Search results for "Paint"

showing 10 items of 605 documents

Microleakage and shear bond strength of orthodontc brackets bonded to hypomineralized enamel following different surface preparations

2014

Objectives: This study investigated the effects of several conditioning methods on shear bond strength (SBS) and microleakage of orthodontic brackets bonded to demineralized enamel. Study Design: One hundred premolars were selected and immersed in a cariogenic solution for 12 weeks. The teeth were randomly assigned into 5 groups. In groups 1 and 2, the teeth underwent acid etching for 30 and 120 seconds, respectively. In group 3, a combination of laser and acid etching was employed. A self-etch primer (SEP) was applied in group 4 and in group 5, the teeth were exposed to acidulated phosphate fluoride (APF) for 4 minutes before etching. After bracket bonding, the teeth were immersed in methy…

Universal testing machineMaterials scienceEnamel paintHypomineralized enamelbusiness.industryResearchBracketDentistryOdontologíaOrthodontics:CIENCIAS MÉDICAS [UNESCO]Ciencias de la saludShear bondAcidulated Phosphate Fluoridestomatognathic systemvisual_artStereo microscopeUNESCO::CIENCIAS MÉDICASvisual_art.visual_art_mediumbusinessGeneral DentistryAcrylic resinJournal of Clinical and Experimental Dentistry
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Phenomenal Woman En fenomenologisk undersøkelse av spenningsfeltet mellom kvinneidentitet og forbrukerkultur i utvalgte feministiske samtidskunstverk.

2015

Masteroppgave kunstfag- Universitetet i Agder, 2015 Denne masteravhandlingen undersøker det sammensatte feltet feministisk samtidskunst. Den forholder seg til to overordnede begreper; kvinneidentitet og forbrukerkultur og diskuterer spenningsfeltet mellom dem i analyser av tre feministiske kunstverk, og i samfunnet for øvrig. Analysene gjøres av verk hentet fra den feministiske samleutstillingen ‘The Beginning is Always Today’ som Sørlandets Kunstmuseum (SKMU) satte opp i slutten av 2013 i forbindelse med 100 års jubileet for stemmerett for kvinner i Norge. De tre verkene avhandlingens analysedel bygges på er ‘A Look of Love’ (1996, Dorthe Jelstrup), ‘Street Haunting’ (2010, Nanna Debois Bu…

VDP::Humanities: 000::History of art: 120::Painting drawing graphics: 122KF 500VDP::Social science: 200::Women's and gender studies: 370
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Gas chromatography-mass spectrometry characterization of the varnish and glue of an ancient 18th century double bass.

2007

A GC–MS investigation is conducted on the double bass “Panormus”, property of Conservatorio di Musica “Vincenzo Bellini” in Palermo. The most important components of the varnish (fatty acids) and of the glue (proteinaceous amino acids), with which the musical instrument was treated in the past, are determined. The analyses are carried out by prior derivatization of fatty acids by acidic methanol and of amino acids by acidic methanol and trifluoroacetic anhydride (TFAA). Analytes identification is achieved by direct comparison with several reference materials and the use of a digitized library.

VarnishMusical instrumentMass spectrometryBiochemistrySettore CHIM/12 - Chimica Dell'Ambiente E Dei Beni CulturaliGas Chromatography-Mass SpectrometryAnalytical Chemistrychemistry.chemical_compoundDouble bass Art analysis Derivatization GC Binding media Varnish Fatty acids Amino acids ResinsAdhesivesPaintOrganic chemistrySettore CHIM/01 - Chimica AnaliticaAmino AcidsDerivatizationFatty acid methyl esterChromatographyOrganic ChemistryFatty AcidsGeneral Medicinechemistryvisual_artvisual_art.visual_art_mediumGas chromatographyGas chromatography–mass spectrometryTrifluoroacetic anhydrideMusicJournal of chromatography. A
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The rebirth of an image : transformation in the construction of meaning in painting : a case study of Diego Velázquez' and Francis Bacon's papal por…

2006

Velázquez DiegopaavittaiteentutkimustransformationBacon Francismeaning of paintingvisual semioticsart historical hermeneuticstulkintasemiotiikkahenkilömaalausInnocentius Xintertextualityontology of paintinghermeneutiikkataidehistoriavisual referencetaidefilosofia
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Estetyka natury w malarstwie i sztukach wizualnych: krótki rys historyczny

2014

Vienese ActionismFluxusMike Parrpresentations of animalsWestern painting
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La ricostruzione tridimensionale e il restauro virtuale di una tomba etrusca dipinta dell’Etruria meridionale interna: la “Grotta Dipinta” di Pranzov…

2015

[EN] The paper concerns the 3D reconstruction and virtual restoration of a painted rock-cut chamber tombs located in the interior of Southern Etruria (Viterbo Province, Central Italy). The tomb was discovered in 1901 in a place named Pranzovico and it dates from the mid-fifth century BC; it has a cross plan with central atrium (decorated with paintings) and three chambers in which there are the rock-cut funerary beds. The paintings have been largely destroyed by illegal excavators in the days immediately following the discovery; during the 20th century it was damaged due to agricultural works in the surroundings and now it is partially filled up. Its 3D reconstruction is based on the scarce…

Virtual Archaeology Virtual Restoration 3D reconstructionTombEtruriaArcheologylcsh:Museums. Collectors and collectingTumbasRestauración virtualSettore L-ANT/10 - Metodologie Della Ricerca ArcheologicaConservationComputer Science ApplicationsReconstrucción en 3Dlcsh:ArchaeologyPaintingslcsh:CC1-9603D reconstructionPinturasVirtual restorationlcsh:AM1-501
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Archeologia e Restauro Virtuale nell’Università del Salento tra passato, presente e futuro

2019

The contribution summarizes the activities of Archeology and Virtual Restoration carried out at the University of Salento between 2004 and 2018. In particular, the main research projects are illustrated: the Papyrological Museum of Lecce and the Soknopaiou Nesos Project, Dime es-Seba / Egypt (2013-2017); Hierapolis of Phrygia - Turkey (2005-2015) Virtual Hierapolis Project; Virtual restoration of the medieval paintings of Salento: knowledge-fruition-valorization (2004-2017).

Virtual Archeology Virtual Restoration Soknopaiou Nesos Hierapolis medieval paintings
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Experiments on the Virtual City: Three-Dimensional Reconfigurations of Missing, Never Realized or Destroyed Urban Areas

2011

We present two works on the "Virtual City" held at Palermo. They are about the three-dimensional reconfiguration of urban places that show evidence of "invisible" architecture, this is because in one case there were ancient monuments now destroyed, or in another case projects designed for the urban void and never made. The aim is to involve new forms of communication for the development of cultural tourism.

Virtual reconstructionEngineeringPaintingArchitectural engineeringAugmented Reality Systemsbusiness.industryUrban analysiControl reconfigurationVirtual cityVirtual realityCultural tourismCultural diversityVoid (composites)Settore ICAR/17 - DisegnoArchitecturebusiness
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La pintura de flores de Miguel Parra (1780-1846)

2013

Although Miguel Parra Abril (Valencia, 1780-Madrid, 1846) is one of the most important Valencian School painters of floral still lifes, this aspect of his work remains little known. The present article addresses this oversight in two ways. First, by offering an overview of his oeuvre as a painter of floral subjects from his student days at the Fine Arts Academy of Valencia through his mature works. Second, by analyzing two heretofore-unpublished floral compositions in relation to his more familiar works, particularly those located in private collections until recent years.Aunque Miguel Parra Abril (Valencia, 1780-Madrid, 1846) es uno de los pintores de flores más importantes de la Escuela v…

Visual Arts and Performing Artsacademia de bellas artes de valenciamedia_common.quotation_subject19th centuryArts in generalFloral paintingsNX1-820ValencianVisual artssiglo xixRelation (history of concept)Fine Arts Academy of Valenciamedia_commonPaintingRoyal collectionslcsh:NX1-820colecciones realesbusiness.industryPrivate collectingArtlcsh:Arts in generalmiguel parracoleccionismo privadopintura de floreslanguage.human_languageFine artlanguagebusinessUnpublished worksobras inéditasArchivo Español de Arte
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Los Requena, una enigmática familia de pintores del Renacimiento. A propósito de Gaspar Requena <i>el Joven</i>

2009

Recent exhibitions produced by the Foundation <i>La Luz de las Imágenes</i> in Valencian dioceses has allowed for numerous works of art to be seen, admired and studied under optimal conditions. In this context we offer an approach to the workshop of the Requena family, painters active in the Kingdom of Valencia between approximately 1531 and 1605. These artists, in their uneven production, owed much to Paolo da San Leocadio, the Hernandos and particularly, Joan de Joanes.<br><br>Las recientes exposiciones que viene realizando la Fundación “La Luz de las Imágenes” en el ámbito de las distintas diócesis valencianas no sólo ha acercado al público numerosas obras de arte…

Visual Arts and Performing Artsmedia_common.quotation_subjectContext (language use)PaintersValencianExhibitionJoan de JoanesKingdomPaolo da San Leocadiolos Hernandosmedia_commonPaintinglcsh:NX1-82016th centurythe HernandosArtlcsh:Arts in generallanguage.human_languagePintoresthe RequenalanguagePerformance artValencialos RequenaHumanitiesS. XVIReino de ValenciaArchivo Español de Arte
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