Search results for "RAV"

showing 10 items of 5866 documents

Rudolf Kassner (1873-1959) et la Moravie, ou la vision autobiographique d'une "enfance mythique"

2007

International audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/Literatureculture germanophone/culture slaveMoravie"Heimat"HeimatKassner[ SHS.LITT ] Humanities and Social Sciences/LiteratureComputingMilieux_MISCELLANEOUS
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Travestir le romance viejo sous le masque de la pastorale à la fin du XVIe siècle

2010

International audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/LiteratureromanceroLittérature espagnole ― 1500-1700 Période classique[ SHS.LITT ] Humanities and Social Sciences/LiteraturePoésieComputingMilieux_MISCELLANEOUStravestissement
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Graver, sculpter : un geste moderniste. Descriptions ekphrastiques dans les manuels de gravure sur bois des années 1920 et 1930 en Grande Bretagne

2015

International audience

[SHS.LITT] Humanities and Social Sciences/Literatureekphrasis[SHS.LITT]Humanities and Social Sciences/Literaturemodernisme[SHS.ART] Humanities and Social Sciences/Art and art historygravure sur bois[SHS.ART]Humanities and Social Sciences/Art and art historyComputingMilieux_MISCELLANEOUS
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Text, Image and Embroidery: Threads and Scratches

2013

Ce texte a pour point de départ l’analyse des rapports entre une nouvelle de A. S. Byatt et ses illustrations, et s’attache à définir les métaphores du fil et de la trace utilisées pour décrire textes, tissus et images gravées depuis l’introduction de l’imprimerie et des modes industriels de reproduction. Sa perspective interdisciplinaire prend en compte l’apport de penseurs du 19ème siècle tels que John Ruskin, ainsi que les recherches récentes dans les domaines des rapports entre image et texte, de la médiologie et de l’anthropologie sociale.

[SHS.LITT] Humanities and Social Sciences/LiteratureintermedialityembroideryA. S. Byatt[SHS.LITT]Humanities and Social Sciences/Literatureillustrationprintmaking[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art history[ SHS.LITT ] Humanities and Social Sciences/Literature[ SHS.ART ] Humanities and Social Sciences/Art and art historyengraving
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Illustration et intermédialité, entre gravure et photographie

2014

International audience; Cet article envisage le rôle de l’illustrateur comme « changeur » du texte en image dans les manuels sur l’illustration parus dans les années 1890, alors que les procédés photomécaniques marquent des progrès décisifs. La transaction intermédiale particulière qui s’opère dans le livre illustré est envisagée à cette époque du point de vue des supports techniques conçus comme des écrans interposés entre l’original et sa reproduction. Les écrits de Liliane Louvel, Gérard Genette, Hans Belting, Jacques Rancière et Philippe Dubois sont convoqués pour montrer comment l’évolution de l’illustration s’inscrit alors dans le conflit médial opposant gravure et photographie et ref…

[SHS.LITT] Humanities and Social Sciences/Literatureintermédialité[SHS.LITT]Humanities and Social Sciences/LiteratureIllustrations[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art historyGravure de reproductionestampe[ SHS.LITT ] Humanities and Social Sciences/Literature[ SHS.ART ] Humanities and Social Sciences/Art and art historyPhotographie -- esthétique
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« Encrer l'empreinte : J.J. Lankes et les contours du poème frostien »

2016

International audience

[SHS.LITT] Humanities and Social Sciences/Literaturepoésie[SHS.LITT]Humanities and Social Sciences/Literaturepalimpsesteintemédialitégravure[SHS] Humanities and Social SciencesComputingMilieux_MISCELLANEOUSempreinte[SHS]Humanities and Social Sciences
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Couleur et transparence à l’ère des procédés photomécaniques

2015

This paper aims to show that the reception of British coloured illustrated books in the early twentieth-century reflects the artistic and aesthetic repositioning induced by the development of photomechanical process. Photomechanical reproduction freed the graphic line as well as colour. Reviews published at the turn of the century—as exemplified by The Studio—reveal a tension between opacity and transparency, materiality and lightness, chromophilia and chromophobia. These oppositions apply to the art of the book—as in the books illustrated by Arthur Rackham and Edmund Dulac—as well as to interior decoration. They are subsumed in the image of the peacock’s ocellus, the eyespot that symbolise…

[SHS.LITT]Humanities and Social Sciences/Literatureinterior decorationprocédés photomécaniquesphotographieprintmaking[SHS.ART]Humanities and Social Sciences/Art and art historyestampe[ SHS.LITT ] Humanities and Social Sciences/Literature[ SHS.ART ] Humanities and Social Sciences/Art and art historyphotomechanical processdécoration intérieurephotography[SHS.LITT] Humanities and Social Sciences/Literaturewood engraving[SHS.ART] Humanities and Social Sciences/Art and art historycoloured illustrated booksart of the bookgravure sur boisart du livreillustration en couleur
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Stravinski et ses interprètes. 90 ans d'enregistrements du Sacre du printemps

2022

A work originally composed for ballet, Igor Stravinsky's The Rite of Spring paradoxically owes its reputation to its concert performances and the plethora of discographic versions. As David Zinman says, The Rite is "a kind of visiting card" with which "conductors can demonstrate their personal artistic attitudes." As a result, The Rite is one of the composer's most recorded works, with over 180 recordings of the orchestral version. Stravinsky considered his own recordings to establish an authoritative performance model. CBS even used this as a selling point by putting the slogan "Stravinsky conducts Stravinsky" on the covers of his records. However, his interpretations do not always respect…

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsenregistrementrecordingThe Rite of SpringStravinskyStravinskiInterprétationLe Sacre du printempsperformance
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Beginners' musical instrument practice at home A survey of music-school teachers

2022

The day-to-day instrumental work of the students of conservatories and music schools seems to be an essential condition for a fulfilling and quality musical practice. This survey, addressed to conservatory and music teachers, attempts to understand how this instrumental practice is organized at home by students and families. It deals with student autonomy, personal time and workload, the management of oral instructions, the use of written materials, the methods used to help students in difficulty as well as the role of reprimand and self-assessment during the instrumental lesson. On the teachers' side, it points to a significant use of reprimand to deal with insufficient work situations and…

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artspremier cycle instrumentalinstrumental first cycleEnseignement artistiqueenquêtemusicsurveytravail instrumental.Artistic educationmusiqueinstrumental
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Jazz ou musique de bastringue ? Expertise puriste et radiomorphose du jazz – (1932-1949)

2020

National audience

[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsRadiojazz hotVariétés[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsSim copansCharles Delaunayprogrammation musicale[SHS.HIST] Humanities and Social Sciences/HistoryJazzHughes PanassiéBravig ImbsHot-Club[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS
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