Search results for "Photogenic"
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Einstein and Relativity: What Price Fame?
2012
ArgumentEinstein's initial fame came in late 1919 with a dramatic breakthrough in his general theory of relativity. Through a remarkable confluence of events and circumstances, the mass media soon projected an image of the photogenic physicist as a bold new revolutionary thinker. With his theory of relativity Einstein had overthrown outworn ideas about space and time dating back to Newton's day, no small feat. While downplaying his reputation as a revolutionary, Einstein proved he was well cast for the role of mild-mannered scientific genius. Yet fame demanded its price. Surrounded by social and economic unrest in Berlin, he was caught between two worlds, one struggling to be born, another …
Новый ЛЕФ и киновещь
2019
Abstract In the 1920s, the LEF project moved the discussion about the role of “things in film” – as metonymic and metaphoric, photogenic and functional, and as tools that filled gaps in the narrative, stood in for actors, or operated as generic markers – in a distinctly materialist direction. Sergei Eisenstein and Dziga Vertov were sharply criticized for turning things into symbols in their films. To avoid this aesthetic dispute, Tret’iakov advocated production scripts based on the dominance of material things over plot. Eisenstein, in his unfinished text ‘Play of Objects' (‘Ob igre predmetov’), offers another understanding of things in film. A film-thing (kinoveshch’), in his reading, is f…