Search results for "SAINT"

showing 10 items of 259 documents

Progetti di rigenerazione nella città-porto di Saint-Nazaire. Strategie di tutela e trasformazione del patrimonio bellico / Plans of regeneration in …

2008

The European city represents today an extraordinary skill for the innovation and transformation of the relationship between architectural design and the built environment. During the last few years many great cities and smaller cores have started regeneration plans throughout design review process that covers namely the waterfronts as well as protection and preservation of built artefacts. A variety of conditions in many European cities – changes in urban structures, new economical and industrials arrays – affecting today the relation between town and infrastructures. The case-study of St. Nazaire shows in particularly a strategy to re-link town and harbour area. The projects developed at t…

Trasformazione Urbana rigenerazione progetto di architettura infrastruttura bellica Porto waterfrontSettore ICAR/14 - Composizione Architettonica E UrbanaPorto waterfront infrastruttura militare architettura progetto urbano rigenerazione urbana allestimento Saint-Nazaire
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List do Rzymian w „Katechezach” Cyryla Jerozolimskiego. Sposoby wykorzystania i interpretacji

2018

Cyril of Jerusalem, the author of the Catechesis delivered to the catechumens and the newly baptized, gave the teachings of Jesus Christ on the basis of the Symbol in force in Jerusalem, and above all on the basis of the Holy Scriptures. He readily referred to the books of the Old and New Testaments, quoting literal citations or paraphrasing individual biblical ideas. Among the frequently quoted biblical books is also the St. Paul’s Epistle to the Romans, which was used by Cyril almost 40 times. Some of Paul’s statements were used as an element of the content link, while others are the starting point for presenting the wider context of Christian teachings to the audience. In most cases, the…

Trinitarian aspectsCyril of JerusalemCyryl JerozolimskiEpistle to the RomansList do Rzymiankwestie moralności chrześcijańskiejśw. Pawełissues of Christian moralityKatechezyaspekty trynitarneCatechesisSaint PaulVox Patrum
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La cúpula de la Basílica de la Virgen de los Desamparados de Valencia (I): el ámbito de la gloria

2007

-Rafael.G-Mahiques@uv.es Estudio iconográfico de los frescos de la cúpula de la Basílica de la Virgen de los Desamparados de Valencia, obra de Antonio Palomino realizada entre 1701 y 1704. Aproximación a un análisis del ámbito de la Gloria celestial. Aquí la Virgen aparece como reina e intercesora ante el Trono de Gracia, en donde, de acuerdo con la tradición iconográfica, se incluye a San Juan Bautista y los arma Christi portados por ángeles. En torno a este núcleo se disponen los bienaventurados, agrupados bajo el criterio de la Letanía Lauretana, en la cual María es invocada con los títulos de Reina de los Ángeles, de los Patriarcas, Profetas, Apóstoles, Mártires, Confesores, Vírgenes y …

TrinityReligions OrdersArts in generalIconografía; Iconología; Gloria; Antonio Palomino; Basílica Virgen Desamparados; María intercesora; Letanía lauretana; Trinidad; Trono de Gracia; Arma Christi; Bienaventurados; Ángeles; Patriarcas; Profetas; Apóstoles; Mártires; Confesores; Vírgenes; Santos; Doctores de la Iglesia; Órdenes religiosasLetanía lauretanaTrinidadMaría intercesoraMartyrsQueen (playing card)GlaryIconologyIconographymedia_commonIconologyAllegoryEmblemTrono de GraciaArtPatriarchasGloriaApostlesBienaventuradosVírgenesConfesoresIconographyDoctors of the ChurchPatriarcasAntonio PalominoIconografíaLitanyVisual Arts and Performing Artsmedia_common.quotation_subjectUNESCO::HISTORIA::Historia por especialidades::Historia del arteFortunateNX1-820Visual artsBasílica Virgen DesamparadosProphetsÁngelesMary intercessorThroneConfessorsSaintsÓrdenes religiosaslcsh:NX1-820SantosLitany of LoretoIconologíalcsh:Arts in generalProfetasVirginsApóstolesMártiresDoctores de la IglesiaThrone of GraceArma ChristiAngelsFrescoHumanities:HISTORIA::Historia por especialidades::Historia del arte [UNESCO]
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The soundscape of the ceremonies for the beatification of St Teresa of Ávila in the Crown of Aragon, 1614

2015

[EN] The beatification of Saint Teresa of Ávila in October 1614 gave rise to widespread celebrations in many of the cities and towns of the Iberian Peninsula. Printed relaciones describing these celebrations, despite their limitations —in terms of political agenda, propaganda, rivalry and literary style— can nevertheless provide information about musical experience and can help to recreate the ephemeral soundscapes of these events. This article will focus on the ceremonies held in the Crown of Aragon, especially Saragossa and Barcelona, taking into consideration the typology of different musics —heraldic, divine and festive— and factors such as the moment in time, function, dynamic, urban s…

TypologyHistorySoundscapeLiterature and Literary TheoryUrban musicologyFilologíasmedia_common.quotation_subjectArt historyFestivitats de beatificacióMusicalTeresa of JesusCrown of AragonLanguage and LinguisticsWriting styleMusicologyTeresa de JesúsBeatification festivitiesRivalrymedia_commonLiteratureMusicologia urbanaUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASbusiness.industryCorona d’AragóFilologías. GeneralidadesSAINTArtBeatification:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Experiència musicalbusinessHumanitiesMusicMusical experience
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Shaping women's agency through temporality in "The life and activity of the holy and blessed teacher Syncletica"

2020

The present article attempts to discuss the relationship between two female characters, Thecla and Syncletica, against the wider theoretical background of temporality as it was perceived and construed through literary texts. Syncletica is portrayed as a ‘disciple’ of Thecla. However, while the apocryphal Acts of Paul and Thecla appear to be pervaded with an eschatological expectation, the Life of Saint Syncletica shows signs of a different temporality. The detailed description of the whole life of Syncletica, with an emphasis on the course of illness, reveals a temporality more focused on the stages of life. Building on this evidence, I aim to identify a set of key features that…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS1135-9560 8276 Studia philologica valentina 567083 2020 22 7762311 Shaping women?s agency through temporality in The life and activity of the holy and blessed teacher Syncletica Dell'IsolaI aim to identify a set of key features that may define the influence of different notions of time on two women saints closely related to each other. 13 31reveals a temporality more focused on the stages of life. Building on this evidence:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]with an emphasis on the course of illnessThecla and SyncleticaMaria The present article attempts to discuss the relationship between two female characterswhile the apocryphal Acts of Paul and Thecla appear to be pervaded with an eschatological expectationagainst the wider theoretical background of temporality as it was perceived and construed through literary texts. Syncletica is portrayed as a ?disciple? of Thecla. Howeverthe Life of Saint Syncletica shows signs of a different temporality. The detailed description of the whole life of Syncletica
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Foundations and Foundation Myths of the Troubadours

2019

A review of several origin myths relating to the creation of medieval Occitan lyric poetry. We see a preference for a “great man theory” of origins, though the “great man” may be a fictional woman. Medieval and early Renaissance Occitan authors, including Uc de Saint Circ, Guilhem Molinier, and Jean de Nostredame, used differing origin myths to validate literature in a language that was perceived not to carry the prestige of twelfth- and thirteenth-century Latin or fifteen- and sixteenth-century French.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASHistoryHistoryLiterature and Literary TheoryPoetryPrestigeGreat Man theoryThe RenaissanceFoundation (evidence)SAINTMythologyPreference:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Classics
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San Jerónimo en la onomástica de la familia Martí de Torres-Aguilar y su proyección en el retablo cuatrocentista de San Martín, del Museo de Bellas A…

2020

Resumen: El estudio de la onomástica familiar de los Martí de Torres-Aguilar, comitentes del retablo cuatrocentista de San Martín, santa Úrsula y san Antonio abad, obra señera del gótico valenciano, y el análisis iconográfico de sus tablas principales, obligan a poner en duda la identificación tradicional de san Antonio abad como el representado en ellas. Tanto la onomástica como la tradición iconográfica apuntan a que la figura en cuestión corresponde a san Jerónimo.Paraules clau: siglo XV, Valencia, San Jerónimo, Martí de Torres, AguilarAbstract: We have studied the family onomastics of the Martí de Torres-Aguilar,  who commissioned the 15th-century raredos St Martin, St Ursula and St Ant…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASHistoryLiterature and Literary Theorymedia_common.quotation_subjectSAINTArtLanguage and LinguisticsValencianlanguage.human_language:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]languageOnomasticsHumanitiesmedia_commonSCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna
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Judes-Èdip en l’edat mitjana

2018

Resum: Una llegenda medieval fon dos personatges literaris: el Judes dels evangelis i l’Èdip clàssic de la tragèdia de Sòfocles, de manera que ens trobem un Judes que, a més dels pecats que ja li coneixíem (traïció, avarícia, mentida, satanisme, suïcidi etc.), comet dues transgressions “edípiques”: el parricidi –mata el seu pare- i l’incest –es casa amb sa mare-. En aquest article fem un seguiment de la tradició textual d’aquesta fussió, del s. XII al XVI, en especial a través de les “passions” teatrals occitanes i catalanes, la Legenda aurea de Varazze i algunes referències de sant Vicent Ferrer i Francesc Eiximenis.
 Paraules clau: Judes, Èdip, passions, incest, parricidi.
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UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASHistoryLiterature and Literary Theorymedia_common.quotation_subjectTragedyPassionsSAINTArtLegendLanguage and Linguisticslanguage.human_language:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]languageCatalanHumanitiesmedia_commonSCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna
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The fifteenth-century Catalan translation of the French "Danse macabre": A critical edition and English translation, from manuscript Miscel·lània 26,…

2015

The present article focuses on ff. cxlr-cviiir of the manuscript Miscel?lània 26, Arxiu de la Corona d’Aragó, Barcelona, which contain the only extant version of the fifteenth-century Catalan translation of the French Danse macabre. The article contains a philological study of this section of the manuscript, with particular attention to the relationship between the Catalan version of the Danse macabre and its French sources: this study serves as an introduction to a new critical edition of the Catalan translation proposed in the second part of the article. The critical text consists of a parallel edition of the Catalan version and manuscript lat. 14904, Bibliothèque nationale de France, Par…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASHistoryMacabreModern EnglishFifteenthLiterature and Literary TheoryPoetryFilologíasmedia_common.quotation_subjectArt historyLiteral translationCharacter (symbol)ArtOtras filologías modernasDance of Death; Danse macabre; Dansa de la Mort; critical edition; Catalan literature; textual transmission and reception; medieval translation; Pere Miquel Carbonell; John Lydgate; Abbey of Saint Victor in Parislanguage.human_languageCatalan literature:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]languageCatalanmedia_common
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Apocryphal Passions of the Apostles in Croatian Glagolitic Texts

2020

In the course of the Middle Ages, apocryphal and hagiographic texts of The Acts of the Apostles of various origins became part of the Croatian Glagolitic literature. The Passion of Saint Andrew, for example, is documented in the sanctorale of nineteen Croatian Glagolitic breviaries dating from the period between the 14th and mid-16th centuries. The Glagolitic Passion is an abbreviated translation of the Latin Epistula presbyterorum et diaconorum Achaiae (BHL 428) from the 6th century. The texts of the Passion of Jamesthe Apostle (Jacobus Maior, apost., filius Zebedaei, frater Johannis, Passio, BHL 4057) are found in two Glagolitic breviaries, namely the Breviary of Vitus of Omi?alj (1396) a…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASPassiofilius ZebedaeiBHL 4057) are found in two Glagolitic breviaries1135-9560 8276 Studia philologica valentina 567083 2020 22 7762310 Apocryphal Passions of the Apostles in Croatian Glagolitic Texts Badurina Stip?evi?Vesna In the course of the Middle Agesdescribing Philip the Apostle?s fight with the dragon. 1 11apost.passions of the Apostles ; Croatian Glagolitic literature ; Andrew the Apostle ; James the Greater ; Philip the Apostlenamely the Breviary of Vitus of Omi?alj (1396) and the Second Breviary from Novi Vinodolski (1495). The Glagolitic Passion of Philip the Apostle is part of the sanctorale in eighteen breviaries. The breviary texts translate a part of the apocryphal Vita b. Philippi apostoli (BHL 6816)is documented in the sanctorale of nineteen Croatian Glagolitic breviaries dating from the period between the 14th and mid-16th centuries. The Glagolitic Passion is an abbreviated translation of the Latin Epistula presbyterorum et diaconorum Achaiae (BHL 428) from the 6th century. The texts of the Passion of Jamesthe Apostle (Jacobus Maior:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]apocryphal and hagiographic texts of The Acts of the Apostles of various origins became part of the Croatian Glagolitic literature. The Passion of Saint Andrewfor examplefrater Johannis
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