Search results for "SICILY"
showing 10 items of 2393 documents
Sicilia in Survey of Numismatic Research 2008-2013
2015
The contribution is a critical analysis of the scientific studies of Greek and Roman numismatics concerning Sicily and produced between 2008 and 2013. The examination reveals a growing interest in the age of the "signing masters", even if the number does not seem to decrease attention for the years between Dionysius and Timoleon and for the period of the end of the III century BC, when Sicily entered the orbit of Rome. There are numerous publications of coin finds and hoards. There is also a particular attention to antiquities, while one of the main poles of interest continues to be iconography.
Late Quaternary sedimentary evolution of the Castellammare Gulf (North-Western Sicily offshore)
2005
High-resolution seismic stratigraphy has been applied to the interpretation of the stratigraphic architecture of Late Pleistocene and Holocene successions on the continental shelf and upper slope of the Gulf of Castellammare, North-Western Sicily. The Late Quaternary type 1 depositional sequence is bounded by a regional unconformity and it is made up of four systems tracts, developed under fourth order relative sea level fluctuations, after the previous highstand of isotope Stage 5e. Systems tract are located in different parts of the basin, two being confined to the outer shelf and the upper slope, the other developed along the inner shelf. Facies associations, geomorphological elements, a…
First observations of oophagy in a wild population of the sand boa (Eryx jaculus)
2017
The sand boa Eryx jaculus (Linnaeus, 1758) is found in the southern Balkans, Middle East and North Africa (Sindaco et al., 2013). Only recently The presence of this species has been confirmed in Italy, in a small area of southern Sicily (Insacco et al., 2015). Knowledge of the sand boa in Sicily is limited with few data on geographical distribution, morphology, and habitat (Insacco et al., 2015; Faraone et al., 2017). Even at a global scale the biology of this species is little known due to its secretive habits (Tokar & Obst, 1993).
Sicily: Navigating Responses to Global Cultural Patterns
2011
The persistence in Sicily until the late 1950s of a socio-economic structure firmly entrenched in the pre-industrial age, was to allow its ancient musical practices to remain in use, tied simply to circumstances of everyday life (from lullabies to funeral laments) and calendar feasts (devotional songs). Though today, on the one hand, there is a progressive decline of songs allied to rural way of life and disappearing traditional works (peasants, carters, sulfur-and-salt miners, fishermen, etc.) there is, on the other hand, a noticeably perennial quality associated to songs tied to ritual contexts (Christmas, Easter and local celebrations of patron saints), that still point out an evidence o…
Il balaneion dell'agorà di Solunto
2019
Ettore Gabrici, who first excavated the structure located in the northwest corner of Solunto’s agora in 1920-21, identified the remains as part of a thermal bath, despite missing some of the key elements which usually characterize this type of buildings (hypocaust, praefurnium, heating pipes). After the re-examination of the architectural elements, this paper suggests a different interpretation which takes into account archaeological evidences from the broader Mediterranean context (especially from Sicily and the Punic world). The results here presented could actively contribute to a better understanding of the hydraulic engineering in Sicily during the Hellenistic Period. As a matter of fa…
Trecento gotico doloroso e cortese in Sicilia: le opere in mostra
2020
Il saggio descrive molte delle opere d'arte del XIV e XV secolo esposte in mostra (dipinti su tavola, sculture lignee, oggetti in argento con smalti, cofanetti in avorio e legno), di fattura locale, italiana, cipriota-egea, iberica, francese e tedesca, tutte provenienti dalla Sicilia, alcune legate alla famiglia Chiaromonte. The essay describes many of the 14th and 15th century works of art on display (paintings on wood, wooden sculptures, silver objects with enamels, ivory and wooden boxes), of local, Italian, Cypriot-egean, Iberian, French and German manufacture, all from Sicily, some related to the Chiaromonte family.
A regional-scale discontinuity in western Sicily revealed by a multidisciplinary approach: A new piece for understanding the geodynamic puzzle of the…
2015
The results of an integrated stratigraphic, structural, geophysical, and geochemical study reveal the presence of a crustal discontinuity in western Sicily that, at present, runs roughly N-S along a band from San Vito Lo Capo to Sciacca. The boundary between the two zones of this discontinuity is nearly orthogonal to the main thrust propagation of the Sicilian thrust-and-fold belt. The different Permian to Tertiary sedimentary evolution recorded by the two zones appears related to this discontinuity, with thick carbonate platforms in the western sector facing deepwater successions in the eastern one. The presence of Upper Triassic reefs, huge megabreccia bodies, and widespread submarine vol…
Making bishops in the Malta of the knights (1530-1798). An international game of parties, patronage and diplomacy
2011
Charles V’s donation of Malta to the Order of St. John in 1530 also established the procedure for appointment of the bishop of the island, whose episcopal seat since the time of the Norman conquest was subject to royal patronage, and thus to the King of Sicily’s right of presentation: the Grand Master would propose to the Spanish king, through the viceroy of Sicily, a ranking of three candidates, previously approved by the Council of the Order, belonging to the rank of convent chaplain and which contained at least one Sicilian. From that time until the expulsion of the knights from the island after the French occupation (1798), 15 bishops were chosen for the Maltese episcopal see. In these …
THE SCENOGRAPHY OF SERPOTTA STUCCOES REVISITED - MATERIAL AND FORM
2015
The material that lies beneath the smooth shining surface of the stuccoes of the Serpotta family who used to work in Sicily from 1670 to 1730, has been thoroughly studied in previous papers, disclosing the deep, albeit empirical, knowledge of materials science that guided the artists in creating their masterpieces. In this work, attention is focused on the solid perspective and on the scenographic sculpture by Giacomo Serpotta, who is acknowledged as the leading exponent of the School. The study deals with some particular works of the artist, the “small-scaled plastic theatres”, so-called “teatrini”, which he made for the San Lorenzo Oratory in Palermo. On the basis of archival documents an…