Search results for "Shake"
showing 10 items of 180 documents
The Ambivalence of Revenge and of the Avenger's Role in HAMLET: The Function of Letters and Emblematic Allusions
2011
SHAKESPEARE AND THE ITALIAN RENAISSANCE: Appropriation, Transformation, Opposition.
2014
"Lo Shakespeare di Giorgio Melchiori: dal pluralismo critico alla pluralità dell'Arte"
2010
Shakespeare, Milton, and the Romantic Imagination
2011
"'Mens sana in corpore sano': the Rhetoric of the Body in Shakespeare's Roman and Late Plays"
2010
In many of his stage settings Shakespeare appears to be obsessed by the idea, image, or concept of the body in its multiple literal and figurative aspects and by the dramaturgical potentiality of the language of corporeality. The rhetoric of the body does in fact lend itself to an impressive series of striking theatrical forms since it is innate to the physicality of performance and to the natural ‘spectacle’ of the dramatic actio. What indubitably makes the corporeal semantics of Shakespeare’s language even more fertile is the social, political, and ideological value acquired by this kind of rhetoric in the culture of the early Renaissance. In the history plays in particular the political …
Prospero, il tempo del racconto: ambiguità tra fiaba e memoria in "The Tempest"
2011
Hamlet : tragedia de Guillermo Shakespeare
Grav. calc. en f. de làm.: "Giuseppe Cades inv. e del. Gio. Batta Leonetti incise" Text a 1 col Sign.: 1-53(4), 54(3). - Cuaderns numerats
A Devil's Labyrinth : a rereading of Hamlet
2010
Tämä tutkimus käsittelee William Shakespearen näytelmää Hamlet, kiinnittäen huomiota haamun alkuperään sekä Shakespearen näkemykseen koston oikeutuksesta perustuen Prosserin (1971) tutkimukseen esittäen, ettei Haamu ole todellisuudessa Hamletin isä vaan demoninen henki. Näytelmän keskiössä ei tämän tulkinnan mukaan ole perinteisesti ymmärretty teema pojasta, jonka täytyy kostaa isänsä kuolema, vaan se, että hän uskoo demonista henkeä ja näin saattaa toiminnallaan tuhoon koko Tanskan kuningaskunnan. Tragedia ei siis perustu koston oikeutukseen ja Hamletin päättämättömyyteen ja kykenemättömyyteen kostaa, vaan siihen, että hän kostaa siitäkin huolimatta, ettei se ole sallittua. Sen sijaan, ett…
The boundaries of citation and allusion: Shakespeare in Davide ferrario's Tutta colpa di giuda (2008), Alfredo Peyretti's Moana (2009), and Connie Ma…
2018
The paper focuses on the following samples of media material: Davide Ferrario’s Tutta colpa di Giuda (2008), a film set in an Italian prison that references Hamlet; Alfredo Peyretti’s Moana (2009), which is about the life of Italian porn star Moana Pozzi, and incorporates lines from A Midsummer Night’s Dream; a 2001 episode of Crime Scene Investigation entitled “Caged” that makes citations from Othello interact with an investigation into what looks like a murder; and Connie Macatuno’s Rome and Juliet (2006), a Filipino experimental film that turns Shakespeare’s tragic love story into a lesbian romance. The paper argues that “Shakespeare” is a fragmentary but significant presence in each of …