Search results for "Televisio"

showing 10 items of 507 documents

The Third Memory: stati della finzione nell’arte di Pierre Huyghe

2013

This paper focuses on The Third Memory, a re-enactment of Dog Day Afternoon (Lumet, 1975) by French artist Pierre Huyghe. By starting with the theoretical perspective developed by Nicolas Bourriaud in Relational Aesthetics and Postproduction, the essay attempts to show how a relational reading of the re-enactment of Pierre Huyghe may represent a valid investigative tool to analyze the relationship between cinematic narrative structures and everyday life narrative structures, between fiction and reality, in the work of the French artist."and reality, in the work of the French artist.

Settore L-ART/06 - Cinema Fotografia E TelevisioneRelational aesthetics Transmediality Film Theory Pierre Huyghe
researchProduct

Adam Santelli - Cannonball

2012

Settore L-ART/06 - Cinema Fotografia E TelevisioneSantelli cannonball fotografia
researchProduct

Il cinema dello smartphone

2017

Urban screen, videomapping e nuove forme di schermi fuori dalle sale

Settore L-ART/06 - Cinema Fotografia E TelevisioneScreen postcinema
researchProduct

Prefazione

2010

Settore L-ART/06 - Cinema Fotografia E TelevisioneSet virtuale scena digitale cinema televisione
researchProduct

Rappresentazione dello spazio urbano e dei corpi nel nuovo cinema del reale italiano: Sacro GRA

2020

Starting from the dichotomy set / city and city / set and the way in which bodies relate to it and offer themselves to the gaze of the camera (or the latter avoids them because if looked at it cracks the illusion of a show itself), and dwelling specifically on "Sacro GRA" (2013), the essay aims to demonstrate how the so-called "cinema of the real" does not take the form of a slavish return to twentieth-century realisms but as a research on forms of representation (of urban reality and the bodies that are inscribed in it) also through the use of unusual perspectives and points of view and different narrative and expressive styles that make the relationship between fiction and authenticity hy…

Settore L-ART/06 - Cinema Fotografia E TelevisioneSet Sacro GRA urban reality realism
researchProduct

A look from outside Foreign photographers in Palermo between the 19th and the 20th century

2021

When photography entered the scene in the mid-19th century, the representation of Sicily consisted largely of drawings, paintings, and written accounts that foreign travelers made during the previous century and, even after the diffusion of the new medium, the photographic description of the island was mostly left to them. The continuity of this 'external gaze' motivated the choice of an analysis aiming to explain its influence over the photographic image of Sicilian cities. Using Palermo as a case-study, this article investigates the relationship between the previous visual tradition and the repertories of foreign photographers. Its purpose is to understand how their description of the cit…

Settore L-ART/06 - Cinema Fotografia E TelevisioneSettore L-ART/03 - Storia Dell'Arte ContemporaneaPalermophotographytravel
researchProduct

Soft Cinema: creatività, software e automazione

2015

Soft Cinema: Navigating the Database is the result of a theoretical and artistic research conducted by Lev Manovich and Andreas Kratky with the aim of investigating the possibilities of cinema in the era of new digital technologies. The semi-automatic process of film-making that drives Soft Cinema depicts important aspects regarding the functioning of the software, algorithms and electro-computational automation. The essay, by extending the theoretical reflection of the authors, shows how these aspects play a crucial role in the development of new digital technologies and their relationship with contemporary capitalism.

Settore L-ART/06 - Cinema Fotografia E TelevisioneSettore SPS/01 - Filosofia PoliticaSoftware Cinema automazione capitalismo digitale
researchProduct

I media digitali e l'interazione uomo-macchina

2015

Il volume intende approfondire il tema della interattività attraverso un approccio al tema di tipo multidisiciplinare. Sociologi, futurologi, ingegneri informatici e massmediologici sono stati invitati a riflettere sul carattere specifico dell'interattività dal punto di vista tecnologico e da quello del suo impatto sociale e culturale.

Settore L-ART/06 - Cinema Fotografia E TelevisioneSettore SPS/08 - Sociologia Dei Processi Culturali E Comunicativimedia digitali interattività
researchProduct

Introduzione

2015

Interazione e interattività sono i caratteri fondamentali del computer moderno. Ma secondo quali direzioni e con quali strategie si esplica questa fondamentale funzione?

Settore L-ART/06 - Cinema Fotografia E TelevisioneSettore SPS/08 - Sociologia Dei Processi Culturali E Comunicativimedia digitali postcinema interattività
researchProduct

Sette sguardi sulla Sicilia

2007

Settore L-ART/06 - Cinema Fotografia E TelevisioneSicilia Documentario
researchProduct