Search results for "Theater"

showing 10 items of 161 documents

You Are In the Army Now : Militarism and masculinity in contemporary Polish cinema, the case of Karbala

2020

Cultural StudiesNATOHistoryVisual Arts and Performing Artsbusiness.industryCommunicationmedia_common.quotation_subjectAfghanistanArt historywar filmsUnited StatesMilitarismMovie theater"Karbala"patriotismMasculinityIraqPolandbusinessmedia_commonFilm International
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Visualising political thinking on the screen : a dialogue between von Trotta’s Hannah Arendt and its protagonist

2016

This article analyses Margarethe von Trotta’s film Hannah Arendt: The Woman Who Saw Banality in Evil through its protagonist’s own writings on visual culture, visibility and invisibility in the context of political thinking. We start by clarifying Arendt’s understanding of political theory as an activity aiming to provoke thinking. We then discuss systematically the visual language of the film and offer a typology of its representations of political thinking, subdivided into a part on internalisation and one on externalisation (dialogue). We emphasise von Trotta’s reliance on a negative approach, i.e. the representation of thinking through the absence of any other activity while thinking, c…

Cultural StudiesPsychoanalysisInvisibilityvisualisointiPoliticsMovie theatervisualisation050602 political science & public administrationta517theoryVisual cultureLiteraturebusiness.industryPhilosophy05 social sciences06 humanities and the artsvisibilityArendt060202 literary studiesHanna0506 political scienceAnthropology0602 languages and literaturecinemavon TrottabusinessArendt Hannanäkyvyys
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Decolonizing Othello in search of black feminist North American identities: Djanet Sears' Harlem duet and Toni Morrison's Desdemona

2017

<p>The plays <em>Harlem duet </em>(1997) by African Canadian playwright Djanet Sears and <em>Desdemona </em>(2012) by Toni Morrison signify upon European texts aiming to carve out a new definition of what it means to be black in North America. Therefore both texts make for interesting reading in the study of (black) identity construction within US and Canadian contexts for, by revising Shakespeare’s <em>Othello</em>, they rethink and rewrite a social and racial reality unrelentingly disrupted by difference and hybridity. Sears’ play establishes a specific reading of Canadianness in dialogue with African America to erect a possibility of healing and …

Cultural StudiesSubjectivityLinguistics and LanguageLiterature and Literary Theorymedia_common.quotation_subjectIdentity (social science)Feminist selfLanguage and LinguisticsFeminismEducationEthosAfrican CanadianHybridity0504 sociologyBlack identitySociologyAfrican Americanmedia_common05 social sciences050401 social sciences methodsGender studies06 humanities and the artsDemocracy060402 drama & theaterNorth AmericaOthello0604 artsCultural pluralismDramaInternational Journal of English Studies
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Miradas oblicuas : infancias, paisajes y comunidades interrumpidas en el cine de Dominga Sotomayor

2020

Dominga Sotomayor propone, en De jueves a domingo (2012), Mar (2014) y Tarde para morir joven (2018), exploraciones de la intimidad de una familia, una pareja y una comunidad. En estos acercamientos, la intimidad se configura en grados variables de tensión con el afuera y lo público. En estas oscilaciones se pone en evidencia una de las características más recurrentes y estudiadas del cine chileno contemporáneo: la conversión de la intimidad en el locus sobre el que se proyectan, de manera indirecta, los conflictos del pasado y el presente. Este artículo considera la forma en que el cine de Sotomayor se inscribe en el panorama actual del cine chileno y, a través de él, en su escenario socio…

Cultural StudiesUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLinguistics and LanguageHistoryLiterature and Literary TheoryPanoramabusiness.industryCommunicationRepresentation (arts)Language and LinguisticsMovie theater:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Natural (music)NarrativeSociologybusinessArticulation (sociology)HumanitiesInscribed figure
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Del abuso de las palabras. La crisis de la crítica cinematográfica en Argentina

2016

Resumen: el presente trabajo analiza la formación del modelo depreciado de la crítica cinematográfica argentina desde 1990 y toma como caso testigo la publicación especializada El amante. Se plantea la edificación  de  un sistema de validación mutua con el BAFICI (Buenos Aires Festival Internacional de Cine Independiente)  y la Universidad del Cine y cómo esto contribuye a la gestación de la marca Nuevo Cine Argentino. Abstract: This article analyses the forming of the devaluation model of Argentine film criticism since 1990, using El amante journal as a case study. The piece presents the construction of a mutual validation system by BAFICI (Buenos Aires International Independent Film Festi…

Cultural StudiesUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLinguistics and LanguageHistoryLiterature and Literary Theorybusiness.industryCommunicationmedia_common.quotation_subjectHumanidadesDevaluationArtLanguage and LinguisticsMovie theater:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Humanidades. GeneralidadesFilm festivalCriticismbusinessHumanitiesmedia_commonKamchatka. Revista de análisis cultural.
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Meryl Shriver-Rice (2015) Inclusion in New Danish Cinema: Sexuality and Transnational Belonging

2017

DanishMovie theaterInclusion (disability rights)business.industryKirja-arviotlanguageGender studiesHuman sexualitySociologybusinesslanguage.human_languageLähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu
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Capturing and Indexing Rehearsals: The Design and Usage of a Digital Archive of Performing Arts

2015

International audience; Preserving the cultural heritage of the performing arts raises difficult and sensitive issues, as each performance is unique by nature and the juxtaposition between the performers and the audience cannot be easily recorded. In this paper, we report on an experimental research project to preserve another aspect of the performing arts—the history of their rehearsals. We have specifically designed non-intrusive video recording and on-site documentation techniques to make this process transparent to the creative crew, and have developed a complete workflow to publish the recorded video data and their corresponding meta-data online as Open Data using state-of-the-art audi…

Digital archivingComputer science[ INFO.INFO-WB ] Computer Science [cs]/Web02 engineering and technology[ INFO.INFO-CV ] Computer Science [cs]/Computer Vision and Pattern Recognition [cs.CV]computer.software_genre[SHS.MUSEO]Humanities and Social Sciences/Cultural heritage and museologyvideo processingWorld Wide WebDocumentationopera11. Sustainability0202 electrical engineering electronic engineering information engineeringAudio signal processing[ INFO.INFO-MM ] Computer Science [cs]/Multimedia [cs.MM]HypervideoMultimediahypervideo[INFO.INFO-WB]Computer Science [cs]/Web[INFO.INFO-MM]Computer Science [cs]/Multimedia [cs.MM][INFO.INFO-CV]Computer Science [cs]/Computer Vision and Pattern Recognition [cs.CV]020207 software engineering[ MATH.MATH-NA ] Mathematics [math]/Numerical Analysis [math.NA]Video processingLinked dataperforming artsaudio processingCultural heritageWorkflowtheaterLinked Data[ SHS.MUSEO ] Humanities and Social Sciences/Cultural heritage and museology020201 artificial intelligence & image processingPerforming artscomputer[MATH.MATH-NA]Mathematics [math]/Numerical Analysis [math.NA]
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Curating as placing stones to be picked up: Interview with Anne-Cécile Sibué-Birkeland

2021

Dramatic representation. The theaterPN2000-3307VDP::Humaniora: 000::Film- og teatervitenskap: 170::Teatervitenskap: 172Critical Stages
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Gatsos traduttore di teatro, Glosa psychìs anghelos. Afieroma stin Eleftheria Giakoumaki

2010

Nikos Gatsos, poeta della generazione del Trenta noto per la sua opera principale, Amorgòs, e per le numerose canzoni composte in tutta la vita, dedicò molto tempo ed energie alla traduzione di testi teatrali dall''inglese, dal francese e dallo spagnolo, conseguendo risultati efficaci sia dal punto di vista linguistico, sia drammaturgico. Nikos Gatsos, poet of the generation of the thirties known for his main work, Amorgòs, and for the many songs composed throughout his life, dedicated much time and energy to the translation of theatrical texts from English, French and Spanish, achieving effective results both linguistically and dramaturgically.

Gatsos theater generation of the thirtiesSettore L-LIN/20 - Lingua E Letteratura NeogrecaGatsos teatro generazione del Trenta
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Klasikas iestudējumi Oļģerta Krodera režijā: teksts un tā interpretācija

2017

Promocijas darbā pētīta teksta nozīme iestudējuma koncepcijas īstenošanā, balstoties uz režisora Oļģerta Krodera iestudētajiem literatūras klasikas darbiem. O. Krodera radošā darbība analizēta hronoloģiski secīgos četros periodos, kurus lielā mērānosaka katrā periodā iestudētā V. Šekspīra traģēdija „Hamlets”. Kopumā analizēti 12 iestudējumi, fiksējot laikmeta refleksijas katra iestudējuma vēstījumā un pieņemot „Hamletu” kā atskaites punktu. Teksts pētījumā analizēts no hermeneitikas pozīcijām kā lingvistiski izteikts vēstī jums. Vienlaikus ņemts vērā jēdziena „teksts” kulturoloģiskais aspekts, kas iestudējuma vēstījuma atklāsmē par vienlīdz svarīgiem atzīst visus estētikas objektus. Pētījum…

HermeneuticsInterpretationTeātra un kino teorijas un vēstureValodu un kultūras studijas dzimtās valodas studijas un valodu programmas„Hamlet”klasika tekstsClassics TextTheater and Film Theory and Historyinterpretācija„Hamlets”MākslaPsychological approachhermeneitikaadaptācijaOļģerts KrodersAdaptationArtpsiholoģiskais teātris
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