Search results for "Theatre."
showing 10 items of 161 documents
On n'est pas là pour voir le défilé !
2008
L'article interroge la notion de fête dans les arts et les spectacles de rue et les ambivalences à ce sujet
Tra calunnia e inganno: strategia della parola nella Fedra di Seneca
2013
Il comportamento comunicativo di Fedra crea un corto circuito da cui si sprigiona il pathos del dramma senecano. Nel tessuto tragico confluiscono infatti aspetti della comunicazione quali la manipolazione, l’inganno e la calunnia che mediano il trapasso fra passione e menzogna degradando il portato metaforico della protagonista. Nucleo e vettore di propulsione della struttura drammatica della Phaedra di Seneca è infatti la potenza della parola che svela e nasconde fra trasparenza e indecifrabilità sottraendosi alla chiarezza della verità per farsi sottile strumento di menzogna. Phedra's communicative behaviour creates a short circuit from which the pathos of Seneca drama emanates through so…
Dramat - teatr - mit : "Oblubienica z Messyny" Friedricha Schillera w kręgu mitotwórczych projektów romantyzmu
2016
Friedrich Schiller’s tragedy, "Braut von Messina", being a project of a new tragedy form and the plot structure modelled on the mythic story of Oedipus’s family, is usually placed in the developmental seąuence of the genres of Schicksalstragodie and Jambentragodie. Yet, the ostentatious condensation and muddling of the motives of the Oedipus myth in the plot calls for the use of the chronologically close categories of romantic irony and romantic myth-making, and subseąuently, for asking a ąuestion concerning the intention of establishing the mythical world by means of a ritual performed with the use of theatrical measures.
"The toenails on the other hand never grow at all" : the functions of wordplay in Tom Stoppard’s play Rosencrantz and Guildenstern Are Dead
2015
Huumori on hyvin yleisesti käytetty tehokeino niin arkisessa kielenkäytössä kuin populaarikulttuurissa ja kirjallisuudessakin. Yhtenä huumorin lajina voidaan pitää erilaisia sanaleikkejä, joissa leikitellään kielen monitulkintaisuudella. Sanaleikeissä on usein kaksi, tai jopa useampi, merkityksen taso, joiden yhtäaikainen ymmärtäminen johtaa sanaleikin tajuamiseen. Tom Stoppardin vuoden 1966 näytelmä Rosencrantz and Guildenstern Are Dead on tunnettu absurdi komedia, jossa esiintyy reilusti sanaleikkejä, joten se soveltuu erityisen hyvin juuri tämänkaltaisen huumorin tarkasteluun. Tässä näytelmässä Shakespearen Hamletin sivuhenkilöt Rosencrantz ja Guildenstern ovat päähenkilöinä omassa tarin…
Lecture et écriture dans l’univers dramatique de Louise Doutreligne
2010
La lectura y la escritura son frecuentes en el universo dramático de Louise Doutreligne, ya sea en las obras cuya acción se desarrolla en un marco espacial y temporal próximo ya sea en las que lo hacen alejándose en el tiempo y el espacio. Los modos en que lectura y escritura se materializan en la escena son variados y afectan fundamentalmente a las voces y al tratamiento del personaje que lee o escribe. Asimismo, esos actos pueden conducir a una alteración de las coordenadas espaciales y temporales del universo dramático e incluso dividirlo en dos: uno marco y otro enmarcado. Lectura y escritura son, pues, fundamentos del universo dramático de Louise Doutreligne. Reading and writing are ve…
Il sistema di copertura del Teatro Politeama di Palermo
2012
In the project of the Politeama’s Theater in Palermo, the Architect Almeyda summarizes, in an expressive and model balance, the technological component and geometrical/spatial shape, providing optimal solutions to a structural and functional problems. Thanks to its typological approach, thanks to its technological aspects and, specifically, thanks to its size and its style, the work offers us some interesting reflections about the technical choices carried out for the construction. The Author, basing on some original Almeyda’s drawings, deepens the geometric and compositional system of the roof. The daring and complex construction carried out in iron and glass, modern and progressive in for…
Theatre as a Communicative Strategy for Teaching English as a Foreign Language to Primary Education Undergraduates: A Pedagogical Experience
2020
espanolComo profesores de lenguas estamos constantemente tratando de establecer un ambiente apropiado para que las cuatro destrezas se desarrollen plenamente a traves de actividades o ejercicios que implican un estimulo, ya que un idioma extranjero se aprende mas facilmente cuando los elementos utilizados para ensenar son mas atractivos. El teatro puede desempenar este papel, ya que es un genero educativo que se ha explorado para la ensenanza de lenguas desde el desarrollo del Enfoque Comunicativo. El proposito de este articulo, por tanto, es en primer lugar, examinar la efectividad del teatro en general con referencia a los numerosos argumentos a favor de la utilizacion de esta herramienta…
Du sens à la folie dans "La Folle de Chaillot" de Jean Giraudoux
2016
The play entitled The Madwoman of Chaillot (1945) by Jean Giraudoux (1882– 1944) is a poetic expression, through a true/false game, of the author’s anxiety concerning the politics of the excessive exploitation of the Earth’s natural resources and its consequences. The idea of getting rich no matter what has been ridiculed with mastery, due to the characteristics of the style of the author of Electra, such as parody, irony, and agility. The main character is ambivalent, which allows interpretative variations and makes the matter of the play complicated and equivocal, which has been proved by the Polish staging of the play in 1947.
Stare i nowe, czyli multimedia w teatrze : "Dwanaście stacji" Tomasza Różyckiego w scenicznej adaptacji Mikołaja Grabowskiego
2015
Tramping the Dirt Down: The Real and Imagined Death of Margaret Thatcher
2018
The Death of Margaret Thatcher (2008) is a play written by British playwright, Tom Green. The play, debuting at The Courtyard Theatre, London, received unsurprising criticism mainly due to its controversial and prophetic subject matter. Notably the main grievance was that Margaret Thatcher was not dead. The playwright’s prophetic and imagined version of events touched the nerves of those who supported Thatcher, and also those who derided her. This paper takes into account the preoccupation with imagining Thatcher’s death and also considers the events which took place surrounding the real death of Margaret Thatcher. Curiously, the real and the imagined are closely entwined. The paper aims to…