Search results for "Performing Arts"

showing 10 items of 1020 documents

Pervivencia de motivos islámicos en el Renacimiento: El lema «ʼIzz Li-Mawlānā Al-Sulṭān» en las puertas del retablo mayor de la catedral de Valencia …

2018

El aprecio que se tuvo por los tejidos islámicos desde el Medievo es patente en la pintura religiosa. A través de estas líneas se analiza la pervivencia de motivos ornamentales en el Renacimiento, en concreto, el uso de letras árabes a partir del estudio de tres escenas de las puertas del retablo mayor de la catedral de Valencia pintadas por los Hernandos. En ellas los maestros copiaron un tejido nazarí con una inscripción cuya traducción ha pasado inadvertida hasta este momento y que plantea distintas hipótesis sobre su utilización en la obra.The appreciation of Islamic textiles since the Middle Ages is evident in religious painting. The aim of this paper is to analyze the survival of orna…

Historynazarílcsh:Fine ArtsVisual Arts and Performing ArtsArabicmedia_common.quotation_subjectaltarpiecetejidoAlhambraHernandosMiddle Ageslcsh:History of the artsretabloRenacimientomedia_commoninscripcionesmotto.Paintingtextilelcsh:NX1-820NasridThe RenaissanceArtlcsh:Arts in generallanguage.human_languageinscriptionslema = RenaissancelanguageAltarpiecelcsh:Nlcsh:NX440-632HumanitiesEspacio Tiempo y Forma. Serie VII, Historia del Arte
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"That's Real! That's What You Want!": Producing Fear in George A. Romero's Dawn of the Dead (1978) vs Zack Snyder's remake (2004)

2011

International audience; This article examines traditional oppositions between terror and horror in Dawn of the Dead (1978) and its recent remake (2004), by focusing on one of the major changes made by the producers of the remake: the use of running zombies, which emphasizes the danger the creatures represent to the characters, and enables the film-makers to resort to the kind of cheap startle effects that abound in contemporary slasher and action movies. That the living dead of 1978 were slow-moving allowed for contemplation of their pathetic state and questioned the border between living and dead. The 1978 film underlined how incompatible the living dead were with such techniques that rely…

Hollywood[SHS.LITT]Humanities and Social Sciences/LiteratureLiterature and Literary TheoryVisual Arts and Performing ArtsDawn of the DeadContemplationmedia_common.quotation_subjectfilm aestheticsliving deadremake[SHS.LITT] Humanities and Social Sciences/LiteratureMovie theaterPoliticshorrorState (polity)terrorVerisimilitudeGeorge A. RomeroSociologymedia_commonzombie moviesbusiness.industry[SHS.ART]Humanities and Social Sciences/Art and art history[ SHS.LITT ] Humanities and Social Sciences/Literature[ SHS.ART ] Humanities and Social Sciences/Art and art historyAction (philosophy)AestheticsGeorge (robot)[SHS.ART] Humanities and Social Sciences/Art and art historybusinessMusic
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Geomorphing effect of sand fences in primary dunes of Gulf of Riga

2022

Finding a the most appropriate solution for the problems caused by coastal eros ion is very important, as erosion prevention and habitat management measures must promote the restoration of the natural balance (order of things before anthropogenic disturbances) and restore the coastal status quo as much as possible [6; 2].Dune fences are a very widespread erosion management tool on developed sandy coastal areas due to ease of installation, inexpensiveness, and generally positive public attitude [1]. Effectiveness and impact of fences have also been studied in many places around the world, however previous studies in Latvia have been very limited and episodic [16].This article shows the obser…

HydrologyPrimary (chemistry)Visual Arts and Performing ArtsGeography Planning and DevelopmentAgricultural and Biological Sciences (miscellaneous)GeologyNature and Landscape ConservationLandscape Architecture and Art
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Play together, think alike: Shared mental models in expert music improvisers

2015

International audience; When musicians improvise together, they tend to agree beforehand on a common structure (e.g. a jazz standard) which helps them coordinate. However, in the particular case of collective free improvisation (CFI), musicians deliberately avoid having such a referent. How, then, can they coordinate? We propose that CFI musicians who have experience playing together come to share higher-level knowledge, which is not piece-specific but rather task-specific: an implicit mental model of what it is to improvise freely. We tested this hypothesis on a group of 19 expert improvisers from the Parisian CFI community, who had various degrees of experience playing with one another. D…

Improvisationcoordination[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsimprovisation05 social sciencescard sorting[SHS.PSY]Humanities and Social Sciences/Psychology06 humanities and the artsMusicalReferent050105 experimental psychology060404 musicTask (project management)mental modelsCard sortingSimilarity (psychology)0501 psychology and cognitive sciencesPsychology (miscellaneous)JazzPsychologySet (psychology)0604 artsMusicCognitive psychologyteam cognition
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Experimental calibration of flat jacks for in-situ testing of masonry

2018

Flat-jack testing method is one of the most commonly used techniques for the structural assessment of existing masonry structures. Single and double flat jacks are usually adopted to evaluate the acting normal stress, or the compressive behaviour of masonry material. Test procedures are codified by international standards (e.g., A.S.T.M D4729-87; C1196-04; C1197-04, R.I.L.E.M TC 177–MDT D.4; R.I.L.E.M. TC 177–MDT D.5), which provide the preliminary calibration of an experimental coefficient (km) and of the effective area (Aeff), which determination influences significantly the reliability of the test. This article presents the result of an experimental study on the calibration of flat jacks…

In situconversion factorVisual Arts and Performing Artsbusiness.industrycompressive stre0211 other engineering and technologies020101 civil engineering02 engineering and technologyConservationStructural engineeringMasonry0201 civil engineeringCompressive strengthmasonry021105 building & constructionArchitectureCalibrationflat-jack methodbusinessGeologyInternational Journal of Architectural Heritage
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Self‐Directed Learning in Creative Activity : An Ethnographic Study in Technology‐Based Work

2020

Under conditions of rapid changes in working life, there is an urgent need to examine the nature of creativity and learning in organizations. The aim of this study was to investigate the nature of self‐directed learning (SDL) practices in creative activity in technology‐based work. We focus on both individual and collective practices but also on the importance of organizational culture. The data consist of 46 interviews and observational field notes collected from participating organizations. Thematic and ethnographic analyses were utilized as tools to reveal the nature of SDL in creative activity. We found three themes describing of the nature of SDL in creative activity: a combination of …

Independent studyetnografiaVisual Arts and Performing ArtsoppiminenitseohjautuvuusOrganizational cultureethnographyEducationself‐directed learningWork (electrical)PedagogyEthnographyDevelopmental and Educational PsychologyAutodidacticismtechnology organizationtietokoneavusteinen oppiminenluovuusteknologialuova toimintaPsychologycreative activity
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Formulating a Revised Taxonomy for Modes of Listening

2012

Abstract Listening to sounds or music is not a homogeneous act of grasping meanings by hearing. Yet it is often portrayed as such, especially when the intentional stance of a listener is overlooked. This paper distinguishes listening as the action-oriented intentional activity of making sense of the world. It is proposed that the multifaceted and heterogeneous nature of ‘understanding by listening’ can be outlined in terms of distinct modes of listening. Building upon previous accounts, a revised taxonomy of nine listening modes (reflexive, kinaesthetic, connotative, causal, empathetic, functional, semantic, reduced and critical listening) is proposed and illustrated by examples. Modes refe…

Intentional stanceVisual Arts and Performing ArtsEmbodied cognitionReflexivityTaxonomy (general)ta6131Reflective listeningActive listeningPsychologyExperiential learningMusicMeaning (linguistics)Cognitive psychologyJournal of New Music Research
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La deriva paralela como método en la investigación basada en las artes

2022

Presentamos la deriva paralela como un nuevo método de investigación basado en las artes. Exponemos los orígenes de la deriva, como medio de expresión artístico en el siglo XX y su desarrollo hasta la actualidad. Destacamos las potencialidades de un tipo concreto de deriva, la deriva paralela, valiéndonos de los elementos que aporta: paralelismo, ritmo secuencial, sincronía, empatía, conexión, componente lúdico y comparativa de contextos. Exponemos la especificidad que configura la deriva paralela dentro de la investigación y la diferencia de la deriva como acción artística, situando la propuesta en un paradigma socio-crítico bajo los principios de imprevisibilidad, incertidumbre y entrelaz…

InvestigacióVisual Arts and Performing ArtsDisseny urbàArtArte, Individuo y Sociedad
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Street art as a transforming agent of public space in Arab World. Case study of two artistic groups in Tunisia.

2023

The public space in the Arab World has historically been controlled and seized by political authorities. This appropriation has created a deep rift between citizens and public places. Nevertheless, since the beginning of the Arab revolutions, new youth art forms have emerged liberating the arts from traditional formalism and these have been transferred to open spaces making them accessible to the people. This research seeks to explore the youth street art that emerged during the Tunisian revolution, not only as an innovative artistic trend, but also as a social movement that claims a new kind of citizenship. It aims to analyze the philosophical and aesthetic purposes of street art and its r…

IslamismeCulturaVisual Arts and Performing ArtsComunicació visualCivilització occidental
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Reggae Outernational: Borders and Trans/National Identity in Jamaican Popular Music

2020

International audience; The history of post-1945 Jamaican popular music is one of constantly changing borders. Despite efforts on the part of the Jamaican state to turn reggae into Jamaica’s exclusively national music and a tourist attraction, reggae and its related subgenres remain to this day a minority culture of the underground, in Jamaica itself and in the many places around the world where it is produced and performed. Recent research on the history of Jamaican popular music suggests that it cannot easily be contained within strictly national borders. Reggae can rather be seen as a focal point around which an incipient alter/native, working-class Jamaican identity is built, both insid…

Jamaica[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.SOCIO]Humanities and Social Sciences/SociologyHistoryCultural identity[SHS.SOCIO] Humanities and Social Sciences/Sociologymedia_common.quotation_subjectMedia studiesIdentity (social science)trans/nationalism[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsPopular musicState (polity)Tourist attractionpopular music[SHS.HIST] Humanities and Social Sciences/HistoryNational identityAmerican studies[SHS.HIST]Humanities and Social Sciences/HistoryMinority cultureComputingMilieux_MISCELLANEOUSidentitymedia_commonreggae
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