Search results for "Photograph"

showing 10 items of 364 documents

ANIMA-L di Carla Sutera Sardo

2021

Il contributo prende in esame ANIMA-L, un progetto ideato da Carla Sutera Sardo nel 2020 e presentato nel contesto dell'Orto Botanico di Gibellina in occasione di Images Gibellina. Open Air and Site Specific Photo Festival. ANIMA-L declina in chiave contemporanea la relazione antichissima tra l'Uomo e la Natura. The contribution examines ANIMA-L, a project conceived by Carla Sutera Sardo in 2020 and presented in the context of the Botanical Garden of Gibellina on the occasion of Images Gibellina. Open Air and Site Specific Photo Festival. ANIMA-L interprets the ancient relationship between Man and Nature in a contemporary key.

Contemporary artArte ambientale e site-specificPhotographyEnvironmental and site-specific artSettore L-ART/03 - Storia Dell'Arte ContemporaneaFotografiaArte contemporanea
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Gibellina molteplice di Maurizio Galimberti

2021

Il saggio presenta la serie di fotografie che Maurizio Galimberti, artista di fama internazionale, dedica al tema della molteplicità attraverso la propria visione inedita della città di Gibellina, con particolare attenzione alle sue architetture e opere d'arte contemporanea. The essay presents the series of photographs that Maurizio Galimberti, an internationally renowned artist, dedicates to the theme of multiplicity through his own unprecedented vision of the city of Gibellina, with particular attention to its architecture and contemporary works of art.

Contemporary photographyFotografia contemporaneaContemporary artContemporary architectureGibellinaArchitettura contemporaneaSettore L-ART/03 - Storia Dell'Arte ContemporaneaMaurizio GalimbertiArte contemporanea
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Framing Migrant Memories: Lampedusa's Fragmented Archives

2022

The small island of Lampedusa, a key destination of the Central Mediterranean Route connecting Africa to Italy, offers a special observatory on the contemporary trans-Mediterranean odyssey of migrants, although often transformed into a “border spectacle.” Upon landing, migrants are stripped of their belongings, as these are impounded by the authorities. Such an act of dispossession is intended to deprive them of their histories, family ties and cultural identity. Photographer Mario Badagliacca has portrayed a selection of these lost and retrieved items in his work Fragments (2013). Each object reveals expectations, fears, desires, endurance, but cannot tell a full story. They are fragments …

Cultural StudiesLinguistics and LanguageBorder SpectacleLiterature and Literary TheoryMario Badagliacca's FragmentLampedusa; Black Mediterranean; Border Spectacle; Mario Badagliacca's Fragments; photography and poetry; Maaza Mengiste's “Nepenthe”; African Diaspora; ArchivesLampedusaphotography and poetryArchiveAfrican DiasporaSettore L-LIN/10 - Letteratura IngleseBlack MediterraneanMaaza Mengiste's NepentheAltre Modernità
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Regarding the shipwreck of others: for a critical visual topography of Mediterranean migration

2019

This article reflects on the relationship between photography and migration from a cultural geography perspective, with particular reference to the visual construction of the Mediterranean border regime. The contemporary aesthetics of Mediterranean migration is one of the domains in which visual and social norms are most closely intertwined. My main purpose is to unveil these processes of mutual (re)production by analysing how photographs forge our everyday perceptions of migration and affect our very ability to produce ethical and political responses to the events they portray. Drawing on a range of fields and approaches, including cultural geography, visual culture studies and postcoloni…

Cultural StudiesMediterranean climateHistoryVisual geographytopography of lookingAnthropologyGeography Planning and DevelopmentPerspective (graphical)PhotographyMediterraneanEnvironmental Science (miscellaneous)Cultural geographymigrationphotographySettore M-GGR/01 - Geografiavisual geographycultural geographies
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Death and Rebirth: Images of Death in Sicily

2015

Photographs were often taken during funerary ceremonies in Sicily. Local photographers were commissioned to document funerals as if they were christenings, communions or wedding ceremonies; and it is no mere coincidence that in funeral portraits the relatives arranged around the coffin assumed postures similar to those seen in photos of festivities. This tradition of taking photos during such “mixed occasions” gives the images a profound significance and highlights the archaic roots of the popular ideology of death as a continuum of life.

Cultural StudiesPortraitContinuum (measurement)Anthropologymedia_common.quotation_subjectCoffinIdeologySociologySettore M-DEA/01 - Discipline DemoetnoantropologichePhotographs funerary Sicilymedia_commonVisual arts
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Los Coloquios Latinoamericanos de Fotografía : hacia una definición de la fotografía hecha en Latinoamérica

2020

En el presente artículo nos proponemos reflexionar sobre los Coloquios Latinoamericanos de Fotografía que tuvieron lugar entre los años 1978 y 1996, en los que se buscó definir y categorizar a la fotografía latinoamericana. Dichos Coloquios se propusieron situar a la fotografía latinoamericana en el contexto de las actividades de la fotografía internacional, y propiciar una reflexión crítica sobre la identidad visual de las prácticas fotográficas de la región. En este sentido, buscamos indagar los documentos y actas de los coloquios a fin de proporcionar una lectura sobre el pensamiento sobre la fotografía latinoamericana en aquel contexto, partiendo del Primer Coloquio Latinoamericano de F…

Cultural StudiesUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLinguistics and LanguageHistoryLatin AmericansHistoryLiterature and Literary TheoryCommunicationmedia_common.quotation_subjectPhotographyCritical thoughtContext (language use)Language and LinguisticsIdentity (philosophy):CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Humanitiesmedia_common
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"Mais... je ne visite pas!". Une approche ethnographique de l'usage faible des œuvres

2013

Some photographic exhibitions are nowadays set outdoors in order to popularize art. Through a case study, this article examines the "weak use of images" as it is practised in public places, by passers-by who do not identify art pieces as such, and do not consider themselves as visitors. Their relation to art pieces, in this context, is built on an apparent paradox (they relate and at the same time do not relate to the pieces), and constitutes the minor mode of situations and observed interactions (this relation does not organise or structure the latter).

Cultural Studies[SHS.SOCIO]Humanities and Social Sciences/Sociology[SHS.SOCIO] Humanities and Social Sciences/Sociologyusage faible[SHS.INFO]Humanities and Social Sciences/Library and information sciencesethnographieEthnographyParadoxical Logics[ SHS.SOCIO ] Humanities and Social Sciences/Sociologylogique paradoxale: mode mineurexposition photographique en extérieur[SHS.INFO] Humanities and Social Sciences/Library and information sciencesWeak useAnthropology[ SHS.INFO ] Humanities and Social Sciences/Library and information sciencesOutdoors photographic exhibitionMinor Mode
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Iron(II) metallomesogens based on symmetrical tripod ligands

2012

Abstract Novel mononuclear tripodand-based iron(II) complexes showing liquid crystal properties have been synthesized and characterized. These are based on ligands tris[3-aza-4-((5-Cn)(6-R-2-pyridyl))but-3-enyl]amine, where R = hydrogen or methyl, 1,3,5-cis,cis-tris[1-aza-2-((5-alkyloxy)(2-pyridyl))vinyl]cyclohexane and 2,2,2-tris(2-aza-3-((5-alkyloxy)(2-pyridyl))prop-2-enyl)ethane. The physical characterization has been carried out by means of single-crystal X-ray diffraction measurements, magnetic susceptibility, differential scanning calorimetry, X-ray powder diffraction and Mossbauer spectroscopy.

CyclohexaneChemistryInorganic chemistryTripod (photography)Magnetic susceptibilityInorganic ChemistryCrystallographychemistry.chemical_compoundDifferential scanning calorimetrySpin crossoverMössbauer spectroscopyMaterials ChemistryAmine gas treatingPhysical and Theoretical ChemistryPowder diffractionInorganica Chimica Acta
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Soggetto in quanto corpo

2016

According to Anders, technology replaces human body, in fact it is more powerful than physicality which can’t be shaped. Technology imposes itself on human body while human beings are ashamed of their one. Reduction of the body destroys humanity of human being and its scale of values. According to Heidegger, the vocation of technology is to impose itself and to be independent from man, but it supports life and nature. Even neurobiology offers a duality between higher cognitive activities of mind and the part of the brain connected to emotions. Both technology and higher activity of mind seem to propose a transcendence of the body. But the aesthetic fruition of photography reconfigures human…

Dematerialization technology neurobiology photography contingency
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Color and photography in the restorative dentistry. A brief communication about color temperature, dental color and the use of light and photography …

2020

Relevance. Optical properties of dental tissues can be captured by photography, considering the characteristics of the light sources. Therefore photography might become a way to communicate the color and the characterizing aspects of the teeth, reducing the misunderstandings between the dental practice and the laboratory in the project of dental restoration. Purpose. To illustrate some ways of using the current photographic technology to document teeth color correctly, and to be able to communicate it without misunderstandings and to replicate it in a simple way. Materials and methods. The photographs were taken using Nikon D500 digital camera, Nikkor 60 mm 2.8 macro lens, Nikon SB-700 Spee…

Dental practicetooth color tooth shade photography photographs spectrophotometersmedia_common.quotation_subjectPhotographyColor photographyRK1-715ArtColor photographyColor temperaturelaw.inventionlawDentistryrestorative dentistryOptometryRestorative dentistrymedia_commonЭндодонтия Today
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