Search results for "Performance art"

showing 10 items of 110 documents

The Hays Office and the Two Updated Film Versions of Madeleine Smith’s Case: Letty Lynton (1932) and Dishonored Lady (1947)

2016

The celebrated case of Madeleine Smith, the Glasgow poisoner, who was tried for murder (and absolved) in 1857, has resulted in many novels, plays, films and television series. Hollywood, during its classical period, made two updated versions of the incident: Letty Lynton (Clarence Brown, 1932) and Dishonored Lady (Robert Stevenson, 1947). Even though the two films are separated by more than a decade, the self-censorship introduced by the studios themselves – MPPDA, commonly known as the Hays Office – exercised so much control over the two pictures that they can hardly be taken as equivalent. This article proposes a comparative analysis of the two films and how censorship acted as a constrai…

LiteratureLinguistics and LanguageHollywoodbusiness.industrymedia_common.quotation_subjectCommunicationTelevision seriesCensorshipArtClassical periodPerformance artbusinessComunicaciónHumanitiesSocial Sciences (miscellaneous)Studiomedia_common
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De venta en venta hasta El <i>Quijote</i>. Un viaje europeo por la literatura de Mesón

2007

En estas páginas se recorre un itinerario que, a través de ventas y mesones, conduce desde los Canterbury Tales hasta el Quijote, en una geografía literaria europea. Se hace parada en las colecciones italianas de novelle (Sachetti, Bandello), en los poemas caballerescos del Renacimiento (Pulci, Ariosto), en el teatro del Quinientos (de Gil Vicente a Lope de Rueda, pasando por los Intronati de Siena), en la Comedia Nueva y en las comedias de mesón de Lope de Vega, en el teatro isabelino (Shakespeare sobre todo), en el Guzmán de Alfarache, en La ilustre fregona (novela y comedia), y así hasta el Quijote, en cuya multiplicada experiencia de ventas y caminos demoramos el paso. Nos acompaña siem…

LiteratureLinguistics and LanguageLiterature and Literary TheoryPoetrybusiness.industrymedia_common.quotation_subjectThe RenaissanceArtLanguage and LinguisticsNovellaPerformance artbusinessHumanitiesmedia_commonAnales Cervantinos
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Interdisziplinäre Grenzgänge bei Käte Hamburger: Zum Briefnachlass der Literaturwissenschaftlerin

2008

This article deals with the unpublished correspondence of the literary specialist Kate Hamburger (1896–1992), which is housed in the literary archive in Marbach, Germany. The correspondence of Hamburger, who is best known for her theoretical work The Logic of Literature, depicts the scholarly context as well as the personalities and public figures with whom she interchanged. The letters demonstrate that Kate Hamburger was widely admitted and acknowledged internationally, but at the same time reveal the problems she had to face as a scholar, female and Jewish, in the first half of the twentieth century. It was not until the end of the 1950s that her work, The Logic of Literature, was belated…

LiteratureLinguistics and LanguageLiterature and Literary Theorybusiness.industrymedia_common.quotation_subjectJudaismFace (sociological concept)Context (language use)ArtHumanismLanguage and LinguisticsFaithPerformance artbusinessClassicsmedia_commonZeitschrift für Literaturwissenschaft und Linguistik
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Socrate e il mare. Il modello odissiaco nel Fedone

2015

Nel Fedone Platone traccia una biografia intellettuale di Socrate articolata in vari momenti. L’ultimo di essi (τὸν δεύτερον πλοῦν, la “seconda navigazione”) consiste nel passaggio dall’osservazione naturalistica ad una fi- losofia orientata in senso dialogico. La metafora della “seconda navigazione” rimanda al V libro dell’Odissea, in cui Odisseo rinuncia alla vita paradisiaca nell’isola di Calipso per tentare la traversata dell’abisso su una zattera e rag- giungere Itaca. In tutto il dialogo si trovano numerosi riferimenti all’Odissea: l’excursus autobiografico in cui Socrate definisce la propria filosofia può essere confrontato con i Discorsi di Odisseo alla corte del re Alcinoo. In …

LiteratureNatural philosophybusiness.industryMetaphormedia_common.quotation_subjectSubject (philosophy)BiographyGeneral MedicineArtSOCRATESHEROPerformance artbusinessHumanitiesmedia_commonNova Tellus
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“In States Unborn and Accents Yet Unknown”: Spectral Shakespeare in Paolo and Vittorio Taviani’s Cesare deve morire (Caesar Must Die).

2014

The paper focuses on Paolo and Vittorio Taviani’s Cesare deve morire (Caesar Must Die) (2012), an Italian adaptation of Julius Caesar set in a high security prison in Rome with a cast entirely made of convicts or former convicts. It explores how this adaptation "deconstructs" and "rewrites" Shakespeare (from an "Interview" with the film directors), especially by setting Julius Caesar in the "unborn state" of a prison, and through the use of a number of "accents yet unknown"–the inclusion of "dialects" from the South of Italy that not only displace the English "original" but also "standard" Italian translations of the play. The paper argues that the "Shakespeare" that emerges from this film …

LiteratureShakespearePrison Shakespeare Julius Caeasr Translation Adaptationbusiness.industrymedia_common.quotation_subjectShakespeare; media adaptation; prison Shakespeare; Taviani brothersTaviani brothersArt historyArtprison ShakespeareGeneral Earth and Planetary SciencesPerformance artMedia adaptationmedia adaptationbusinessGeneral Environmental Sciencemedia_commonShakespeare Bulletin
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Tradición y Melodismo en el Género Chico: la producción lírica de José Serrano

2016

El presente artículo analiza los rasgos característicos de la obra lírica del maestro José Serrano Simeón, probablemente el compositor de zarzuelas más relevante del siglo XX, así como las opiniones que la crítica especializada de la época llevó a cabo sobre su insigne producción. La riqueza melódica de sus obras, que tenía su origen en la música popular española, la variedad rítmica de las mismas y su sencilla y eficaz instrumentación son tan sólo algunos de los rasgos más representativos de su magna obra.

LiteratureVisual Arts and Performing ArtsMusic and books on Musicbusiness.industrymedia_common.quotation_subjectMArtjosé serranomúsica popularcríticazarzuelaprensaMagnum opuspartituraPopular musictipología teatralTeatre musicalM1-5000Performance artbusinessHumanitiesMusicmedia_commonMúsica Ensenyament
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ESCOM as the life work of Irène Deliège: Irène Deliège in conversation with Jukka Louhivuori

2010

ESCOM has established itself as an influential actor in the field of cognitive sciences of music. The journal, Musicae Scientiae, including its special issues, discussions forums, the ESCOM conferences and smaller symposia, have all contributed significantly to the field. Although many people have contributed to ESCOM's activities in important ways, the society is very much the life work of Irène Deliège. She is the founding editor of Musicæ Scientiæ and the founding Permanent Secretary of ESCOM. The aim of publishing the following interview is to ensure that interesting and important details about ESCOM's background will be on record for future use. The conversation took place in Brussels…

LiteratureWork (electrical)business.industryPublishingmedia_common.quotation_subjectMedia studiesExperimental and Cognitive PsychologyPerformance artConversationArtbusinessMusicmedia_commonMusicae Scientiae
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Morir por espada: Helena, vv. 298-302

2015

En las tragedias de Eurípides algunos personajes reflexionan sobre el mejor modo de suicidarse. Lo hace Helena en la tragedia homónima en varias ocasiones, incluyendo los vv. 298 ss., que han sido atetizados por varios editores. En este estudio apoyamos la autenticidad de esos versos, en los que Helena manifiesta su preferencia por la muerte por espada e indicamos las causas de esa preferencia.

Literaturebusiness.industrymedia_common.quotation_subjectTragedy (event)Performance artGeneral MedicineArtSWORDbusinessCartographyPreferencemedia_common
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On the italian debate concerning “Economia Aziendale”. The recent discovery of a manuscript by Emilio Ravenna (1930)

2016

The paper relies upon the recent discovery of the textbook of Accounting adopted in Palermo’s High Business School (the ‘ancestor’ of the Faculty of ‘Economics & Business’, founded after in 1936), just in its first years of opening (academic year 1930-31). It is a printed manuscript. This book was written by the local professor of Accounting, Emilio Ravenna, who operated in Sicily between the last decades of XIX century and the firstones of XX one, commonly considered (Guzzo, 2003) an intermediate scholar between the ‘Venetian’ (Besta) and ‘Tuscan’ (Cerboni) Italian Schools, adhering to the former for the accounting method and to the latter for the general theory of administrative funct…

ManifestoAcademic yearAccounting methodmedia_common.quotation_subjectArtlcsh:HF5601-5689Ravenna“Economia aziendale” Tuscan School Venetian School Scientific Accounting General Theory of Accounting.Settore SECS-P/07 - Economia Aziendalelcsh:Accounting. BookkeepingGeneral theorylcsh:Financelcsh:HG1-9999CriticismPerformance artHumanitiesPeriod (music)media_commonDe Computis - Revista Española de Historia de la Contabilidad
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"La ocasión": una novela en el eje de la vacilación

2014

This paper aims to analyze Juan Jose Saer’s narrative strategy in the novel "La ocasion". The author takes over some of the characters belonging to Argentinian collective imagination –who are national mythts–, what allows him to show the pampas as a misty and insurmountable mythical place. The especial mapping of plain he draws is not only a geographic framework in which the landowner, the gaucho or immigrant face both the environment and the otherness. This may be understood as a metaphor of man’s general condition. From a Lacanian orientation, the second part of this article examines the configuration of the main character from its central theme: spirit-matter dichotomy.

Metaphormedia_common.quotation_subjectFace (sociological concept)Character (symbol)General MedicineArtMythologyNarrativePerformance artSociological imaginationCartographyHumanitiesTheme (narrative)media_commonCuadernos de Investigación Filológica
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