Search results for "Sculpture"
showing 10 items of 138 documents
Arcadio Blasco: : Cinco esculturas urbanas (1986-1991)
2013
Con las primeras elecciones municipales democráticas en España después del franquismo, los nuevos ayuntamientos establecieron programas para reconstruir las ciudades españolas. Un aspecto de estos proyectos fue la creación de espacios públicos donde la gente pudiera encontrarse en un ambiente agradable. Estas áreas se cerraron al tránsito y se amueblaron con árboles, bancos y un nuevo tipo de esculturas artísticas. En la zona de Alicante, el ceramista Arcadio Blasco, ya conocido en Madrid y en Roma, creó cinco monumentos urbanos de gran escala. Después de veinte años, el destino de cada escultura ha sido diferente: alguna permanece en buenas condiciones, pero otras han sido tratadas de tal …
The “recipe” of the stucco sculptures of Giacomo Serpotta
2002
Abstract Mineralogical and chemical data (organic) of some representative samples collected from stucco-works by the famous Sicilian sculptor Giacomo Serpotta (Palermo, 1656–1732) have been combined with the aim of ascertaining their manufacture technology in the light of local historical sources. A complete correspondence between samples belonging to the “Victory” statue (1723) and the S.S. Rosario oratory (1685–1689) as regards stratigraphy, mineralogy of sand aggregate, composition of binder matrix, and nature and concentrations of organic additives is pointed out. Considering that the studied works of art cover more than 35 years of the artist’s activity, it is consequential to think of…
Spazio artistico ed espressione di libertà: volti spazi e creatività nell'opera di Filippo Bentivegna
2018
In this essay the author investigates the life and the work of F. Bentivegna, a sicilian migrants who had the power to translate the failure of a dream in an artistic expression form, thus becoming one of the exponents of the european Art Brut's artistic movement.
Virgin and Child sculptures in Buenos Aire’s public collections, 12th to 16th centuries
2016
During the last years, the building process and history of art collections became a prolific field of study in Argentina. However, research on medieval art in private and public collections in our country received little or no attention. But even if medieval art is considerably less represented than modern styles, there is an interesting amount of high quality medieval pieces exhibited at several museums in Argentina. The main purpose of this thesis is therefore to expand our knowledge of the medieval works of art in public Argentine collections, as related to their origin, dating, interpretation, technique and provenance. These pieces show great diversity of styles, provenance and techniqu…
La Prima Guerra Mondiale nella cultura figurativa siciliana
2019
Nel volume "Dalla memoria del sacrificio alla celebrazione della Vittoria. La Prima Guerra Mondiale nella cultura artistica e architettonica siciliana", il contributo presenta una ricognizione sulla cultura figurativa in Sicilia durante la Prima Guerra Mondiale. Particolarmente interessante l'esame della ricezione artistica del primo conflitto mondiale che si manifestava da una lato nella celebrazione delle personalità eroiche che contribuirono alla vittoria dall'altro nell'interpretazione dei risvolti drammatici, collettivi e individuali, della guerra. L'indagine si concentra su un campione di dipinti, sculture e monumenti con particolare riferimento alla produzione di Mario Rutelli, Domen…
Parthosque reposcere signa. Augusto e i Parti in una statua da Regium Lepidi
2015
Una statua loricata frammentaria conservata nei Musei Civici di Reggio Emilia (l’antica Regium Lepidi), alla quale in passato non era stata dedicata sufficiente attenzione, potrebbe essere annoverata tra le scarse effigi di Augusto giunte fino a noi dal territorio della regio VIII. La decorazione della corazza, in particolare, sembra celebrare la restituzione delle insegne militari che i Parti avevano in precedenza sottratto ai Romani, come si può ipotizzare sulla base del confronto con le immagini monetali dell’Arco Partico, eretto da Augusto nel Foro di Roma. A fragmentary loricata statue preserved in the Civic Museums of Reggio Emilia (the ancient Regium Lepidi), to which in the past had…
Picasso y Christian Zervos. Los dibujos escultóricos del cuaderno de Cannes, en 1927, y las esculturas biomórficas modeladas en París, en 1928
2012
This article establishes the analysis of Picasso´s drawing in Cannes, in 1927, and their relation with the sculptures fashioned in París in 1928. The review of this drawing with a new plastic purpose and the comparison with other preceding sculptures in different materials facilitate a new reading, and explain the artist evolution in that specialty and the unpublished nature of immediate sculptures. The influence on important avant-garde and surrealist artists increases the interest in this review and the conclusions reached. El artículo plantea el análisis de los dibujos escultóricos de Picasso en Cannes, en 1927, y la relación establecida con las esculturas que modeló en París en 1928. La…
De chair et de marbre. La beauté des corps dans l’art grec ancien au British Museum
2016
International audience; La beauté des corps dans l'art grec ancien se célèbre au British Museum. Jusqu'au 5 juillet au British Museum, Londres. Plongé dans une quasi-obscurité, le visiteur découvre objets et statues brillant sous la lumière artificielle comme des diamants sur un écrin de velours : le Discobole - lanceur de disque créé par Myron au Ve siècle av. J.-C. -, le Doryphore - porteur de lance imaginé par son contemporain Polyclète - ou l'Aphrodite accroupie (statue hellénistique représentée ici par une copie romaine du IIe siècle ap. J.-C.). Ainsi se dévoile, dans la belle exposition « Definiting Beauty: the Body in Ancient Greek Art », qui rassemble originaux et copies, un réperto…
Su due sculture minori di Alessandria e Leptis Magna
2018
This paper focuses on two marble sculptures representing Bellerophon with the Chimaera, now in the Alexandria and Lepcis Magna Museums, which received the attention of the late Professor Nicola Bonacasa several decades ago. Carved in Proconnesian marble and rendered with a very close iconography, they are part of a larger group of about ten trapezophora with the same subject. Pointing out more on differences among these exemplares than on their analogies, after some considerations on the long debate about the function and the meaning of these sculptures as well as on the geography of the myth of the Chimaera, a new interpretation of the myth is proposed, not as unique but co-existing with t…
Las esculturas encargadas por Carlos V a Leone Leoni en 1549 y su acabado en España por Pompeo Leoni
2013
In Brussels in 1549 Charles V commissioned four bronze and four marble sculptures from Leone Leoni, to which were added new orders. The sculptor worked on them, especially the bronzes, in Milan, and they were shipped to Spain along with other works at the time of the arrival of the Emperor and the Court. This article discusses the history and evolution of the marbles and a bust (Prado Museum: E-260, E-262, E-267, E-269, E-291), which were sent from Genoa to Cartagena, where they remained until 1568. After years of neglect, Pompeo Leoni was commissioned to arrange for their transfer to his house in Madrid along with Juan de Lugano, artist and dealer in marbles, where Pompeo finished most of …