations, makes it easier to interpret them, so much so that they can now be considered elements of a common language: a figurative language to be investigated in the context of the anthropology of visual communication. The Sicilian family photos collected in this essay belong to this category of cultural products and allow us to reflect on the different articulations of cultural phenomena.
Il negativo e la ritrattazione della metafisica. Nota su un libro di Leonardo Samonà
2016
Presentazione e discussione critica del volume di L. Samonà, "Ritrattazioni della metafisica". Si analizza l'uso che viene fatto della nozione di ritrattazione e se ne mette in luce la fecondità e l''interesse ai fini di una rilettura della tradizione della metafisica. Si approfondisce in particolare il nesso strutturale che si istituisce fra i concetti di filosofia e quello di metafisica in riferimento al carattere "negativo" della relazione fra la verità e il pensiero.