Search results for "Theatre."
showing 10 items of 161 documents
What did Stanislavsky see watching Eleonora Duse's Acting
2013
Performances like those Eleonora Duse’s led James Joyce to comment that the Italians had an immense genius for the theatre. He said that on stage, they were undoubtedly the greatest actors in existence. What is more, Stanislavsky was so inspired by Eleonora Duse’s acting that he formed his system, with the aim of matching her absorbing and exquisitely sympathetic acting. In particular, Stanislavsky was profoundly attracted by the simplicity of her acting. But it did not emerge from a natural status or attitude, as many have believed. As we now know that it came from the perfect execution of the drammatica.
Przestrzenne ograniczenie teatru wojny w kontekście praw i obowiązków państw neutralnych
2018
Współcześnie, tradycyjnie rozumiana kategoria państwa neutralnego uległa zmianie. Spowodowane jest to przede wszystkim ewolucją nietykalności terytorium państwa. Obecnie, tradycyjnie rozumiana nietykalność terytorialna państwa, wobec współczesnych, technicznych możliwości prowadzenia wojny musi, w sensie regulacji prawnomiędzynarodowych, ulec zmianie. Należy jednoznacznie stwierdzić, że dotychczasowa neutralność państwa jest li tylko kategorią historyczną
Attraversare
2016
L'articolo propone alcune riflessioni sul concetto di "attraversamento dell'architettura" tramite l'implicazione delle arti visuali e del teatro danza. In particolare, è stata approfondito tale concetto realizzando un "attraversamento" della concatenazione spaziale di Palazzo Riso, Museo d'Arte Contemporanea di Palermo, filtrando lo spazio con la scansione temporale della danza. La performance di teatro danza prende avvio in un precedente momento architettonico, cioè nella Piazza Bologni, che costituisce una delle due estremità del percorso teatrale-spaziale. La piazza costituisce il momento della riflessione, dall'esterno verso l’interno, di una serie di avvenimenti attraverso i quali pren…
Teatr historii, teatr wyobraźni : Juliusz Słowacki - Tadeusz Miciński
2013
This paper is an attempt to present the parallels between Słowacki’s and Miciński’s dramatic works, with an emphasis on the domains that have not yet been compared. It juxtaposes the following aspects: spectacularity, theatricality, and the presence and functioning of meta-theatrical gags. The anticipatory character of Słowacki’s works with respect to the paradigms of modernist culture was noticed as early as by the end of the 19th century. In the 21st century, the search for similarities between these two authors’ texts is still justifiable, yet it neither implies abandoning the tropes outlined by the modernists, nor forces polemics with studies developed in the second part of the 20th cen…
Scenekunstens (for)handlingsrom etter 22. juli
2019
In this article I discuss theatre’s scope of action after the 2011 terror attacks in Norway (“22. July”), with an emphasis on independent theatre, aesthetic heteronomy and the public sphere. A theatre manager’s (Jon Refsdal Moe) retrospect account of and reflections upon a case of self-censoring is the starting point for my (re-)examination of the arguments and dynamics concerning some of the most prominent contentious 22. July performances. I discuss how the controversies can be understood and dealt with, and how they are connected to theatre’s scope of action and place in society today. In my argument, I differentiate between the public sphere as an arena for discussion and debate (which …
Lope y la tramoya de la corte: entre tradición e innovación
2013
El trabajo se centra en el periodo de actividad de Lope de Vega como dramaturgo para reconstruir, con la reunión de datos conocidos y los aportados por algunos documentos de archivo, la actividad espectacular y festiva vinculada a la corte de los Austrias. El artículo hace balance de esa tradición espectacular, sobre la que cada vez se tiene mayor información, porque es ese telón de fondo el que permite entender y contextualizar cabalmente los grandes dramas-espectáculo escritos por Lope desde fechas tempranas y hasta poco antes de su muerte, y comprender las trasformaciones que supo imprimir a esa tradición. This paper focuses on the period of Lope de Vega’s activity as a playwright in ord…
Dramatizing Goldoni's Harlequin in China
2014
Through an analysis of some of the elements of the development of the Chinese theatre, the paper underlines the characteristics of the influence of the Italian theatre in China focusing on the character of Harlequin. Attraverso una disamina di alcuni elementi dello sviluppo teatrale in Cina, il contributo mette in luce le caratteristiche dell'influenza del teatro italiano in Cina ruotando intorno alla figura di Arlecchino.
La construcción del lenguaje en el Teatro Popular de Sciacca de Giuseppe y Alberto Samonà / The construction of language in the Sciacca popular Theat…
2018
El Teatro popular de Sciacca de Giuseppe Samonà y su hijo Alberto –dos importantes guras de la arquitectura italiana– es una de las más significativas obras italianas de la segunda mitad del siglo XX. Inaugurado en 2015, después de una larga construcción de cuarenta años, el teatro tiene una original implantación con doble sala; está compuesto por tres grandes volúmenes (un paralelepípedo, un cono y una pirámide) y expresa una arquitectura de la imagen, una idea de un espacio determinado por formas puras y del uso de un único material (el hormigón visto). El uso de tres formas arquetípicas es una vuelta a los orígenes, una idea casi clásica y racional de la arquitectura; al mismo tiempo es …
On the side of the marginals: the character of Ahmed in The Tower of Defense (1978) of Copy
2018
Copi, writer, playwright and draughtsman Ar- gentino settles in Paris in 1962 until his death in 1987. The experience of exile and wandering marks the personal and creative trajectory of this intercultural artist. Indeed, a whole series of vulnerable and marginal characters swarm in their particular universe and subvesivo. In this space of the excluded, the figure of the immi- grant Maghreb in France, embodied in the cha- racter of Ahmed, acquires all its significance. In this work we will try to analyse the symbolic value of Ahmed, heir to the colonial past mar- ked by rejection, which appears in the Teatro de Copi, specifically in La Défense Tour (1978). Ahmed’s image traces an invisible …
Rigaer Theater: Souvenir 1894/95
1894
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