Search results for "Paintings"

showing 10 items of 64 documents

I dipinti ereditati nel 1725 da don Giuseppe Emanuele Ventimiglia, principe di Belmonte

2013

Si analizzano i numerosi dipinti ereditati da don Giuseppe Emanuele Ventimiglia, principe di Belmonte, provenienti dal patrimonio di famiglia Are analyzed the numerous paintings inherited by Don Giuseppe Emanuele Ventimiglia, Prince of Belmonte, coming from the family heritage

Settore L-ART/04 - Museologia E Critica Artistica E Del RestauroGiuseppe Emanuele Ventimiglia famiglia inventario dipintiGiuseppe Emanuele Ventimiglia family inventory paintingsSettore L-ART/02 - Storia Dell'Arte Moderna
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San Pietro - San Paolo (1788 circa)

2015

La scheda analizza i bozzetti realizzati da Giuseppe Velasco per la decorazione a fresco della chiesa di S. Giuseppe dei Teatini di Palermo The sheet analyzes the sketches made by Giuseppe Velasco for the fresco decoration of the church of S. Giuseppe dei Teatini in Palermo

Settore L-ART/04 - Museologia E Critica Artistica E Del RestauroPittura Settecentoeighteen century paintings
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Carl Friedrich von Rumohr e il discorso sul restauro nella Germania d'inizio Ottocento

2013

This article investigates Carl Friedrich von Rumohr's (1785-1843) position in the German early Nineteenth-Century restoration discourse and his contacts to the German-native restorer and art dealer Johann («Giovanni») Metzger (1771-1844) in Florence.

Settore L-ART/04 - Museologia E Critica Artistica E Del RestauroRestoration of paintingsArt marketJohann MetzgerCarl Friedrich von Rumohr
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“Iugalia aurea et argentea et bona mobilia”. Postille documentarie sui Ventimiglia di Gratteri

2019

Numerosi inventari, atti dotali, testamenti e donazioni rintracciati presso l’Archivio di Stato di Palermo permettono di ricostruire la ricchezza e la varietà del patrimonio artistico della famiglia Ventimiglia del ramo di Gratteri. Numerous inventories, doctrinal deeds, wills and donations found at the State Archives of Palermo make it possible to reconstruct the wealth and variety of the artistic heritage of the Ventimiglia family of the Gratteri branch.

Settore L-ART/04 - Museologia E Critica Artistica E Del RestauroVentimiglia famiglia Gratteri inventari patrimonio artistico gioielli argenti tessili opere in corallo mobili dipintiVentimiglia family Gratteri inventories artistic heritage jewellery silver textiles coral works furniture paintingsSettore L-ART/02 - Storia Dell'Arte Moderna
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I tamburi a cornice in Sicilia

2015

Le prime attestazioni della presenza del tamburo a cornice in Sicilia risalgono al V secolo a.C. Lo strumento è poi documentato fino ai giorni nostri attraverso raffigu¬razioni, documenti d’archivio, resoconti di viaggiatori stranieri, testi di interesse folklorico e, piuttosto ampiamente, dalla ricerca etnomusicologica moderna, per mezzo di audio-registrazioni e videofilmati. Morfologia, tecniche esecutive, repertori, decorazioni, contesto d’uso dei tamburelli in Sicilia si inscrivono nel più ampio quadro dell’area italiana (centro-meridionale) e mediterranea, ma con alcune specificità, soprattutto nelle tecniche esecutive. Queste, sebbene affini a quelle impiegate in altre regioni italian…

Settore L-ART/08 - EtnomusicologiaFirst evidences of frame drums in Sicily trace back to the V century b.C. Tambourines have been recorded until today by paintings archive documentation observations provided by foreign travellers folkloric literature and quite widely by modern ethnomusicology through audio and video recordings collected on the field. Morphology performance techniques repertoires decorations and social use of tambourines in Sicily refer to the wider context of Italian (central-southern part) and Mediteranean area but with some peculiarities chiefly referring to performance skills. Though similar to the techniques practised in other Italian regions in Sicily we can observe a typical style that can be connected with a common historical background with the Arabic-Islamic world.
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Direct infusion mass spectrometry as a fingerprint of protein-binding media used in works of art

2005

A direct infusion mass spectrometry method for the characterization of proteinaceous glues from binding media used in pictorial works of art prior to conservation or restoration treatment is proposed. Amino acids are released by acid hydrolysis and dissolved in a mixture of acidic water and ethanol. This mixture is directly infused into a mass spectrometer without any derivatization. The mass spectrometer is operated in positive ion electrospray mode (ESI-MS) to yield [M+H]+ ions for the amino acids. Relative amounts of each amino acid are calculated for each protein (beef and porcine gelatines, albumin, casein and egg). The analyzed proteins were satisfactorily distinguished. The method is…

Spectrometry Mass Electrospray IonizationElectrosprayResolution (mass spectrometry)Protein mass spectrometrySwineMass spectrometryPeptide MappingSensitivity and SpecificitySample preparation in mass spectrometryAnalytical Chemistrychemistry.chemical_compoundAdhesivesAnimalsAmino AcidsDerivatizationSpectroscopychemistry.chemical_classificationChromatographyHydrolysisOrganic ChemistryProteinsReproducibility of ResultsAmino acidchemistryCattlePaintingsAcid hydrolysisProtein BindingRapid Communications in Mass Spectrometry
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The T.r.u.e. Methodology and Software. Application and Method: Mural paintings in the Church of S. Maria della Catena in Palermo

2008

Poster presented at the International Conference and Workshop "Teaching Conservation/Restoration of Architectural Heritage, Goals, Contents and Methods", EAAE-ENHSA, Genova, 18-20 ottobre 2007.

TRUE Methodology fresco paintings plaster restoration conservation diagnostic surveySettore ICAR/19 - Restauro
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Estudios previos y propuesta de intervención en las pinturas murales, esculturas y ornamentos de la Real Parroquia de los Santos Juanes de Valencia

2020

Throughout this article, the most representative aspects of the previous studies and the intervention proposal, carried out for the restoration of the paintings, sculptures and ornaments of the Royal Parish of the Santos Juanes in Valencia, are exposed. A project of this magnitude involves the effort and dedication of a great team, resulting in one-year work with exhaustive and constant research with the purpose of safeguarding the heritage assets of the church. With this article we want to make known the importance that these previous studies acquire. Been essential since they are the starting point and the basis for the execution of the restoration works that will be carried out during fo…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASare exposed. A project of this magnitude involves the effort and dedication of a great teamthe most representative aspects of the previous studies and the intervention proposal0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707983 Estudios previos y propuesta de intervención en las pinturas muralesJosé Luissculptures and ornaments of the Royal Parish of the Santos Juanes in Valenciaesculturas y ornamentos de la Real Parroquia de los Santos Juanes de Valencia Roig PicazoMarcenacresulting in one-year work with exhaustive and constant research with the purpose of safeguarding the heritage assets of the church. With this article we want to make known the importance that these previous studies acquire. Been essential since they are the starting point and the basis for the execution of the restoration works that will be carried out during four years. 161 177Bosch RoigValeria Throughout this articleLucía:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Regidor Roscarried out for the restoration of the paintingsPilar
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La ricostruzione tridimensionale e il restauro virtuale di una tomba etrusca dipinta dell’Etruria meridionale interna: la “Grotta Dipinta” di Pranzov…

2015

[EN] The paper concerns the 3D reconstruction and virtual restoration of a painted rock-cut chamber tombs located in the interior of Southern Etruria (Viterbo Province, Central Italy). The tomb was discovered in 1901 in a place named Pranzovico and it dates from the mid-fifth century BC; it has a cross plan with central atrium (decorated with paintings) and three chambers in which there are the rock-cut funerary beds. The paintings have been largely destroyed by illegal excavators in the days immediately following the discovery; during the 20th century it was damaged due to agricultural works in the surroundings and now it is partially filled up. Its 3D reconstruction is based on the scarce…

Virtual Archaeology Virtual Restoration 3D reconstructionTombEtruriaArcheologylcsh:Museums. Collectors and collectingTumbasRestauración virtualSettore L-ANT/10 - Metodologie Della Ricerca ArcheologicaConservationComputer Science ApplicationsReconstrucción en 3Dlcsh:ArchaeologyPaintingslcsh:CC1-9603D reconstructionPinturasVirtual restorationlcsh:AM1-501
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Archeologia e Restauro Virtuale nell’Università del Salento tra passato, presente e futuro

2019

The contribution summarizes the activities of Archeology and Virtual Restoration carried out at the University of Salento between 2004 and 2018. In particular, the main research projects are illustrated: the Papyrological Museum of Lecce and the Soknopaiou Nesos Project, Dime es-Seba / Egypt (2013-2017); Hierapolis of Phrygia - Turkey (2005-2015) Virtual Hierapolis Project; Virtual restoration of the medieval paintings of Salento: knowledge-fruition-valorization (2004-2017).

Virtual Archeology Virtual Restoration Soknopaiou Nesos Hierapolis medieval paintings
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